Very well executed

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

What begins as a feel-good-human-interest story turns into a mystery, then a tragedy, and ultimately an outrage.

Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

That tells you something about the "quality" of this movie . Not only it's a unwanted sequel , but also a pointless one . The original director and stars didn't wanted to waste their time and reputation for this made-for-cash-only sequel. They were right. It was impossible for the sequel to be better than original , hell , it would be hard to even come close to that level quality. Yet , here we have a sequel that belongs to the long list of unwanted sequels.The opening title cards are great , even if they are obviously ripping off the original. The set design is good and the music by Lalo Schiffrin is the best thing in the whole movie (it was nominated for Oscar). Unfortunately that's all the good things I can say about "The Sting 2" (aka "The next sting").Gone is Gorge Roy Hill as the director and instead of him we have unknown Jeremy Paul Kagan . He doesn't destroy the movie with his direction , but doesn't help it either. Gone are also Robert Redford and Paul Newman . Here we have Mac Davis and Jackie Gleason . Mac Davis isn't charming , but irritating . He behaves like a village idiot and while I'm not crazy about Redford I missed him . Gleason does a better job, he is believable as smart and charming con artist. He's no Newman, but he gives a decent performance. The strange thing is the change of relationship between main hero's : from friendship in the first movie to a father-son relationship in the sequel.We also have here Teri Garr and Karl Malden who gave rather bad performances.David S. Ward , the writer of the original is also the writer here. I guess they paid him A LOT of money. It doesn't change the fact that the screenplay lacks inspiration . All the dialogue and twists are tired and clumsy. Ward even tries to unnecessary complicate the screenplay which results in a "he thought that I thought that he didn't know that I know" ending.It's a awful sequel , just awful . Avoid it . I give it 1/10.

I can't figure out how I made Hollywood so angry that it created The Sting 2, an anti-Sting, unfunny, dull, mouth-breathingly stupid. I actually made the free-will choice to see this trash at a drive-in theatre. I'd say it was back in my drinking days, but I'm not an alcoholic. Go figure.The good performers looked embarrassed and the non-actors looked like . . . non-actors. I guess the movie got the green light because somebody's nephew worked in the Universal props and wardrobe department, and needed work to justify his continued employment.I hope the putz got fired anyway.I sat through this bilge in a noisy thunderstorm. I could barely see the screen and the sound was overwhelmed by the crashboombang of the storm.In other words, I knew the movie was there, but I missed big chunks of it due to the rain and lightning.Thank you Mother Nature.

You'll forget all about Newman and Redford once this picture starts and you see Gleason and Davis take over the characters. I think if it weren't for the original this might have swept the Academy Awards, including a very deserved Oscar for Teri Garr. Gleason is the definitive Gondorff! Davis, hot off his success in "North Dallas Forty" charms his way through another great performance as Hooker. With Oliver Reed and Karl Malden one wonders if we'll ever see such caliber of actors in the same room again, let alone the same film. Wow! Sorry, none of this is true...this is a Sting...too.

Good acting. Good story, but a little confusing at times. Very good photography. Too true of the dark side to be funny. No laughs, but none desired (I presume).