Thanks for the memories!

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

The best films of this genre always show a path and provide a takeaway for being a better person.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

The edges of this movie are tolerable. You have some fine, easily recognized actors doing some amusing bits, including Charles Laughton, Hugh Herbert, and George Chandler. The characters in the boarding house, eccentric misfits, are sweet and amusing.The problem is the center of the movie. Why would anybody put Dorothy Lamour, one of the sexiest and most beautiful women in the world in 1948, in a movie where her leading man is a priest? Lamour is stripped of all sexiness and there's not a hint of desire in any of her scenes with George Montgomery (Rev. Tom Walker). The only emotions that she's allowed to display next to the priest is some nostalgia for their youthful friendship and a bit of anger that he doesn't help her to save her uncle's boarding house.What should have been the center of the movie, Lamour seducing the new priest from his vows, gets sublimated into the priest trying to decide if he can be as good a priest as his dead father.The movie is simply annoying most of the time. The sets, costumes, direction and editing are on the level of a bad, cheap, 1950's television episode. I kept checking how much time was left every five minutes.George Montgomery, Dorothy Lamour and Charles Laughton fans might want to sit through it for the sake of cinematic completeness. Everyone else will have a difficult time making it to the end.

I haven't seen the film since 1948 and the only thing I remember is the "mink coat/synthetic mink coat" dialog between Dorothy and Charles Laughton: The Bishop, eying the coat, asks..."has it suddenly turned cold out"? Carol, wearing the mink, explains that she drove in with her convertible top down but realizes instantly that the suspicious, curmudgeonly old Bishop KNOWS how beautiful New York models GET mink coats, offers that it isn't real mink, but synthetic and given to her for modeling it. Carol departs; The Bishop picks up the telephone and dials a number. "Fred... this is the Bishop..... Is there such a thing as synthetic mink"? (scoffingly--Fred you're going to think I'm daft for even asking a question to which I already know the answer) We don't hear the reply but Laughton's reflective face, voice and manner make the movie for me. Sure it is a knock-off on the popularity of "Going my way" but when has Hollywood ever failed to cash in on a good thing and Laughton, here, is as memorable as Orson Welles working in other peoples' less than stellar films. I will suggest to TCM that they run the film so I can see it again.

The first reviewer has done a fine job of summarizing the film. What remains to be said, however, is that the film is a stinker. The script is particularly awful. It was designed to appeal to small town folks, apparently, and focuses upon homey matters such as the loss of a boarding house by a wicked businessman. Lamour and Montgomery are so wholesome and giggly you want to wretch. Christians are, as usual, cast as bigoted and gossipy. But how about Charles Laughton as a bishop. (What church? Methodist?) Hugh Herbert is completely wasted. The jokes are extremely lame. And 34-year-old Dorothy as a top high fashion model in New York is, well, ridiculous. George Montgomery should have stuck with Westerns, although he does his very best with his lame lines. A company on e-Bay is selling this film right now, which is how I came to see it. Money totally wasted.

Tom Walker (George Montgomery),former All-American fullback who gave up football to enter the ministry, returns to his old home town for his first assignment under the Bishop (Charles Laughton), an old friend of his father. And Carol Maynard (Dorothy Lamour), a local girl who has become New York's most famous model, comes home to visit her uncle, Homer Purdy (Ernest Truex), a boarding house keeper.She is dismayed to learn that the money she has been sending him to pay off his $3000 mortgage has been going to a bunch of non-paying guests, among them Aaror Goss (Hugh Herbert), a radio contest fanatic, and a broken-down actress, Mrs. Brooke (Constance Collier.) Tom and Carol resume their romance which was interrupted when he went away to college and she to New York. This upsets the Bishop for some reason or another...although Tom is a Minister and not a Catholic Priest and one yearns to hear Tom tell him to butt out. Especially since Minerva Urecal and Fern Emmett aren't members of his congregation, which makes them about the only two character performers of the era not in this film.Mr. Birch (Raymond Largay), holds the mortgage on Purdy's boarding house and is going to foreclose, and donate the property to Tom's church for a new building. Tom tells Carol he can't do anything about it and she gets into a snit, which is nowhere near as fetching as a sarong. Uncle Purdy comes into $3000, which he thinks is income from a bad gold-mine he invested in, but Birch refuses to accept the money and the old boarding house appears to be doomed.And would have been if Mr. Bernouti (William Frawley,) in town to supervise the construction of a new hotel on the site of the current Church property (which Birch had acquired for donating the boarding house property), hadn't got all pixilated over Carol and spilled the beans.Things tend to work out well from this point, and the only question remaining is just where did the $3000 come from. It gets answered, but not here.