Very well executed

Plot so thin, it passes unnoticed.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

Spy spoofs were ten a penny in the 1960's. Norman Abbott's 'Last Of The Secret Agents?' ( 1966 ) is one of the better ones. It was intended to showcase the then-popular comedy double act Allen & Rossi ( Marty Allen and Steve Rossi ). With his mobile face and shock of untidy black hair ( and "Hello Dere!" as a catchphrase ), Marty is firmly in the Lou Costello mold of comic sidekicks, while Rossi is a Dean Martin tribute act. 'Last' is a decent film, and this is mainly due to its associate producer and writer, the talented Mel Tolkin. Marty and Steve are a pair of down on their luck furniture removal men based in France. A mysterious organisation known only as THEM ( also the name of an organisation to be found in the 'Captain America' and 'S.H.I.E.L.D.' Marvel comics of that period ) has them under surveillance. It specialises in stealing valuable art treasures and wants to use Marty and Steve as unwitting couriers. 'J.Fredrick Duval', head of G.G.I. ( Good Guys Institute ) recruits the boys to find out what THEM's latest scheme is and, if possible, wreck it. Marty is given a gadget-packed umbrella which contains a gun and a radio, and even converts into a hot-air balloon. As it turns out, their Blofeld-like leader 'Zoltan Schumach' ( Theo Marcuse ) is out to steal the Venus De Milo...The gags come thick and fast ( the passengers' changing clothes each time a train enters a tunnel was copied a year later by the 'Matt Helm' movie 'The Ambushers' ), some work and some don't, but overall this is an extremely likable motion picture, packed with 1960's colour, gorgeous girls and good humour. As well as Bond, the 'Batman' television spoof is spoofed, along with war movies ( Harvey Korman's cameo is hilarious! ) and cigarette commercials. Nancy Sinatra plays Rossi's love interest 'Micheline' and gets to sing the title theme. If Allen and Rossi did not, as was hoped, become the 1960's answer to Lewis and Martin, well, at least, they had a good try.

As a kid, I really enjoyed this movie. But that was the 70s. While still having positive feelings for it, that is from memory. I don't blame Allen and Rossi. Their humor did not translate to the big screen and were let down by a script written by someone who had no understanding of the spy genre, nor how to spoof it. It seems to me you have to have a plot that makes sense within the context of the story and then introduce humorous characters and twists that have no business being there. After an entertaining opening sequence, which goes on a bit longer than it should, the first half hour is fun, introducing Allen and Rossi and setting up the story. What follows after is slow, unfunny and nonsensical. More staid 50s than the hip 60s. Too bad Mel Brooks wasn't brought in to save it.

My family took us to the drive-in to see this when I was around six years old. Needless to say, I was not quite as tough on it as the junior John Simons around here. In fact, we all thought it was a masterpiece. Well, we didn't say that; but we thought it was funny. My Dad probably even knew the connection to "Your Show Of Shows." Now it is impossible to see, though I guess it turns up on T.V. now and then. It sounds like the historic significance as a precursor to the now played out "Airplane" school of comedy might make it fun. Martin and Rossi continued to play Vegas for many years after the film. Harvey Korman must have just been getting started.

In 'The Last of the Secret Agents,' Marty Allen and Steve Rossi end up being recruited by a very secret organization to help stop the evil force known as THEM. The evil genius behind THEM has managed to find the missing arms of the Venus Di Milo, so now he wants the rest of the statue. There are some sequences here that are very funny. The scene in which Allen and Rossi discuss marriage was my favorite. Most of the best gags in the film are in the style that would later be perfected in movies like 'Airplane' and 'The Naked Gun: from the files of Police Squad.' There are, however, plenty of sequences where the gags just plain bomb. Marty Allen seems to have gone to the Joe Besser school of comedy (shave his head and he'd almost look just like Besser). His buggy eyes and constant whining are probably not everybody's taste, but he does have some very funny moments. Nancy Sinatra sings the title tune, but her role in the film is pretty much a glorified cameo.