The Pilot
The Pilot
PG | 01 July 1981 (USA)
The Pilot Trailers

Mike Hagan is a pilot in passenger service and candidate for the honor "Best Pilot of the Year". Nobody knows that he's got private sorrows - he's an alcoholic. A stewardess notices his regular visits of the toilet and reports it.

Reviews
Platicsco

Good story, Not enough for a whole film

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ThedevilChoose

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

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Verity Robins

Great movie. Not sure what people expected but I found it highly entertaining.

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Candida

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

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Robert J. Maxwell

Robertson (who also directed) is a near perfect pilot with North American Airlines or whatever that fictional name is. Never even a question about a fender bender after some thirty years with Global Circumcisional Airlines, nor a whisper of one. He seems to have second sight about problems like the weather ahead. But his co-pilot and his flight attendant are uneasy, as is his girl friend, Diane Baker. Robertson has this little problem. It's nothing drastic. He doesn't have a closet full of ladies' shoes or anything but he tipples all the time. He even has a flask ("my spooker") hidden away on the airplane, thoughtfully taped to the underside of the wash basin in the head. He's as cool a San Francisco in August. Nothing rattles him and he radiates self confidence. But he needs a few belts during a flight to keep him at the right altitude. At home, off duty, his self-imposed limits relax and though he's still cool his mind drifts and his words begin to run into each other.This is a serious business. I've known pilots who wouldn't drink a glass of beer at lunch because they were going to fly later that afternoon. If National Transgender Airlines ever found out about Robertson's little habit, it would be good-bye wings and four stripes. The flight attendant suspects something is up because of Robertson's many visits to the loo and Robertson's never having mentioned a problem with Crohn's disease. She's kept a notebook timing his visits to the john. Well, she merely suspects that Robertson is drinking but his first officer, Converse, knows about it. He's been flying with Robertson a long time and the flight deck is a small community -- in which members don't squeal on one another to the authorities.After one tense flight, when Robertson's flask leaks most of his booze, he decides to gamble on a long flight even though their fuel supply is low. He needs to set down in a city where he can get a drink pronto. According to the American Psychiatric Association, what Robertson suffers from is alcohol dependency. He doesn't need to get sloppy drunk but he needs alcohol on a regular basis to continue his normal functions. It's not acute alcoholism. That's the diagnosis for people who go on binges and stay drunk until they can't take it any longer. An example is director John Ford, who would stay bombed for several weeks at a time but allowed no drinking by anyone while shooting a movie. Of course a lot of individual cases fall in between these two categories. Now, if someone will help me out of this lab coat -- thank you, Anyway, the boss at Worldwide Transcendental Airways, Gordon MacRae, who in real life was in a position to know about these things, decides to plant a mole, Binns, aboard Robertson's airplane, flying as co-pilot, just to keep an eye on him and see if anything is up. Nothing seems up at first but then, after an abruptly aborted takeoff prevents a calamity, Robertson heads straight for his spooker and is caught in the process. MacRae offers Robertson time off to get treatment but Robertson quits both booze and Escher's Infinite Airlines and returns to crop dusting where his heart has always been.The film rests on Robertson's shoulders and he carries it well. The recent movie, "Flight", with Denzel Washington, is full of action and drama based on alcohol, crack, furious fireball-fomenting airplane crashes, and Washington's self righteousness. It could be a faster-paced and more violent variation on the theme established in "The Pilot." There are no fireballs here. Kids may find it sluggish and dull. But there is an abundance of tension and Robertson's performance is quite good.His last scene with Converse has the two of them recovering from a near accident by having drinks in Robertson's hotel room. Converse says, "Now I really need this myself," but as he pours the whiskey, we see that his glass is half full of ice cubes and they get only a good splash, while Robertson's tumbler is neat and half full. That's not a picture of two people talking. It's the language of movies.

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Tracy Winters

Author Bob Davis adapts from his novel for his screenplay, but he tries to put too much in his flat script while concomitantly neglecting to explain several of the plot elements which are presented here but not defined as they are in the book.Cliff Robertson was a rather stoic actor, but pilots can be pretty stoic sometimes, so this trait is probably a plus for the film. Robertson was also a pilot in real life, but that is an ultimately negligible factor. Diane Baker as the alcoholic pilot's mistress is given nothing to do and Frank Converse (how did this guy ever get an acting career?) is nothing as the panicky co-pilot. Dana Andrews appears in what amounts to be a cameo, Gordon MacRae is a loud-mouthed administrator, and Ed Binns is the captain-turned-secret agent who spies on Robertson.Not bad, could have been better. Unique subject matter; interesting with the potentiality of being true-to-life, much more than Denzel Washington's addict pilot in 'Flight' (2012).

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Matthew_Capitano

All about an alcoholic airline pilot.I have no sympathy for this jerk of a pilot who cowers in the airplane toilet to retrieve a flask which he has hidden under the wash basin beforehand so he can have a snort while in flight. When he has completed his groggy ritual, he replaces the flask and strides back to the cockpit to strap himself in and fly his passengers to safety as any excellent pilot would with bravery and a clear head-- wait a minute! Cliff Robertson is his usual stoic self, Frank Converse takes up space in the chair he sits in, Diane Baker is wasted as the flier's mistress, Gordon MacRae is a fat executive, Dana Andrews is the company bigwig, and Eddie Binns does what he can with the boring dialogue.It's somewhat humorous to hear Captain Drunkard make the following P.A. announcement: "Folks, we've got a rare treat for you -- we're going to be able to fly A LOT LOWER".... so Captain Boozer can deliver a junior grade SIGHT-SEEING trip! I am of the opinion that the pilot should just fly the plane and get us to where we're going. Of course, 1980 (the year of this film's release) was a different time, in some ways a better one, but in contemporary society, I surely would want to be asked to participate in a vote as to whether or not I wish to be flown LOWER than the recommended safe altitude. The stupid co-pilot suspects (he says he knows for sure) that the captain is drinking while flying, but he says nothing to the authorities. Thanks a lot, 'co-pilot'.Not so great a movie, but better than that similar Denzel Washington flick called 'Flight' (2012). Now that REALLY sucked!

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Ted-106

While the photography is beautiful, the premise of an airline pilot who drinks in the "blue room" during flights is a bit absurd. The low altitude flying scene of the venerable DC-8 over the deserts of the western U.S. is memorable, and accompanied by a superb musical score.

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