I like the storyline of this show,it attract me so much

What a waste of my time!!!

Admirable film.

The movie is made so realistic it has a lot of that WoW feeling at the right moments and never tooo over the top. the suspense is done so well and the emotion is felt. Very well put together with the music and all.

Nanni Moretti directs and stars in this small-scale Italian drama, which won the Palm d'or at Cannes that year. It seems like a pretty poor choice, in my opinion. It's not a bad movie, really, but it's pretty unambitious. It strikes me as a lot like your average American indie drama. Moretti stars as a psychologist who has a great relationship with his loving family (wife Laura Morante, daughter Jasmine Trinca and son Giuseppe Sanfelice). The first half hour of the film is comprised of telling us how content they are - thirty to thirty-five minutes of this boring family sitting around loving each other. Unnecessary. One scene would have sufficed. Then the big tragedy happens: the son drowns in a scuba diving accident. The rest of the film is just about the other three dealing with it. It's all fine, I suppose, but, really, there's not much insight into the situation - certainly nothing we haven't seen before. The only plot point that occurs during the final hour of the film has to do with a secret girlfriend whom Sanfelice has left behind (Sofia Vigliar), who eventually shows up at their door. One of the bigger problems the film has is Moretti's performance - he's really weak. Morante and Trinca are pretty good, however.

Giovanni (Nanni Moretti) is a capable psychiatrist revered by his patients, who copes with his work because he knows a loving wife, son and daughter are waiting for him at the end of the working day. The sudden death of their son in a diving accident threatens to destroy the remaining family, as each retreats to grieve in their own way. An unexpected visitor allows them to make the journey, quite literally, to the other side of remorse.You can tell this is not a Hollywood film because for the first 30 minutes, nothing happens. Giovanni works, comes home, cooks, runs, makes love to his wife, engages with his children while giving them their space. It is all very naturalistic and convincing, but there is no drama. Suddenly, a small item is snatched in the market, a car horn is blown - small, incidental fragments that are portents of the end of everyone's life in this family as they know it. Tomorrow, they will all be someone else.And so Andrea dies and the grief kicks in. But they get better. The film engages you by creating multi-dimensional, charming yet flawed characters who we believe in and so care for when their world gets turned upside down. What happens to them you already know; how it happens is what keeps you watching. I enjoyed it without feeling the need to offer up tears; I felt the death as a sadness rather than a tragedy. This will not be everyone's cup of tea as a film, but the small moments that constitute our lives are faithfully represented, and the continuous montage of patients in Giovanni's office provides humour and pathos. This was my first Moretti film. There is enough here to bring me back.

Grievous, but thoughtful and tender. Permeated by agonizing sense of loss, this film tells a father's love for child, profound and penetrating into his life. Agony is inevitable, fatal and deadly even to a psychiatrist. Sometimes I "enjoyed" in sad films as indulging oneself in grief helps one to temporarily "forsake" the affliction of one's own. The musical is genial, By this River perfectly matches the stoic resolve and looming sorrow of the alive and incur audience's tears for genuine feeling. I like this kind of tender narration, telling of a sorrowful story in gentle manner. In the end, the parents drive to the border of France and Italy, and the scene ended in the blue sea, familiar sand and continuous hills around give rise to tranquility and peace, which, to some extent, soothe the pain and anguish. It looks like seeing the great blue sea is a kind of happiness. In a word, it's a good ending.

The choice of such a difficult subject is yet a good reason for awarding this film. That's why I perfectly agree with the juries. I also noticed that a good film never lets you down and "The son's room" is one of those cases. Despite few slow scenes (With three or more characters, some dialogues sound forced) the plot has got not less than three "re-births" in it (Syd Field would call them "coups the theatre"). The first half an hour rolls well. Moretti introduces the characters and set them in a mid-sized Italian city; he paints the portrait of a mid-class family particularly keen to culture and good principles. He also pushes on two of the main educational devices: school and sport. I think that the whole arrangement is what allows Moretti to develop this sad and thoughtful story. After the death of one of his sons, the protagonist (A respectable psychologist) faces a personal crisis. Also the rest of the family (wife and one daughter) get through a tough experience. I think that the key-point of the film starts exactly here: while the family tries to re-gain its balance, the viewer is meant to understand (as much as it is possible) what this family used to be. After weeks of mourning and lack of trust, a warm sense of self-consciousness and stability gets the story to an end.