Touches You

the audience applauded

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

I viewed this film without any knowledge of its plot, story line, but only that it starred Van Johnson and introduced Janet Leigh, one of my favorite actresses. Purposely, I have always refrained from reading critics reviews or viewers comments as I have always found them interfering with the filmmakers intent and manner of cinematic storytelling. When the plot, especially the film's ending, is revealed it's tantamount to someone yelling "The butler did it!!!" I prefer the thrill of the writer, director and producer to display a film that will provide the utmost in entertainment. And that's exactly what they did for this wonderful motion picture.

Made 8 years later, you would swear at the film's beginning that Thomas Mitchell is spouting his words in a black and white version of the 1939 classic "Gone With the Wind."Surprisingly, there is little violence in this film dealing with 4 months after the civil war ended in Missouri. In the latter state, northern fighters for the state in the war are accused of burning the homes of those who fought and sympathized with the south. That in itself would be enough for violence. Later on, we learn that the old movie rascal, Charles Dingle, has been stirring up trouble between the groups for land speculation purposes.A drifter, well played by Van Johnson, drifts into the town and goes to work for a suspicious Mitchell, a true southerner during the war. Despite his hard work on the farm, Mitchell is suspicious of him as he doesn't know where his sympathies were during the conflict.The Mitchell Family anxiously awaits the return of their son from the war. Johnson thinks of a way to unite the people, and the former teacher eventually comes to fight the Dingle people.This was Janet Leigh's first film as Mitchell's daughter and she conveys quite well the young woman with aspirations of her home. Selena Royle is the determined mother.

I loved the emphasis on community values in this film. The ideas that the main character pulls for are not a whit outdated and can certainly be applied to today's society. It seems that in life, as in this film, there is always an element who tries to pull apart the community spirit for their own ends. These ideas are presented here in a completely engaging manner and are there for all to see as simple common sense. Kudos to Thomas Mitchell for another grand performance. Too bad this is another forgotten film which should be resurrected for its ideas which are strangely hip and contemporary. And Janet Leigh does a wonderful job, as does the actress who plays her mother.

The above line is from "Seven Brides for Seven Brothers" but a few more like it would have considerably enlivened this sometimes slow but in fact worthy post Civil War drama. However,there are at least two other real winners in the genuine mean style,and even more of the same could have raised this movie to an eight rather than a faltering seven. For example:Exultant Wife:You'll always remember this day!Husband:As long as you live I will.And:Idealist Jonson:I joined this war because no man should be hated for the color of his skin.Confederate:It isn't about the color of anyone's skin, I hate the color of the pants you wore when you came down here against us.Jonson:This thing was really about the color of my pants?Unfortunately,the overall mood of the film is continuously uncertain.At times it is genuinely reflective and well timed ,at others it verges on the maudlin.Eleanor Parker or young Katherine Hepburn would have made a lot more of a hullabaloo with the same unchallenging script;Janet Leigh is simply too sweet and wholesome for words.Still despite a couple of ridiculous brief musical spurts,there are a whole troop of fine character actors,including Thomas Mitchel,Marshal Thompson(particularly good in the climatic scene) and my old acquaintance the inimitable O.Z. Whitehead. Moreover,Van Jonson,for once,is not studio typecast and does a fine job throughout,particularly with his barn musicale and in the final scene.All told, not the gem that it could have been but deserving of a lot better than it has ever yet been credited with.Definitely worth a look for any post Civil war buff or a family looking for a good clean afternoon's entertainment that has something to say.The director here is man of all work Roy Rowlands.And the reason that I am doing this review is that Rowlands previously directed "Our Vines Have Tender Grapes",one of the high points of American family drama. He apparently never remotely reached such heights again.The script derives from a story by Pulitzer Prize winner McKinley Kantor,a writer who more than once received less than he deserved by Hollywood.