the leading man is my tpye

To me, this movie is perfection.

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

THE REPUBLIC OF LOVE is yet another fine film from Canada based on Canadian Pulitzer Prize Winner (for 'The Stone Diaries') Carol Shields' novel by the same name, and written for the screen and directed by the gifted Deepa Mehta ('Earth', 'Fire', 'Water', etc). It is a satisfying story about the human boundaries set by/for love and how those 'republics' touch and clash and interact.Tom Avery (the very gifted actor Bruce Greenwood) was an illegitimate child, raised by a homemaker class as a teaching lesson in how young brides to be should learn the skills of tending house, who has grown up, married three times out of a need for belonging and for being loved, and is currently unattached, making his living as a night talk show host helping the lonely hearts. Into his life steps the beautiful museum curator, currently immersed in a Mermaid exhibition, by the name of Fay (Emilia Fox) who remains single because of her exceptionally high demands for a partner. The two meet, fall immediately in love much to their individual surprise, and proceed to court and encounter other couples (especially their parents) who seem to hold the winning medals for perfect marriage.Fay's parents (James Fox is Richard, the father) have just celebrated their anniversary when Richard abruptly decides to leave his wife. Fay runs to her mother's rescue, leaving Tom alone and the apparent brunt of Fay's disillusion of marriage. The changes that occur cause Tom to reflect on his history of marrying too often in unions that have not met with success. How Fay and Tom ultimately resolve the abutments of their personal republics is the part of the story that carries the film.The entire cast includes some of Canada's finest actors and the film is solidly directed by Mehta. There are aspects that disrupt the flow of the story, the main one being the incessant and very loud East Indian music that seems wholly out of place and is at best distracting (the score was written by Talvin Singh). Mehta also elects to throw in some bizarre cutesy animation at the end that for this viewer cheapens the story. But flaws aside, this is a fine film graced by the presence of Bruce Greenwood and Emilia Fox. Recommended entry from Film Movement. Grady Harp

I love romantic movies with a bit of the comedic. This movie filled that need wonderfully and added mythic tone as well with both Mermaids and Indian music/themes. I have to admit the script's attempt to capture the complex history and intertwined lives was a bit difficult to follow on first blush. However, given the important theme of this interconnectedness (wow what a silly term), I can understand the desire, need, and effort. There are few movies that i return to again and again, Still Breathing, Pleasantville, Beat of the Heart, etc. that give me that warm feeling inside that love is possible. Yeah I know its supposed to be complicated changing etc. and more than a bit self centered, e.g., Woody Allen's movies are rife with that. I would love to get the soundtrack of this movie as well, but fear that may be hard to do, suspect I will have to track down each piece myself online for my pod. Returning to the movie -- This movie also hearkens back to 30s and 40s when it was OK to have a romantic script. Among the actor's I particularly enjoyed the performance of Fay (E. Fox) and look forward to seeing more of her work.

The problem with 'Republic of Love' is that it is a film made because it has a good filmmaker, not a good script. There was totally inadequate attention to detail in the drawing of the lead characters, and the result is a sprawl that is tied together by a good visual sense, not a good narrative one. If you are making a political allegory, that can be fine, but if it is a love story, you are sunk. I kept thinking about all of those publicly funded organisations which had bank-rolled the film and, in spite of my leanings towards the public support of fine filmmakers, found myself thinking that people who were risking their own money would not have jumped with such a weak script (and barely adequate cast...)

The Republic of Love sadly confirms my suspicion that Deepa Mehta is a director of limited talent and vision. The film is dramatically and emotionally inert - a far, far cry from Carol Shields source novel. Certain sequences - for example, the lamentable nonsense about mermaids in the museum - are little short of embarrassing, with Mehta seemingly unable to construct convincing relationships. Certain sets look as if they were built on very limited budgets. The whole thing isn't helped by weak decisions in the casting department. Emilia Fox is cold and fails to convince us of any of her character's passion. Bruce Greenwood struggles to convince us of his heterosexuality. And Edward Fox is - well - just plain terrible. His accent sounds as it was trained at the Dick Van Dyke School of Elocution. A major misfire. Avoid.