It's no definitive masterpiece but it's damn close.

Charming and brutal

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Model Gay Andrews, who looks rather like Shelly Fabares, is a loner in NYC. She gets a come on from married ad executive Bob Walker, a Steve Cochran look-a-like, after a gig in New Jersey. He wants to continue their necking session at a hot sheet motel. She turns him down but on their way back to NYC they get pulled over by a cop who hauls them to a corrupt JP who is in cahoots with a local pimp Wayne Jackson played by big man Ronald Long ( Love of Life (1951), The Notorious Landlady (1962) and The List of Adrian Messenger (1963)) who both resembles and sounds like an Alfred Hitchcock with hair.When Walker leaves to get money so that he can pay his fine in cash, the JP detains Andrews as a hostage until his return. Long is on hand an hour later to rescue Andrews. He pays the $100 fine and the JP tells her she's free. Long offers to give her a ride, seemingly a good Samaritan. At a cafe Long slips a drug into Gay's drink and she wakes up at Longs house. A Classic tale of don't go home with strangers.Koulias is good as Long's right hand man. The entire story is an instructional on white slavery, but its poster decries the "Public Relations Racket", the girl is first offered $50,000 for one year of service with the guarantee that she can go free after the year is up, then threatened with getting forced hooked on heroin if she won't cooperate voluntarily.It's all done very on the cheap and is a bit clunky in spots, but the film still manages to entertain mostly by what is suggested during all the descriptive dialog (supplied mostly by Long) rather than what actually happens. So far so good in Something Weird's "Six Weird Noirs" DVD pack.

Just when you think every obscure low budget potboiler has been exhumed, here comes The Naked Road, more of a film noir than the usual softcore stuff that Something Weird Video seems to put out. No nudity, in fact even though this is roughie-type material, it's handled in a PG-rated manner. No nudity or even mild swearing. Could have almost been broadcast on television, even at that time.I was reminded of nothing less than Ed Wood's The Sinister Urge. The quality of the sets was about the same (bare bones), the acting was actually a little bit better (heavy Ronald Long was a recognizable character actor throughout the next 15 years on a bevy of network TV shows), but the directing was just about as competent as Wood (static long shots, actors poorly used, except for Long, who probably did it all himself) but without EDW's lovable quirks or infectious enthusiasm for whatever overblown piece of underfunded crap he was pushing as the next Citizen Kane.I'm sure whatever grindhouse or drive-in theater patrons that happened to accidentally watch this back in the day (probably last on the bill at 3:00 in the morning) were not overly impressed. A few chuckles here and there, but not worth seeking out.

I discovered "The Naked Road" as part of Something Weird's excellent "Weird Noir" collection. Like everything in the set, it more than lives up to it's name. Director William Martin, who made some other strange films around the same time, seems to have something, perhaps something feminist, on his mind. The film compares the casual exploitation by an of Ad Man of a beautiful young model (the lovely Jeanne Rainer) with out and out White Slavery. In fact, the ad man, who ultimately shrinks from his pangs of guilt, is no doubt intended to be the biggest sleazbo of them all. Even considering that Martin had little time or budget, his approach to filmmaking is downright odd. He shoots every scene in a three or four shot with all characters in view, and just when the monotony becomes unbearable; he cuts to a close up at an utterly irrelevant moment. The actors seem to have been instructed to speak slowly and leave gaping holes between the lines. And none seem to be incompetents, tubby Ronald Long went on to a highly successful career, but his performance here is hilariously, well, odd. Martin may have been no worse or better than Ed Wood, but he had his own approach to making a terrible film. The abrupt climax is probably all for the best, but I could have stood another 15 minutes or so of these strange goings on. And again, Jeanne Rainer, you could have been a contender.

A weird grade B picture. Yes weird, in the acting - very slow dialogues, like early Bela Lugosi features ! - only indoor sets, and such a way of filming. It reminds me also scifi films, as those directed by Richard Cunha and Roger Corman in the fifties. The story has been told in plot line above. It reminds me, for the first part, an Alfred Hitchcock Presents episode. Slow, very slow, but not uninteresting although. The score is laughable, when you ear it on the sequences shown in the same time. I don't know the actors. A film from outer space in the film noir genre. I am not used to it. In sci fi yes, but not with crime movies.