Who payed the critics

The greatest movie ever!

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

One of the most extraordinary films you will see this year. Take that as you want.

The world fell in love with musicians Glen Hansard and Marketa Irglova when their tiny indie romance film "Once" became a world wide hit. That adulation was fed further when they won the Oscar for best song – and gave endearing thank you speeches. And the icing on the cake was when we all learned this lovable and appealing duo were now a real life couple, not just a movie one."The Swell Season" follows their 2 year American tour after winning the Oscar. Shot in lovely black and white it captures fragments of terrific musical performances, snippets of life on the road, and pieces of the difficult and choppy real-life waters this seemingly fairy-tale couple went through. The weight of career, fame and – perhaps most importantly – the much younger Ms. Irglova's need to start to be her own person with her own way of seeing and reacting to the world all puts their relationship to a severe test.At the same time, the film gives us a lot of Mr. Hansard's back-story in some amazing scenes where he talks with his alternately funny and creepily fame obsessed mother, and heartbreaking alcoholic ex-boxer father.All these elements are always interesting and often arresting. But for me the film is good, but not quite great, because each of these elements feels just a little incomplete, a little cut short, a little cheated.Their music and performances are terrific, but songs are never allowed to be finished; often we get just a verse and a chorus before cutting away. The 'life-on-the-road elements are so brief they end up feeling familiar from other docs about musicians.The character study element is very strong, but both one sided (we learn far, far less about Ms. Irglova than Mr. Hansard), and frustrating when we get highlights and striking moments instead of depth.And the strongest part of the film – a very intimate look at the battle of a complex relationship to thrive (or even survive) as the people evolve, and the pressures on them grow suffers from having the process and role of time jumped over.Any one of these threads could have been a terrific film. I could easily have been thrilled by a simple, wonderfully short concert film, or a portrait of what drives an artist, or the study of a rich and sad relationship being rocked to it's core. But all three, plus an 'on the road' music doc sharing 88 minutes mean each of these worlds only get - at best - 20 minutes each – just not enough to get nearly as far into any one story element as I would have liked.Still very worth seeing, especially if you liked 'Once' (without that you might feel a bit lost about just who these people ARE). There are great and indelible moments. I just wish the whole wasn't somehow a little lesser than the sum of it's parts.

This is a black and white documentary about Glen Hansard and Markéta Irglová's world wind tour after the Oscars for "Once". I have to admit that "Once" is one of my favorite movies. And in this film, we're given a backstage pass into their lives. Only there's something wrong. It's not the perfunctory concert movie. There seems to be a distance in the much described love affair between the couple.The first half goes on without much tension. It's a rather slow movie. But then we start to see some of the problems emerging. There are some insights into the pressure and tension building inside the relationship. It's not a happy watch by all means, and everybody should be aware of it.

then you may be interested in seeing this. I had not seen "Once" and went to see this on a whim. It was a one-night-only engagement, and now I know why - it doesn't have the legs to sustain interest among a general audience. The only viewers who could possibly be interested in this are those who saw the film "Once". If you have not seen that, you'd best not bother seeing this. It is like watching the second half of a film when you have missed the first part. Nothing shown here made me care about either of the characters, both of whom I found self-absorbed.More surprising was the utter lack of significant talent exhibited by Glen Hansard. He was mostly shown screaming out tuneless ditties while furiously strumming his guitar like a maniac. What the heck is that about? The film seemed to mostly focus on him and his story, while Marketa's story and performances were secondary. A mistake, since she at least appears to be able to write a listenable tune.

This is not just another concert tour movie (although fans will find plenty to satisfy), but a many layered film about sudden notoriety, artistic passion and how the protagonists (Glen and Marketa , already known to us from the film Once and their music) handle it all. The Swell Season takes a unique approach to the music doc category, turning it around so that it feels like fiction, unfolding a narrative that traces the arc of a relationship. Often it offers glimpses (as in scenes with glen's parents] at what makes these two, glen especially, tick. The concert footage mostly avoids the long view of the stage and pans of the audience; instead, it stays inside the band, up close and personal. Last, but definitely not least, it is beautifully shot in burnished black and white.