It's no definitive masterpiece but it's damn close.

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

I saw this movie when it first came out in the late sixties and I've enjoyed watching Liza Minnelli on Youtube in scenes from it since. It's a movie that always made me feel sad. I was in college missing a girlfriend back home and the Sandpiper's nostalgic song "Come Saturday Morning" brought tears to my eyes, as did the neediness of the Pookie character who I suppose reminded me a bit of my girlfriend (or me?)..."Come Saturday morning I'm going' away with my friend We'll Saturday-spend till the end of the day Just I and my friend We'll travel for miles in our Saturday smiles And then we'll move on But we will remember long after Saturday's gone."It's a fabulous reminder of what it's like to lonely love starved college student.

In your good review of The Sterile Cuckoo your remark that Liza's mom didn't perform as real or sensitive or genuine in all of her movies. Yes, most would agree since Judy Garland's film roles centered mostly on what Judy did best - "entertaining." Other than her heart-wrenching testimony on the witness stand in Judgment at Nuremberg or trying to help a mentally retarded young man in A Child Is Waiting, in I Could Go On Singing was a showcase for Judy, both as actress and as a performer, (her scenes at the Palladium were probably as close as the movies ever get to capturing her on-stage persona), she's exhilarating and incredibly moving. And trying to reconnect with her young son left with her ex-husband is truly special. When she gets around to her drunken 'I can't be spread so thin' speech all traces of the character have been wiped clean and it's Judy, raw and emotional, on screen. This was her final film, and you can say she went out on a high.

I recently watched this again on TCM. The introductory comment said this was a movie about a boy and girl "falling in love". Nothing could be further from the truth. This is a movie about, loneliness, pain, and emotional desperation.Pookie is the classic emotionally distressed outsider. Bright, witty, seeing through things ala Holden Caulfield, and is desperate need of emotional contact with another human being. She literally latches onto and pursues a boy who has no idea of what he's getting into and being a "normal person" is incapable of seeing just how needy and desperate she is; and more importantly he wants to lead an "average, everyday, life" and so is totally unable to fulfill her needs.The movie also does a good job of showing how is is ostracized and treated with great cruelty by the "normal" girls who are her classmates.What we really have in this movie is the origins of the "hippie" movement.

I was in junior high when the film crew came to town. They actually shot in the next town down the road and a few other communities in the area. When I saw the film, I was too busy looking at the locations, matching them up with my knowledge of local geography. The VW in the film belonged to the older brother of a classmate. All the kids were buzzing about the romantic scene shot in the Vernon Center Cemetery. My classmate, Gene, used to mow the grass. Years later, well after the film was shot, I went drinking in the bar, The Golden Horseshoe, where some scenes were filmed. Someday I must rent the DVD to actually watch the film for something more than just the locations.