This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

One of the best movies of the year! Incredible from the beginning to the end.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

After taking a stumble of sorts with the previous entry in the "Whistler" series ("Mysterious Intruder"), the series made a sort of comeback with this next entry. I will admit by today's standards that the movie, even though it only runs sixty five minutes in length, is a little slow at times - though it is never so slow that it really tries the patience of the viewer. It does manage to set things up early on in a way that gets viewers intrigued and make them curious as to what will happen in the end. And there are several surprise twists along the way that help the story stay fresh and interesting. I'm not sure, however, that finding a bottle of poisoned medicine alone would be enough to prove that the lead character committed murder - a good defense attorney would be able to correctly argue that anyone could have put the poison in the bottle. (Though to the movie's credit, eventually there is additional evidence that pops up.) Apart from that quibble, the movie ends up being one of the best entries in this B movie series.

In this, the penultimate Whistler movie, Richard Dix, aging and hulking, is simply deliciously evil. Though acting with seeming sweetness and kindness to those around him, Dix's eyes give it all away: hideous, subtly maniacal eyes, eyes in which we can see the selfish egotistical dementia of a man who has apparently spent a lifetime manipulating and using every person unfortunate enough to cross his path. A great job by Dix, and I hope he had fun with this role.Otherwise, as is usual in the Whistler fliks, the supporting actors are adequate, and the dialogue slightly corny and dated, but with a time of barely over an hour, the pace is quick and satisfying.A very interesting directorial decision: three years before this movie was made (that is, 1943) the great western, The Ox-bow Incident, was released. In the famous last scene, Henry Fonda reads aloud the last letter written by the lynched Dana Andrews. Fonda's eyes, and eyes alone, are not visible, hidden behind the brim of Henry Morgan's hat, while we see his mouth move. A very effective idea.Well, here, in The Secret of the Whistler, the director uses the exact same idea: in a late scene, Richard Dix's wife makes a startling confession, her eyes hidden by an intruding lamp shade, but her mouth visible as she speaks, with Dix looking on behind her. Again, interesting.Lastly, look for Dix's wife walking around with about a half-dozen dead minks or stoles or whatever they are, complete with heads, draped across her left shoulder. I don't why this struck me as funny, but, in its gratuitous pointlessness, it did.Definitely a fun way to spend 65 minutes.

Always enjoy the wonderful performance that Richard Dix would present in this old time Radio favorite and his on the big screen appearance in the 1940's. In this film Dix plays the role of an artist (Ralph Harrison) who is married to a very rich woman Edith Marie Harrison,(Mary Currier) who has been very ill for many years and it puts a strain on their relationship. Ralph meets up with a blonde model, Kay Morrell, (Leslie Brooks) and he paints all kinds of pictures of Leslie. A relationship develops, however, Kay does not love Ralph and knows he is married, but she does wrap him around her little finger and manages to get all kinds of expensive jewelry and clothes. Mrs. Edith Harrison starts feeling well and visits her husband's studio and from that point on the story gets very interesting and creates a great mystery story. Enjoy a good B Classic film from 1946.

This was the second to last film Richard Dix made in the Whistler series. The mysterious Whistler is seen as a shadow and heard invoice-over narration, but the "star" of the films is Richard Dix, who plays a different role in each--some heroic, some cowardly, some honorable, some not so honorable. This must have been satisfying to Dix, since it gave him regular work AND allowed him to show his talent in a wide variety of roles. This particular entry gives Dix a complex role, as an artist married to a rich woman whose financial support allows him to continue his work. The plot is more complex than the synopsis suggests, and there are a number of twists and turns throughout, giving the film the feel of an episode of Alfred Hitchcock Presents. The "femme fatale" in this film is played by Leslie Brooks, who took this kind of role even further in the great BLONDE ICE two years later. Director George Sherman did a lot of exciting films at Republic prior to this film at Columbia, including many entries in the Three Mesquiteers series, and went on to do many more films, including episodes of such classic TV shows as Rawhide and Naked City. The centerpiece of the film, though, is Richard Dix, an actor of great presence (it's fair to say that Gary Cooper was influenced by Dix)and subtlety. SECRET OF THE WHISTLER would be a good introduction to this series, and it should appeal to any fan of INNER SANCTUM, THRILLER, ALFRED HITCHCOCK PRESENTS, etc. Most of the other films in the series are worth checking out also. Perhaps sometime in the future Columbia could do a DVD boxset of the Whistler films the way Universal is doing the Francis and Ma&Pa Kettle films? And after that, perhaps they could reissue the Boston Blackie films?