I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Plot so thin, it passes unnoticed.

Intense, gripping, stylish and poignant

Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,

This film sums up what I have come to believe about the war in Iraq, and does it very well. Almost all of the other comments on it in this forum are accurate, in my estimation. It's remarkable that so much was accomplished with so little money-roughly one percent of the budget of Apocalypse Now, for example. The production values are so high in most respects that I have to conclude that the confusing ambient sound track was a conscious choice of the director's. The story is told, at times, from the viewpoint of the Iraqi characters, a remarkable feat in itself. At least a third of the dialogue is in Arabic, with subtitles. Like "Three Kings", the film shows the Iraqis not as villains or caricatures, but just as people stuck in a crummy situation for which America is responsible. One of the other reviewers quotes Damien Lewis' character stating the basic premise of the film:"There is no truth, you know....It's just that the truth shifts according to each person you talk to." The reviewer came close, but he missed one line that summed up The Situation for me: "...because the truth is covered over with layers of agenda."Finally, if, ten or fifteen years from now, anyone is still interested in what was going on in the American war in Iraq, this film stands as the most convincing description I've seen.

Topicality and immediacy are the primary attributes of "The Situation," an otherwise uneven drama based on the real life experiences of an Anglo-American journalist stationed in war-torn Iraq (the film was actually shot in Morocco).With her own eyewitness observations serving as her primary source of inspiration, first-time screenwriter Wendell Steavenson has crafted a tale of intrigue and romance, played out amidst the bloodshed and chaos that have wracked that nation since the war began in March 2003. The journalist (named Anna Molyneux in the movie) travels around the countryside chronicling the numerous atrocities that have arisen as a result of the tensions that exist among the nation's various warring sects and parties as well as between the Iraqis and the American forces stationed on their soil. There are any number of shocking, heartbreaking moments scattered throughout the film, moments that illustrate with brilliant clarity the brutal facts of existence in a war-torn setting.As a movie, however, "The Situation" often comes across as amateurish and awkward, with many of the actors seemingly not quite up to the challenge of inhabiting the roles they've been assigned to play (although, in all fairness, director Phillip Haas should shoulder a significant amount of the blame for this weakness). The plotting is frequently stuffed to bursting, with far too many situations and characters vying for attention at any given moment and with romantic subplots gumming up the works unnecessarily. It's one thing to capture the messiness and confusion of a wartime situation for dramatic and thematic effect; it's quite another to confuse the audience through sheer incompetent storytelling.Yet, paradoxically, the scruffy, dog-eared quality of the movie actually enhances the verisimilitude of the piece in a way that a slicker, more polished presentation might not have done. For despite the melodramatic approach the filmmakers sometimes take towards the material, the movie doesn't really feel like a "Hollywood" production, and that may well be the best thing "The Situation" has going for it in the long run.

THE SITUATION is an eye-opener for the general public who have been kept guessing as to what is happening in the Iraqi War by the edited reporting in the media. It has all the markings and possibilities of a significant statement movie, but unfortunately the seemingly sound script (Wendell Steavenson) and the solid acting are all but lost by the engineers who allowed the dialog to be inaudible: not only is the ambient sound in a war-torn country not controlled by the Dolby process, but the insipid music score covers what free space there might have been for us to hear what the characters are saying. For lip readers the story might make sense, but for other viewers it is a tough uphill fight.Anna (Connie Nielsen) is a journalist sent to cover the war to send home to the public a realistic view of what is happening in Iraq. She is aided by friendly Iraqis such as Rafeeq (Nasser Memarzia) and informed of American crimes against Iraqis and becomes involved in a dangerous journalistic mission, one that gives many insights into all of the aspects of the Iraqi conflict. She finds love with two men, a CIA operative Dan Murphy (Damian Lewis) who represents the idealistic vision of helping supply the country with medical assistance, and an Iraqi photographer Zaid (Mido Hamada) whose gentle spirit and warm support win Anna's respect, and the love triangle comes into strident focus when the forces involved in espionage clash in a climatic conflict while Anna is held hostage.Thankfully, the Arabic conversations are accompanied by subtitles and the audience is thus more able to understand the Iraqi side of the story than the inaudible English spoken dialog apparently explaining the American aspects. The cast seems strong (especially Nielsen, Lewis and Hamada) and the supporting cast is excellent. While THE SITUATION is not meant to be the 'tell-all' of the complex Iraqi story, it at least gives credence to both sides of opinion. And that is what could have made the movie well worth seeing. Philip Haas digs in and gives us a tough dose of what the war is about - if only we could hear the dialog! Grady Harp

I saw The Situation at the Music Box Theatre in Chicago yesterday and I thought that the film was excellent; it's very tense and really keeps you on the edge of your seat. When it is all over all you can think about is "what a mess" and feel glad that you are not in Iraq and wonder what motivates someone who doesn't have to be there to go there voluntarily - like Anna the news reporter very well portrayed by Connie Nielsen.The film is critical of US government policy in Iraq but not critical of most of the Americans working there who are struggling to make sense of the confusion and craziness of the situation. In fact you feel a lot of sympathy for Dan Murphy, the CIA agent excellently played by Damian Lewis , because he is trying to do some good and gain credibility for US policies in the midst of corruption, confusion, and desperation. The film is definitely NOT critical of the soldiers who are getting shot at and who are just trying to follow orders and stay alive. As the Colonel well-played by John Slattery says "I'm a just soldier, I don't understand all this, just give me some sh*t to blow up!" It shows the situation in Iraq from lots of different human viewpoints. The former Iraqi official (Mohamed El Lozy) who hates the Kurds currently in power and who gives intelligence to the CIA in exchange for favors. All he wants to do is stay alive and get his family safely out of the country but his wife and son despise him for his weakness (and he despises himself for "selling his soul".)Zaid, the photographer (Mido Hamada) who works with Anna is an Iraqi from a Christian family and his parents were killed by Saddam. He has never been outside of Iraq and he wants to see snow and someplace with "no ruins, everything standing up!" Zaid's grandmother says that they didn't think things could get worse than they were under Saddam but they are worse now.Sometimes the Americans are shown despising the locals and we see the locals hating and denigrating the Americans – but both groups act despicable and hateful at times - and sometimes they act honorable and fair. We see the resentment of the locals because they are sitting on top of the world's largest oil deposits and yet they have no gas or electricity and little food – everything is black market and everyday there are murders and kidnappings.The Americans are trying to establish order and put Iraqi officials in power so they can leave the country, but the Iraqi police are more like a violent gang focused on greed and personal power and there is no order. The insurgents are ruthless and violent (and support Saddam's policies because they hate the other fractions) but at least they are not motivated by greed.Nothing is what it seems and "there is no truth" as Dan says. I won't spoil it but the resolution of the film's two big questions are not what you expect – was Rafeeq (Anna and Dan's friend and informant) killed because he talked to the Americans? And will the senseless (irresponsible but unintentional) death of the teen-aged boy during the bridge incident go unpunished because he is just another dead Iraqi?The film is very well made, the cast is excellent and it is great that local characters are portrayed by Arab actors. It is also great that all the members of the large ensemble cast members get a lot of on screen time. It's hard to believe that the budget for the entire film was only $1 million - it's a big movie.I highly recommend the film, it makes you think and question common beliefs. It is the kind of film that stays with you for a long time.