The Midnight After
The Midnight After
| 10 April 2014 (USA)
The Midnight After Trailers

On a night just like any other, a minibus full of passengers drives through a tunnel and arrives in another dimension; the eclectic group of passengers seek refuge in a deserted cafe and make a horrific discovery.

Reviews
Neive Bellamy

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

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Billie Morin

This movie feels like it was made purely to piss off people who want good shows

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Lachlan Coulson

This is a gorgeous movie made by a gorgeous spirit.

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Payno

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

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little_wackie

This movie is great at first, makes you wonder what will happen to the passengers on the bus, then ends telling you nothing. This was set up to be a great horror movie, but fell flat. 17 people get on a bus, and once the bus leaves a tunnel, they are the only ones left, everyone vanishes. You watch then try to survive their empty world and just when you think you'll get some answers......they roll the credits. This was kind-of a waste of time, could've been a great movie, but it has no ending.

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lcocsj

there are many schools of thought out there about this being an allegory of the state on Hong Kong. balderdash. while this film may be based on a web-novel, it's clear the director took too many liberties and destroyed what was originally intended by the author. if the book is a political message, the film is basic - - - 17 astronauts are trapped in hypersleep. they wind up being lost in space for 6 years and are slowly realizing that they must find a way home. they were all chosen for the mission because they all needed large sums of money. while the film has no ending whatsoever, this is what can be determined from all of the images and personal stories we see in the film. some things are still unanswered (why does one girl appear somewhere when she is not really there? an alien doppelgänger perhaps?). the film started out great, and fell flat before the final inconclusive scene. be clear here - this is a film directed by a guy named Fruit based on a novel by a guy named Pizza. there you have it, in a nutshell. a senseless directionless film. don't invest your time.

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draciron

This is along the lines of classic disaster suspense movies. A bus full of people discover they are the only ones left in the world. There are a few scenes that'll make you bend over with laughter. Some scenes that you just go "yeah right". Some of the dialog is forced and corny, some of it interesting. The acting however never really carries over. A remake with better acting and script might be a really interesting movie. I give it a 6 just because of some of the scenes are worth watching just for those scenes and the general idea of the movie even if it never really gets there, is a good one. The movie was probably inspired by stories and movies like The Langoliers, Vanishing on 7th st, and so on. Same basic concept. Everyone is gone except them and the attempt to solve the mystery.

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Thaneevuth Jankrajang

I found this ambivalent film most annoying. If I were from Hong Kong, would I have gotten any more messages than I did as a foreigner? The first blow to this film is that the director and screenwriter do not know how to translate some serialized web stories into a coherent film. Without a coherent story and theme, no believability is established. Disbelief is not suspended, and exposed throughout. If a message is to be delivered, they have lost their audience right after the first 30 minutes. The audience simply gives up caring. Characters, supposed to be rich and various, do not matter to them, even with so many background stories laid down. The second blow is a real bad mix of suspense and humour. I feel like watching an unstable storyteller who can't keep his or her pace. One minute there is a hope, then another minute, dashed. The third point is an absolutely unnecessary length of over two hours. Too long of a half-cooked film turns the audience against it. Dialogue and sub-stories should have been made concise, and helped the flow of the storytelling. I have a feeling that director Fruit Chan must have written or re-written the script as he went along. Otherwise it would not look like a film made by a drunk. Hong Kong films are usually with certain standards. Their low-graded films are usually not so low. But this film by Fruit Chan is a few notches lower than the usual. Not recommended.

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