Yawn. Poorly Filmed Snooze Fest.

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

It's hard for me to assign the "fair" number of stars to this film, but I settled on 8 because of its high production values and what was, in 1968, an innovative approach to the war film. Remember too that I haven't seen it since 1969. But it did make a strong impression.The Long Day's Dying must be one of the most vivid antiwar films ever made. It achieves this simply by portraying in extremely realistic terms the actions of a handful of soldiers in Northwestern Europe in 1944-45. No film before this one showed war at the infantry squad level with so much brutal detail, and all in a coldly dispassionate way that lets the actions speak for themselves. There is no preaching, no sentimentality, no comic relief, no complicated scenarios.Unfortunately, there's no subtlety either. Partly because of their situation - trying to stay alive - the characters come across as flat, familiar cliché's. As "entertainment," the film doesn't make it, though it was clearly not intended to "entertain." It was intended to slug you over the head with the misery and horror of World War II and modern war in general. This was twenty years before Platoon and thirty before Saving Private Ryan, both of which are far more "watchable" films. Here the flat and generally disagreeable characters, the lack of an actual plot, and the realistically unpleasant images (including what may be the first on-screen vomit in theatrical history) make the film hard to sit through, though it is only 95 minutes.So, 10 stars for production and realism, 4 stars for the feeling you'll have when it's over, a bonus star for having its heart in the right place. Average: 8.Like Carl Foreman's underrated "The Victors," an equally downbeat but more interesting and thought-provoking film, The Long Day's Dying seems not to be on DVD. Why not? Both films have been on cable a number of times.

This is not a movie you watch for entertainment, at least most people I know would not.It's portraits the cruelty to both body and mind that happen in a war pretty well, the characters seem plausible, especially because you "read their minds", something more often found in books and rarely in movies, however done very well in this piece. I would place it next to "All quiet on the western front" and "Die Brücke" in terms of leaving a lasting impression.I wish I could screen it at school, along with the other two movies - however finding a copy of it showed to be pretty hard - which is a shame.

The reason why I say this is because I wrote the screenplay and knew very little about it being made until I was asked to see the film. I wrote it for some producers who sold it on without telling me. Because Alan Dobie was a friend of mine, I got to hear about it. I had only written a first draft so I was understandably worried when I heard that it was on the floor. I asked Peter Collinson, through my agent, whether he might like me to do another draft. I also asked if I could I see my original script because I had lost it. I was told, too late. So I did the only thing I could do under the circumstances and took my name off. I had no idea what they might have done to my screenplay. Then I was invited to see the finished film. I was so impressed that I very quickly asked to have my name put back on. It's a beautifully made piece, from a hurriedly written first draft, I expected to be asked to do much more work on it; perhaps if I had it wouldn't be so good. I would love to see my original script again if anybody knows where it is? I would also love to see the film again, I only saw it once in a little viewing theatre in Soho.

This is an unusual war film, about three british Paratroopers behind german lines in WW2. It is a long time since I have seen it, but it remains quite vivid as it wavered between an ultra realistic portrayal of the action and a strange telepathic connection between the characters. It has never been released on video, which is a pity, as it should have some recognition amongst cult film fans.