Good concept, poorly executed.

n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

Great movie. Not sure what people expected but I found it highly entertaining.

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

Mesmerising, witty, weird, disturbing, hallucinatory, nightmarish, compelling, visually and sonically dazzling ... this very original retelling of the Orpheus myth is a dark, funny, scathing, scary satire on the perils of fame in the 21st century. Although certainly not for the faint-hearted - there is some very confronting content - I have no hesitation in rating this as one of the best movies I've seen in a long time, and a must-see for any serious cinema fan.I watched this for the first time last night and as you can tell, I was hugely impressed. I have long admired Norrington's fine work on 'Blade', and he undoubtedly transformed what might otherwise have been a real corn-fest into the keystone of a very successful franchise. I also recall being pleasantly surprised to enjoy his equally stylish League of Extraordinary Gentlemen as much as I did it (and, boy, would that have made a dream Saturday-arvo double feature with the wonderful 'Van Helsing' at my childhood local cinema!). I was sad to read that Norrington famously had such a bad time making LXG that he swore he'd never make another film, and to date he still hasn't - which is a terrible waste of a great talent. It's a real pity that such an obviously gifted writer-director has only been able to make four movies in 20 years - but I'm very glad he got to make this one!I'm also sorry that other viewers didn't enjoy it as much as I did ... perhaps some were put off by its more extreme moments, and/or by its odd and distinctive style and approach. As mentioned, it is quite confronting in some parts and creates a powerful sense of unease, so I can understand why some won't appreciate its many virtues - but mega-kudos to Chris Blackwell and his colleagues for getting behind Norrington and letting him do this, because I have no doubt will come to be seen as his masterpiece, and I hope it will eventually be recognised a very fine and original film that deserved to reach a far wider audience. I was hooked from the outset and love the dazzling, edgy, off-kilter way he handled the story, the characters, the images, the sound. I loved how he lets the audience go through so much of the film without showing what Billy actually makes/does - and the scene in which this is revealed is an absolute tour de force - Frank Harper as the ultimate cabbie from hell should get an Oscar - an astounding performance. I love its cool and freaky visual style, the great music tracks, the wonderful locations, but I especially have to take my hat off to Norrington and his audio team for the soundtrack. I watched this late at night, and in order not to disturb my family, I wore headphones. I'm SO glad I did. It's not just the music that's great - the entire sound design on this film is just *superb* - there is so much happening on the audio track in every scene, so many subtle touches, that you really MUST watch it with headphones on and get fully immersed, or you'll miss a big part of what makes it so cool and so weird.The performances were uniformly great but the underground kids are really amazing, Tom Bell is TERRIFYING, and Jason Isaacs is wonderful too - a big, juicy, scenery-chewing role if ever there was one, and he plays it to the hilt! His singing scenes are terrific and superbly weird. I really think is is a very potent film - profound, funny, edgy and one that leaves a very powerful impression on the viewer. Well done to all concerned. This is an outstanding work, and one that should be far better known. 10/10.

It's late, it's extremely humid, every breath is like a drink of city soaked in smog water. I pop the DVD into my player and was transported to a late feast of clever visual effects, smart script lines, and a wicked soundtrack. So wicked that I immediately started to hunt the internet for it.I was impressed by the very fine acting of Max Beesley, very convincing character transformations throughout the film. Not since discovering Christian Bale did I feel like wanting to see more films from someone.Even though this movie centered around London's Underground, I felt like this could've been any city...reminding me of it's inhabitants running about half-asleep, forgetting (ignorance is bliss) about existence and valuing life.The movie made me feel guilty for feeling guilty about wanting to indulge and live a little in life.I recommend this movie anyone who likes movies that give you that feeling of "there's a message here for me".

I was blown away by the style of Blade, directed by Stephen Norrington. I was also blown away by League of Extraordinary Gentlemen, but for the completely opposite reason. Something happened to the director between these two movies, as Blade had an incredible sense of style, and LXG was a complete mess of a movie. In between these two movies, Stephen Norrington wrote and directed "The Last Minute."The less you know, the better, but the basics are:** Start Minor Spoilers **Billy Byrne is the next big thing. What he does (writer, artist, pop singer) doesn't matter. We join up with him as he's about to break into the big time. When that doesn't happen, we see him completely fall apart, but it takes time. He doesn't become a drug addicted homeless thief over night, and Mr. Norrington properly plays up the romanticism of that lifestyle. When he first wakes up in the catacombs, the room is bathed in a warm light, it's clean and Hawaiian style music is playing. We only see what we want to see.The movie skips ahead a year, and we see the reality of the situation. He's a drug addict living in filth. Begging and stealing to live. The lighting is dark, and cold. The people look sick and depressed. Billy realizes he's wasting his life and tries to get out. Will he?** End Minor Spoilers **This movie moves slowly sometimes, and I wish there were sub titles, since I had some trouble with the accents in some scenes, but it's also got scenes that look like poetry. Mr. Norrington has quite an eye. I highly recommend seeing this IF you can pay attention. I also recommend seeing it a second time. You'll be AMAZED at the things you missed the first time.

to compare this to any guy ritchie film is foolish and plain out bad reviewing. many would simply class it in the same school because it is british, it features "hip" newcomers, and the direction is very flashy and effects rich.....well except for the british part this describes most every film coming out now. the last minute is as far from guy ritchie as one can get. try connecting the dots to david lynch while passing through alex de la iglesia territory and you'll be on the right track. from the insane tap dancing crooner psycho sledge hammer wielding gangster to british literary classics over to the monsters people keep hidden from the world....or should we say gifts? this is a film of many varied and twisting turns which serves up its fair share of bite and bile. one forever feels that around the next corner will be the demon awaiting to devour the souls of the main characters, but lemarchand's box is not quite so literal as it is in a film like hellraiser. the demons that give pleasure and devour your being are much more real and familiar in this world. it is true that the plot balances on the old carpe diem type thing, but unlike every hollywood dungheap to tread this ground in the last 20 years, this film manages to do it with some grace, some originality, and with a large dash of realism amongst the severe surrealism. overall, a very impressive film with intelligence, originalty and style. a fabulous cast tops it off supremely and left me riveted for the entire length of the film and a strong desire to show it to everyone i know.