Surprisingly incoherent and boring

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

Blistering performances.

Not sure why all the low ratings, this movie delivered exactly as would be expected. It offers a fictional and extra creepy view on the Jonestown massacre event. It mixes the twisted psychology of cult mentality with supernatural possibilities. Spooky good Netflix find!

One of the question I always ask myself when I rate a movie is would I expend money on this with a group of people to watch it in something like a cinema? Well, on this particular movie, I guess out of curiosity I would have probably done so but on the other hand, I would be deceived.99.9% of the movie is some sort sect propaganda. That in itself is an entire bore. Outside the killing scenes, the rest was just the priest or whatever was his role talking complete nonsense. I can't count the amount of monologues this guy had in the movie. For sure that has its kind of public -; not me.Obviously, I'm not saying I did not feel sorry for those people. Indeed, they were innocent victims of a complete guru and a good majority of them were kids, which is particularly annoying, and, especially when you transpose this to reality.Anyways, from a general perspective, and even a amateur of horror, I just did not connect to the movie even if the story did make sense and the production is reasonable. I don't think I've ever been fund of movies relating to sects and this is just another one on the list.

Not only that this was actually pretty decent, but also looking at the rating of this. While other (mediocre) efforts in the horror genre have been lauded and got better reviews, this actually builds suspense and can sustain it, but does not to hit the spot with at least a lot of people here on IMDb.The story is out there, even if it is based on something real and something horrible (cult, mass murder/suicide), which might be something some people may have an issue with. If you can detach this from reality (it's a movie after all and if any of it were true it would be more than frightening of course), you can have fun and be scared - all the things this movie promises as entertainment

Take a deep breath, surprisingly this is NOT a found footage movie. With that said, I almost wish that it was. What it is, instead, is a combination of found footage elements and traditional narrative film making. Here's the problem: the two do not mix well, and create a bit of a mess. I understand the desire to combine the two, but it just doesn't work, and you get a movie like The Veil.Perhaps the most bizarre part of the movie are the writer and director. Phil Joanou helmed the piece, and this is the man responsible for that Punisher short that everyone liked, the Dwanye Johnson vehicle Gridiron Gang, and 3 U2 documentaries, while the script was penned by Robert Ben Garant, who wrote Hell Baby, and A Night At The Museum 2 when he wasn't starring in Reno 911. These forces came together to make an ultimately bland mess of a horror film.The movie stars Jessica Alba (Sin City), Thomas Jane (The Punisher), and Lily Rabe (American Horror Story) along with a lovable cast of dead-meat characters, as they head to the site of what is basically Jonestown (without calling it Jonestown). Once they are here, a weird mixture of horror clichés, jump scares, and lazy tropes lead to their deaths. Spoiler alert, I guess. The performances are fine, everyone brings about as much as they can to this particular script, but all in all the "star power" on show here isn't enough to save it.The main story, of Alba and her team headed back to the site of the massacre, is edited to be dark, high contrast, however the rest of the film isn't edited to match that. At one point, when looking at photos taken of their campsite, the photos are clearly of the real environment and they clash massively with the look of the film. I understand stylistic choices of editing, and wouldn't even begrudge them that if it all matched up. However, they different parts of the film clash so much that it almost feels like two movies crammed together, cobbled together with fair-ground haunted house level scares.The scary moments have no cohesion, they simply exist to give you a jolt and to make you feel like this movie is scary, which it really isn't. The movie also includes a lot of "watching the tapes we found in the spooky house", and those really don't worth either. It seems like The Veil can't decide what movie it wants to be, and that really hurts it more than anything else.All in all this really doesn't work. The story is a mess and flies all over the place, and it feels more like a "Yeah whatever, bro, let's make a scary movie. People will eat up any old s**t in that genre", than anything else. I really hope 2016 picks up from here, but it's hard to feel too optimistic.