The Resurrection of Zachary Wheeler
The Resurrection of Zachary Wheeler
G | 30 November 1971 (USA)
The Resurrection of Zachary Wheeler Trailers

A U.S. Senator is spirited away to a secret New Mexico medical lab after a serious car crash. His injuries are completely healed by a secret organization that has developed advanced medical technology. What does the organization want in exchange for saving his life? Meanwhile, a reporter who witnessed the accident decides to investigate the senator's disappearance.

Reviews
AniInterview

Sorry, this movie sucks

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Grimerlana

Plenty to Like, Plenty to Dislike

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FuzzyTagz

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

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Loui Blair

It's a feast for the eyes. But what really makes this dramedy work is the acting.

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Scott LeBrun

Zachary Wheeler (Bradford Dillman), a state senator with great potential, gets into a horrific traffic accident in the opening minutes of this film. It doesn't seem that he will make it, and Harry Walsh (Leslie Nielsen), a reporter who arrives on the scene, accompanies him to Bethesda, where Harry witnesses the senator being whisked away to parts unknown. A cover-up is engineered regarding the senators' whereabouts, and Harry is right to smell a rat. He doggedly pursues his story, despite some risk to life and limb, while a revived Senator Wheeler discovers the incredible medical breakthrough that prolonged his life."The Resurrection of Zachary Wheeler" is telling a tried-and-true Dr. Frankenstein-type story (scripted by Jay Simms and Tom Rolf), complete with the expected indignant reaction as the senator can't believe the gall of these doctors. The plot is rather reminiscent of the more well-known "Parts: The Clonus Horror", except that RoZW predates "Parts" by several years. It leads to some effectively creepy moments, and the yarn concocted by Simms & Rolf is utterly absorbing and interesting. The eventual resolution is not very satisfying, but up until then the film is quite fun, with plenty of location shooting in New Mexico, and a quick-thinking, likeable protagonist in the form of Walsh. You have to respect this guy for being so tenacious.The whole cast is great. Dillman and Angie Dickinson, as one of the clinic doctors, strike up a warm relationship, James Daly is authoritative as the not-that-good doctor who's pioneered this revolutionary surgery, and Robert J. Wilke is an appropriately cold-blooded antagonist determined to keep the operations a secret. Other familiar faces like Jack Carter, Don Haggerty, William Bryant, Tristram Coffin, Byron Morrow, Harry Holcombe, and Tyler McVey also turn up.Mildly flashy opening credits do give this the feeling of a classic B picture from decades past, which is fitting, since this was clearly done on a somewhat limited budget. But the moral / ethical questions posed here are still extremely relevant 47 years later.The sole theatrical directing effort for Bob Wynn, who mostly worked in TV.Eight out of 10.

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Leofwine_draca

THE RESURRECTION OF ZACHARY WHEELER is a weird little sci fi movie most probably forgotten by today's audiences. Certainly the low budget of the thing is off-putting, but if you can overcome the film's deficiencies then you might just enjoy it nonetheless. This is a fun little cloning thriller that plays out with the same kind of verve as a Michael Crichton film or the likes of THE CHINA SYNDROME.Leslie Nielsen stars in the straight role of a reporter who witnesses a politician being mortally injured in a car accident. Before long the whole thing is hushed up, so he takes it upon himself to investigate and uncover the truth, which is that the government have begun a cloning scheme in order to harvest spare parts. There are a few chase scenes here, alongside some moments involving people in dodgy blue make up, and it's all very limited. But the film covers the same paranoid government conspiracy ground as many a '70s thriller, and Nielsen gives a solid performance as the lead. Bradford Dillman and Angie Dickinson play in support.

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Mandemus

Worth seeing, if you are into speculative fiction dealing with clones. I agree with the few other reviews here about the merits of this film. The clone concept was original in film, and had been seen on television a year earlier in Boswell's "Timeslip" TV series (1970).This film is worthy of interest mostly for the ideas presented and because of its descendants in the genre: Coma (1978), Clonus (1979), The Island (2005). I have only seen such poor camera-work done in the worst of B-movies, however. No prizes here for visuals, which are remarkable for their lack of art or ability. Seriously, the average person with a cellphone camera and no training could do as good or better job at framing a scene. The acting is serviceable, TV-style of the period, and fans of Leslie Nielsen will enjoy an early performance from him.This review is not a raving recommendation. Serious SF fans and film collectors will not be disappointed to have Resurrection in their collections. Others should steer clear.

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Sturgeon54

This film did remind me of the kinds of ideas in Crichton's novels - especially his early medical fiction. Who would have guessed that a now-forgotten low-budget B-movie would actually end up more timely almost 40 years after its original release? I don't know of any earlier film treatments of the subject of cloning than this film - I really wonder what audiences thought when this first came out, as the plot line of the film must have seemed really wild back then. I don't particularly care for remakes - especially of good movies like this - but now would be a terrific time for a remake of this story, possibly with a better budget. As it is, the film stretches its budget pretty well, but I would have appreciated greater attention to the scientific aspects of the cloning (possibly with some special effects). Additionally, because all of the real-life politicians seem to be weighing in on the stem cell and medical ethics issues, the political aspects of the story would fit perfectly into a remake, where they could be fleshed out in greater detail. I guess this movie just has me thinking more of what it could have been than what it is. On its own level, it is a surprisingly thoughtful low-budget film that concentrates on ideas, rather than action. For that, it is well worth searching out.On a final note, it has a ridiculous non-sequitur ending that had me giggling, but the ending seems to fit a cheap movie like this, whose filmmakers certainly couldn't afford a lot of explosions and gunfights .

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