Married to the Mob
Married to the Mob
R | 19 August 1988 (USA)
Married to the Mob Trailers

Angela de Marco is fed up with her gangster husband's line of work and wants no part of the crime world. When her husband is killed for having an affair with the mistress of mob boss Tony "The Tiger" Russo, Angela and her son depart for New York City to make a fresh start. Unfortunately, Tony has set his sights upon Angela -- and so has an undercover FBI agent looking to use her to bust Tony.

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Reviews
Laikals

The greatest movie ever made..!

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MoPoshy

Absolutely brilliant

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Hulkeasexo

it is the rare 'crazy' movie that actually has something to say.

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Neive Bellamy

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

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larryanderson

At the 15 minute mark in the movie, Alex Baldwin gets killed in the Fantasia Motel room by Tony. If you watch the TV that is on in the room, GOLIATH AND THE DRAGON (1960), is playing. Mark Forest is shown in this movie without actually being in it. They show the scenes where he is fighting the bear. Larry Anderson, Canada.

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Solid_Gold

I can't get enough of this flick! The first time that I watched it, I was a little girl and I love it even more now as an adult. Okay, so it's not one of Pfeiffer's best movies, but it's still good. A delightful mob satire, it's almost non-stop laughs. Mercedes Ruehl stole the show. She had the best lines, especially during the grocery store scene. She's the generic ball-busting mafia wife with the best one-liners on film since "Dirty Harry". Seriously, I kept on flipping through the flick just to watch the scenes with her over and over again. She's the best! Dean Stockwell is also pretty good in this, a very charming and rakish version of Tony Soprano. And Angela's Caribbean friend was also a nice touch. Watch this movie if you need cheering up!

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M. J Arocena

Time does extraordinary things. It's the ultimate judge. Time has granted "Married To The Mob" an extra doses of freshness. There aren't any dead moments or cheap shots. It's more of a delight now than it ever was. Michelle Pfeiffer creates a mafia widow that it's as far away from a caricature as anything she's ever done. A true original creation touching or hinting at the stereotype just to guide us through but her Angela is quite unique. The legendary Dean Stockwell presents us with a a mafia boss that it's just as menacingly real as he is hilarious. And Matthew Modine? Why did I think back then that he didn't have any chemistry with Pfeiffer? I was wrong. They are wonderful together. They reminded me, this time, to the Barbara Stanwyck, Fred MacMurray of "Remember The Night" I'm writing this comment now to entice you to visit or revisit this Jonathan Demme gem.

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ferbs54

What happened to Ava Gardner in the 1940s and Marilyn Monroe in the '50s also seemed to take place for modern-day actress Michelle Pfeiffer in the '80s: Her remarkable good looks got in the way of her being taken seriously as an accomplished, superbly talented actress. Anyone looking for validation of Pfeiffer's dramatic abilities need look no further than her work in 1991's "Frankie and Johnny" or '92's "Love Field" (a personal favorite of mine); those looking to see what a splendid comedic actress she can be, when given the right part, should check out 1988's "Married to the Mob." In this one, she plays Angela Demarco, the widow of a recently "iced" Mob hit-man, who moves from her garishly tacky Long Island home to start a new life for herself and her son, while being pursued by Mob boss Dean Stockwell and FBI man Matthew Modine. While this movie has lots going for it (a very amusing script; offbeat characters; sudden sharp turns to unexpected violence, as in director Jonathan Demme's previous effort "Something Wild"; and hilarious yet menacing performances by Stockwell and Mercedes Ruehl, as his jealous wife from hell), Michelle steals the show easily. Notice how perfectly she nails Angela's undereducated, Long Island Italian accent, and the many fine mannerisms that she brings to the role to really flesh out this spunky and surprisingly bright character. Once upon a time, long ago, Oscars were handed out to actresses for comedic roles such as this one. Had this film been made 60 years ago, Michelle mighta been a contenduh...

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