Tied for the best movie I have ever seen

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Do we really expect movies to be "true to the book" still? We should know better by now.That said even knowing that some films can be a let down if you've already read thew book (thinking of Harry Potters 4 and 6 here among others).I haven't read the book but I think I will. Actually the 1st time I saw this film I didn't know about the book. I found out there was a book when the 1995 version came out.I've seen both versions and as I understand it they both are pretty equal in "not being true to the book".I like this one better. the other is OK but I find the frequent bouts into fantasy scenes to be distracting. Particularly since the scenes are a bit cheesy if visually interesting.I'd rather watch Shirley do a tap routine with her partner, just my preference. Besides she was such a lovable creature just watching her lightens the heart.For those looking for true to the book the 1987 version seems to be accepted as closest. I believe it was a mini series but I haven't seen it myself.

The Little Princess finds Shirley Temple put in an exclusive boarding school by her father Ian Hunter who is a soldier and about to be posted to the Boer War. He's also a person of some substance and the schoolmistress Mary Nash is just glad to have her seeing all those pound note signs in front of her eyes. However when Hunter is reported killed at Mafeking, Nash has not a whit of sympathy for her. She takes Shirley out of her really nice room and puts her to living in a small attic room with another girl, Sybil Jason in a similar financial predicament. Why doesn't she just throw her out altogether you may ask? Simply because it wouldn't do the school's reputation any good to throw out the child of a war hero and Nash is all about a respectable image. The woman is a true Grinch.But as it is in Shirley Temple's world, the good grownups way outnumber the bad ones and they include young lovers Richard Greene and Anita Louise, Nash's brother Arthur Treacher who is an old music hall performer though Nash doesn't like that getting out, not respectable you know. Miles Mander who is Greene's crusty, but deep down kindly grandfather and his Indian servant Cesar Romero. And finally she gets help from none other than Queen Victoria herself in the person of Beryl Mercer in setting things right.Treacher was a great deal looser in his performance than he normally is in those butler roles. As for Romero this is the second time he played an Indian in a Shirley Temple picture, the first being Wee Willie Winkie where he also befriends Shirley.But you really got to hand the film to Nash who is such a mean old thing with her exaggerated ideas about propriety and etiquette as long as you can pay for it.The Little Princess holds up very well and is still fine family entertainment for a young audience.

While American audiences loved this and all the other Shirley Temple vehicles, across the Pond this story of a young girl refusing to accept reports of her father's death in combat must have struck a responsive chord with war-weary Brits who could easily identify with her troubles. Although the Hollywood film industry has always come under some well-deserved criticism for twisting history and other literary sources in its screenplays, they do get it right at times. The largely British cast and English setting give the classic story the right look and feel, and the romance and song-and-dance numbers don't take anything away from the main storyline. Shirley is even reunited with some of her co-stars from other films. (This includes Cesar Romero as a servant here. 8 of his next 11 films were westerns, a genre he'd never tackled, including a pairing with Randolph Scott as Doc Holliday to Scott's Wyatt Earp and a starring role in a handful of Cisco Kid features. Much later would come famous movie and TV roles as Kurt Russell's nemesis A.J. Arno in several Disney comedies in the 70's, and his most famous part, the Joker, in BATMAN.) In a year when so many great films appeared that were taken from the pages of popular books (GONE WITH THE WIND, THE WIZARD OF OZ, THE ADVENTURES OF HUCKLEBERRY FINN, THE HUNCHBACK OF NOTRE DAME,GUNGA DIN, WUTHERING HEIGHTS, GOODBYE, MR. CHIPS,THE HOUND OF THE BASKERVILLES, TARZAN FINDS A SON, THE MAN IN THE IRON MASK) you can add THE LITTLE PRINCESS. If you never get to read any or all of these books, at least watch the films derived from them. You won't regret it. Dale Roloff

Between the ages of 7 and 10, little Shirley Temple was the biggest box office star in the world. But as she grew older, her popularity quickly began to wane. At 11 (though she believed herself to be 10 because her mother shaved a year off her age), Shirley was still quite a child when she made "The Little Princess." But because she was no longer as cute and cherubic as she was at 6, when "Stand Up and Cheer!" first made her a star, it was to be her last successful film in a children's role.As Sara (a Hebrew name meaning "princess"), Shirley plays her standard rags-to-riches storyline in reverse: Sara's wealthy widowed father loses everything in the Boer War, and her cruel boarding school headmistress Miss Minchin makes her an underfed, overworked servant girl to pay the tuition debt her father owed. Sara goes from luxurious rooms and private tutors to friendless, freezing attics as suddenly as the swinging America of the 1920s sank into the dust storms, breadlines, and squattervilles of the 1930's Great Depression. But where did poor Americans turn to briefly forget all these problems during the Great Depression? To the movies, where Shirley Temple, her unwavering hopefulness (as present in "The Little Princess" as in any of her movies), and her cute song-and-dance numbers -- with titles like "Laugh, You Son of a Gun" (1934), "You Gotta Smile to be Happy" (1936), "Be Optimistic" (1938), and "Come and Get Your Happiness" (1938) -- cheered up the entire nation. The same singing and dancing cheers up Sara Crewe while she's working as a galley slave in 1899 London, as Shirley performs "The Old Kent Road" with her pal Arthur Treacher (her four-time co-star).In short, "The Little Princess" is Shirley Temple's career in a nutshell. It is a must-see film for both longtime Shirley fans and newcomers.