SERIOUSLY. This is what the crap Hollywood still puts out?

It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

It’s sentimental, ridiculously long and only occasionally funny

A clunky actioner with a handful of cool moments.

I just happened onto this film, playing on a local broadcast digital TV channel (The Works), and am glad that I did. I had never seen this film before or heard of it, but have always loved the art of Goya. This movie made me want to go look up his complete life story, and of the Duchess (the part played by Ava Gardner). Just saw a scene where Goya (Anthony Franciosa) is painting in a field, and Maria (Ava) is with him, and some soldiers on horseback are riding by. The captain comes to greet Maria, and when they leave Goya voices his displeasure about 'war-making', etc. This scene reminded me of the one in 'Immortal Beloved' (movie about Beethoven with Gary Oldman) where Napoleon's army is attacking nearby... and how, through history, some of the greatest works of music, art, etc., are created during times of great unrest and horrific wars. Maybe this is the 'balance' that helps maintain the human world, and all our collective sanity? Anyways, the scenes, costumes, music, and especially Ava, are all so very, very beautiful!

If THE NAKED MAJA had a better script more faithful to the true life story of Spanish artist Francisco Goya and his affair with the Duchess of Alba, this may have been worth all the expense that went into producing it. There are fine production values including the gorgeous costumes worn by Miss Gardner, the opulent settings, the detailed color photography and the pretty background score full of pseudo-Spanish themes.As a romantic drama, it only exposes the clash of two different acting styles--the overly intense histrionics employed by ANTHONY FRANCIOSA in the method tradition and the more natural technique of screen acting from AVA GARDNER as the woman he falls helplessly in love with at first sight. Her aloof demeanor only makes her more irresistible and there is one brilliant dance scene where the fiery Spanish flamenco music makes their emotions come to life vividly at least for the length of this sequence. Otherwise, their pairing as lovers never seems as intense as the script would suggest.Despite an overuse of eye make-up, Gardner at this point in her career was still very attractive in what is basically a one-dimensional role as an aloof woman with a past who cannot bring herself to declare love for the artist until it is too late.Henry Koster's direction is a tad too slow in pace but the main fault is the script which never permits the two leads to be anything more than one-dimensional in concept.

"The Naked Maja" has beautiful sets and costumes, but only a passing acquaintance with reality. About the best that can be said is that it features some impressive views of Miss Gardner's lovely bosom.Diego Velázques (1599-1660) painted one of the earliest known Spanish nudes, the Rokeby Venus, featured as the "loot" in the film "The Happy Thieves."About two centuries after Velázques, Francisco Goya 1746-1828) painted a short, plump nude maja (street girl) reclining on a bed. When this picture was criticized as obscene, he painted the same girl again, in the same position but dressed, which makes her more, rather than less suggestive. The chunky girl in the "maja" paintings does not resemble Goya's portraits of the Duchess of Alba in any way.When I was last in the Prado the two majas were hanging on either side of the door to the room housing the portrait of King Carlos IV and family – and the queen was definitely not the lovely young woman who played the part in "The Naked Maja." Goya also painted two portraits of his very close friend, the tall, angular Duchess of Alba, in one she is dressed in white and in the other, in black. The 'black portrait' shows the duchess pointing imperiously at the ground where the words "solo Goya" ("only Goya") can be seen written in the sand at her feet.Milos Forman's "Goya's Ghosts" (2006) is a far better film and much closer to historical fact. Goya's passing affair with the Duchess of Alba, who was certainly not the girl in the Maja paintings, does not figure in the latter film.

I'm an avid Ava Gardner fan, but this film ranks near the bottom of her career efforts, with 'The Bible', 'The Blue Bird', etc. 'The Naked Maja' is beautiful enough to look at, but is poorly directed, narrated, and edited. The story of the Duchess of Alba, could have been the basis for a much more interesting film, but this film is a lesson in missed cinematic opportunities. Ava, more commonly called 'the most beautiful animal in the world', possessed a raw, exciting sexuality, that provided the few sparks, in an otherwise lifeless film. I definitely did not consider her the most beautiful women in films, but certainly one of the most sensuous. This was not a major film, and Anthony Franciosa was not a major star; even though I loved his work in 'A Hatful Of Rain'. I wanted to love this film, when it was released, and I was hopelessly smitten with Miss Gardner. Ultimately, I had to admit that it was not as good as some of her other disappointing films, like 'The Sun Also Rises', 'The Little Hut', 'Bhowani Junction', just to name a few. 'Mogambo', 'The Barefoot Contessa', 'Showboat', and 'The Night of the Iguana', were my personal favorite Ava Gardner films. Ava Gardner would rank right behind Hedy Lamarr and Elizabeth Taylor, as the most beautiful women in the world. Costumes for Ava, in 'The Naked Maja', were quite good.