Absolutely brilliant

It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.

VIEWER'S GUIDE: Strictly adults only. COMMENT: Lancaster has always stated that he wanted to direct but The Kentuckian (1955) and The Midnight Man are in fact his only ventures behind the cameras. Although he did an excellent job with Midnight, the film failed dismally at the boxoffice, despite my opinion that it had all the elements I would have thought necessary for success in 1974. Sex, violence, corruption and a strong antipathy towards authority and the establishment whose officials are depicted as either hopelessly incompetent or ruthlessly on the take. Amidst all this prejudice, brutality and malfeasance, the Right has only one tainted champion. And although the odds are impossibly stacked against him, he does - through sheer grit and physical stamina on the one hand, tireless self-honesty and mental acuity on the other - eventually win through. It's a noble theme and Lancaster does it proud. In addition to Lancaster's persuasive performance, his incisive direction and his intriguing script, what I like about The Midnight Man is its atmosphere. Not only its realistically observed small university town, all sunny community on the outside, but the more personal atmosphere of loss and disillusionment, of bitter but ruthlessly pursued truth-seeking that Lancaster brings to every scene. Director Lancaster has made vibrant use of his support players and utilized his many brilliantly-chosen natural locations to bring his story to throbbing life. Other technical credits are likewise highly commendable, especially Jack Priestley's mood-evocative cinematography and Dave Grusin's cleverly atmospheric score which often lightens and transforms the violence into softer, autumnal shades of nostalgia and regret.OTHER VIEWS: I'm not surprised JHR likes this one as it has many of the qualities of a JHR novel, including a dominant yet disillusioned central character, seemingly servile but actually strong and self-willed, prepared to sacrifice anything and everything for unfashionable ideals of truth and honesty. Although basically a loner, the hero is presented in a sympathetic and involving manner. It's all summed up by the sad, wistful air of regret in Lancaster's face as the camera pans in for its final end-of-the-Mitchell-story close-up.

Burt Lancaster plays a down on his luck security guard recently released for the murder of his wife, he becomes employed in a local South Carolina College,he becomes embroiled in a strange murder mystery, where nothing is what it seems until all is typically revealed at the climax. 'The Midnight Man' Co-stars Susan Clark and the future Daisy Duke, Catherine Bach, in her first screen appearance, and character actor Ed Lauter. 'The Midnight Man' is unfortunately obscure to most classic film buffs, it is available on imported DVD which it's transfer is an oddity but watchable. In this age of HD/Widescreen, it's hard to believe that Universal have let this one go! the transfer is 'open matte' which reveals microphones, lights and camera tracks!

Burt Lancaster's last attempt at directing was in this sadly neglected film, The Midnight Man. I was lucky enough to catch it theaters back in the day and a few times on television. Why it was panned by so many critics is as big a mystery as the one Burt Lancaster has to solve.In The Midnight Man Lancaster plays a former police detective who did a stretch for homicide himself, he killed his wife's lover. Now released from prison and on parole, he gets a job courtesy of an old police buddy Cameron Mitchell as a campus security guard at a small southern college. No sooner does he arrive there than the murder of a pretty and popular coed occur and an incriminating diary she kept goes missing.Of course this is the job of the local sheriff Harris Yulin, but Lancaster's instincts just take over and before long three other murders occur. Of course they all arise out of the initial incident.The Midnight Man is a good and complex tale of murder and blackmail and was shot on Clemson College campus on location for a good ring of authenticity. Lancaster and co-director/writer Roland Kibbee put together a very good cast. Note the following roles besides those I've already mentioned: Morgan Woodward as a southern senator and father of the first victim, Susan Clark as a faculty member who takes a romantic interest in Lancaster, and Ed Lauter and Mills Watson as a pair of Deliverance type inbreds who are working for someone who really wants Burt out of the way. Burt's son Bill Lancaster is in the cast as another college student who also winds up a murder victim.Some of the results will surprise you and what I like about the film is that Lancaster probably could have covered for a couple of the perpetrators, but his own sense of integrity wouldn't let him do that. Best scene in the film for action fans is his escape from those Deliverance types who capture him and are awaiting instructions. At least we know they're no good. Who else winds up on the wrong side of the law will surprise you and you will keep guessing until the end.

This is rarely on TV in the UK so I was pleased to catch it one late night as I've been wanting to see it for some time. Burt Lancaster plays an ex cop and an ex con, paroled after a jail sentence for shooting his wife's lover. Taking up a job as Nightwatchman at a University he's soon putting his homicide detective skills back in action after the murder of student, Catherine (Daisy Duke) Bach. Although there's some good outbursts of action and some romance, this is quite a slowly paced thriller that turns out to be an old fashioned whodunnit with a selections of characters to keep you guessing. The outcome without giving too much away involves a blackmail conspiracy where it seems the whole town is involved. Lancaster looks weary but he's likeable as a modern day Sherlock Holmes character with the usual determination of American screen detectives, "once a cop, always a cop" he's told by best pal and fellow ex cop Cameron Mitchell who despite being initially out of touch outsmarts everyone. I love seventies films and I think despite not necessarily being a classic this movie should have more recognition.