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Pretty Good

If you don't like this, we can't be friends.

By the time the dramatic fireworks start popping off, each one feels earned.

The Main Event is a good example of a film that was a very successful blockbuster on initial release making loads of money but that nowadays has almost been completely forgotten. I can only surmise that this is because (a) it's a film very much of its time and (b) despite being popular it probably wasn't actually that good. It's about a successful perfume executive who is left penniless when her business partner disappears with all her money. All she has left is a contract with a has-been boxer who has been living in a giant boxing glove house, living off her cash hand-outs. She makes him get back in the ring to try to earn her back some money but, as is the way, romance follows…After Rocky went supernova at the box office in 1976, boxing films were in fashion in the later part of the decade. I guess that partially explains the plot of this one. It may also explain somewhat why the storyline is pretty lame, as the whole boxing plot-line feels strangely negligible like they have basically shoe-horned it in because it was popular at the time. This means that for a sports movie it really is very hard getting involved in the action. It's very difficult to really care about who wins, etc. The main event, as it were, really is the re-uniting of Barbra Streisand and Ryan O'Neal for the first time since What's Up Doc? It has to be said though that this pales pretty significantly in comparison to that film. While it does adopt a similar silly tone, it doesn't have as good a plot, characters or script; while director Howard Zieff is no Peter Bogdanovich. And it may be superficial to say but the fashions and hairstyles of 1979 were fairly atrocious compared to 1972 – compare how Streisand looks in both films if you need proof. Those big perms sure were popular in the disco age for some reason that's for sure! Anyway, the film itself is entertaining enough, despite being pretty underwhelming. Streisand and O'Neal are always good to watch and they try to make the most of what they've got, even if it isn't really a lot. It all winds up with an ending that is quite poorly thought out, although the film has been so silly beforehand that it doesn't really damage it as much as it should.

The real bout in this movie may be between Barbra Streisand's talent and Babs' ego. Can the often-inspiring light comedienne of "What's Up Doc" and "Funny Girl" overcome La Streisand's need to be the center of every scene?It's a reunion flick between Streisand and "Doc" co-star Ryan O'Neal. She's perfume magnate Hillary Kramer, undone by an embezzling accountant. He's Kid Natural, a former prize fighter who represents Hillary's one asset, if only she can get him in the ring. He'd rather stick to his new career as a driving instructor."Do you want my body on your head for the rest of your life?" he asks her.More than boxing, sex is the main event of the film, from the opening shots of Streisand working out in spandex leotards to the charged byplay between the stars. She teases her ex-husband with pelvic thrusts and dances around the ring with Kid in short-shorts and a halter top with no bra. This is distracting to some extent but helps arouse the movie's one undeniable asset: The chemistry between O'Neal and Streisand.For an actor made entirely of wood, O'Neal is surprisingly spry and able, taking pratfalls, playing shamelessly off his good looks, and trying to get out of the deal with Hillary by clenching his fists and telling her of his vow to "never again use these, these messengers of death." He lives in a giant glove by a freeway which advertises his driving instructions in neon. He proudly claims it an investment made with Hillary's money.For her part, Streisand is clearly the more dominant partner in a way she wasn't in "Doc". The movie starts and ends with a big close-up on her, and the boxing part of the story is shortchanged in order to keep her in the frame as much as possible. Howard Zieff directs this as a vanity project, since that's what it is, with soft lighting playing up her russet locks at every opportunity.But Streisand justifies the spotlight by playing to Hillary's weaknesses as much as her strengths. Hillary has no clue about boxing, but doesn't let that stop her. After the Kid is dinged up in one early match, she announces a new plan: "Better fights with nicer people".Another early scene of Kramer running her perfume business has her deliver a line that seems a playful nod at Streisand's own famously imperious rep: "I want you to go away to a very quiet place, let your brilliant and creative minds blossom with original ideas, and then bring me back exactly what I'm talking about." It might not be as funny delivered by someone else, but that's a benefit to having Barbra on the job.There's enough general funniness like that to overcome the defects of too much Barbra and an ending that literally throws in the towel rather than resolves the romantic tension between Hillary and Kid in a fun yet convincing manner. Also on the plus side, you have Whitman Mayo as Kid's cagey manager and one great theme song, a molten disco masterpiece which Barbra sings with all the relish of Shirley Bassey pouncing on "Goldfinger". I think it made the film such a success in 1979, more than the critical notices of the time which were horrible.So score this one talent over ego, if by points rather than knockout. "The Main Event" is no classic, but it's good enough to make me smile all these years later.

1979's THE MAIN EVENT was a lame attempt to rekindle the chemistry that Barbra Streisand and Ryan O'Neal created in WHAT'S UP, DOC?, in an attempt to make lightning strike twice at the box office. Well, the chemistry between the stars is still evident, but the story just does not do them justice this time. Streisand plays Hillary Kramer, a cosmetics tycoon who learns that her accountant as absconded with everything she owns and the only thing she has been left with is the contract of a washed-up ex-boxer (O'Neal). So to recoup her money, she makes him start boxing again and becomes his manager. Streisand works very hard to make her character likable but it is a struggle and O'Neal is just miscast as a boxer. He just doesn't look or act like a boxer. It's not boring, but both stars have been seen to better advantage. The best thing about this movie is the powerhouse theme song that Barbra sings over the closing credits. It is an absolute "Wow!"

For everyone who saw "What's Up, Doc?", starring both Miss Streisand and Mister O'Neal, this film is a real dandy. I love the way Babs just keeps talking and is SO high strung throughout the movie (but then again, when isn't she?) The chemistry between the two leads is very real and believable. This film does not set out to give you a huge statement, it is simply meant to make you laugh, have fun and love Babs, and that it certainly will. The end song "The Main Event/Fight" sung by Miss Streisand is a showstopper.