Very best movie i ever watch

Slow pace in the most part of the movie.

It's a feast for the eyes. But what really makes this dramedy work is the acting.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

it is a testimony. honest. cruel. not easy to understand in its deeply roots. it is the story of Orthodox Church, not Russian only, under war and Communism. a touching and powerful fresco about resistance, courage and pain. about conscience 's voice and about the small things who defines yourself in better times. an artistic film who has status of documentary not only for historical accuracy but for the precise portrait of a state of soul in cruel fight against different forms of evil. a film who could be a remember. or a remember. the status is not important. only the message. and the message is about the need to not ignore the scares from the past.

The events are tragic for all - people in dire need of spiritual support and priests striving to serve, but under very difficult circumstances. It is the increasing resistance not only from population, but even Soviet solders tasked with rounding up supposed collaborators in cassocks, that forced Stalin to reverse early policies on religious intolerance. The story of the church on occupied territories was not taught neither in academia (even when majoring in history) nor seminaries until 1991. Materials were accessible only to those doing actual research on related topics under specially granted security clearances.

Watched this film on a Russian DVD, which had just been released. Frankly, it came as a huge disappointment. Every time the director wants to make a point he uses a cliché. Makovetsky as a priest is laughable, and the whole film resembles a kind of parody because of that. I bet the director didn't want that to happen! Usatova as the priest's wife is brilliant, as she almost always is, but she can't save the film which is nothing short of a piece of straightforward religious propaganda. Enough to say that the film was made by the Orthodox Church film company. By the way, the prototype of the priest (who bore the same surname) didn't stay put when the Russians came but fled with the retreating Nazi troops. So much for the truth of life... The only positive Jew in the film is the converted Jewish girl. Well, what can we expect of an adaptation of a novel by an ultra- nationalist Russian writer - and, generally, of a film made by a church film company? Gazprom that subsidized the making of the film could have found a much better way of investing their money.

Beautiful. Powerful. And cold. Delicate and sad. A testimony about a time, few people and definition of faith. Gray shadows and gorgeous lights. A priest and a village. The presence of God as song of soul. Words and looks. And courage to be yourself. A film like a ice flower, small, in facts but awful remember. The father Alexander may be any priest in Gulag. Every man for who the values are more than letters on a paper. Must see to understand a Russia. And for discover a strange science to say the truth, to kill the evil, to be more shadow in a crazy era. A film about life and its little pieces. A movie about love and pray in the childhood nuances. A confession of an old monk. In the skin of a smile. The man and his existence. The ladder. The fight.