This is How Movies Should Be Made

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

This is a must-see and one of the best documentaries - and films - of this year.

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

Snakes seeking fame and fortune in the Asian film industry are advised to read their contracts carefully: it's not rare for an over-eager reptile to be duped into partaking in 'snake snuff', ending up mangled, mashed, burnt, chopped, mutilated, or in some cases, even batted to death by a monkey, all for the sake of art.Those who do risk signing up without reading the fine print certainly have guts, as is graphically demonstrated by the cobras at the beginning of Killer Snakes, who have their skin split open and gall bladders yanked out before being cast aside to die. Fortunately for these cold-blooded critters, they narrowly escape death (well, in the film they do—for a while; in reality, they most likely carked it straight away) when they are found and cared for by Chen Zhihong (Kam Kwok-leung), a meek but messed-up young man who has an affinity with snakes (and just a few screws loose, thanks to a very disturbed childhood).Whilst nursing his scaly pals back to health, Chen suffers daily physical abuse at the hands of local bullies; eventually, however, he is able to turn the tables on his tormentors when his newfound, fork-tongued friends decide to lend him a hand in exacting revenge (metaphorically speaking, of course; I know that snakes don't have hands!).Time flies by as our luckless chump and his slithery chums set about settling the score (which includes abusing female bullies by abducting them, tying them up, and letting his snakes find a nice warm place to hide); meanwhile, pretty market girl Xiujuan (Maggie Li Lin-lin), the apple of Chen's eye, has fallen on hard times and is being groomed by Madam FangFang for prostitution. When Hu Baochun, a wealthy slime-ball, sets his sights on breaking in the new girl, Chen and his hissing homeboys (hey, I'm running out of things to call them) attempt to stop him before he can successfully sample Xiujuan's as-yet untouched delights.Now available on Region 1 DVD in its uncut form, this sordid slice of Shaw Brothers snakesploitation is a top contender as 'Most Unsavoury Reptilan HK Horror Ever', even rivalling the excellent Calamity of Snakes for the title. Set in an inner-city slum, where Chen lives in a particularly squalid hovel, the film is unapologetically grubby, wallowing in its own filth and depravity and delighting in its sexual violence and animal cruelty. It's obviously not a film for animal lovers or the politically correct, but thicker-skinned fans of outrageous and excessive Asian oddities should definitely check out this film for its sheer craziness, which includes Chen's all-too-brief visit to a local whore, an attack by vicious Komodo dragons, mucho mid-air serpent slicing, some sleazy flashbacks to Chen's childhood that explain his predilection for bondage, and a nifty nihilistic ending that sees the snakes turning on their master.

Now this is what I like, a very very well made Shaw Brothers movie, that pulls all the stops out in this sub-genre of snake horror/thriller movies. This is by far the best deadly snake movie I have ever seen. The plot, "A young man who has been beaten, abused, humiliated and laughed at all his life finds that he has an unusual empathy with snakes. He can talk to them and they understand him, and eventually he finds that he can get them to do his bidding. He decides to use his newfound friends to take his revenge on everyone who ever did him wrong." The young man is not a hero at all, in fact, he's probably worse than the people he takes revenge on. Very well made horror movie, with some great nudity to say the least, and plenty of sex and violence. When there is no snake attacks going on, which are great, there is usually a naked girl or two, so there is no way you can go wrong with this one. Yes, this is extreme Asian cinema, and I love it. The whole movie is sleazy as hell, but done with a huge amount of quality film-making. I highly recommend this movie to fans of Asian cinema especially, and to all horror fans. It's a dandy to say the least.

This was a rip-off of the American horror movie STANLEY... which in turn was a rip-off of WILLARD! I've seen my share of twisted Hong Kong movies, though I was really surprised to see that this level of sleaze was going on before the '80s! (Guess I need to bone up on Hong Kong cinema) Bondage, bondage, and more bondage! And the movie really wallows in the scummier side of Hong Kong, refusing to show us nothing but slum districts, dirt, filth, criminals, prostitutes, and other people of a disreputable nature. I wonder if Queen Elizabeth would have still knighted Sir Run Run Shaw had she seen this movie his company produced!Putting that question aside... While it may sound like sleazy fun, it's not. The production values aren't bad, but it's *very* slow going, and the various exploitation moments (violent or erotic) don't come across as much fun, either from dull direction or made not to be fun (like *real* snakes being chopped up right in front of our eyes.) The movie doesn't seem to be heading in any real direction, which might explain why the final 5 minutes has some unexplained (or unbelievably explained) plot turns that help to quickly wrap things up.

Killer Snakes is very strong and mean spirited stuff, but great film for fans of sleaze and ultra weird cinema. A young boy has suffered all his life. He had a traumatic childhood as his parents fought and had sick sex games in front of their child. After his childhood, he was nothing but a loser in some lousy job kicked in the head all the time. He was beaten, cheated, humiliated and laughed at all the time and everyday, and he definitely didn't have any friends. Friends of human beings, no, but soon he found himself different kind of friends, very slithery ones. He started to communicate with snakes, cobras mainly, which were plenty in his neighborhood and its restaurant's kitchen, in which the snakes were horribly mutilated by chef in order to remove some parts of the creature and feed them to customers. Our protagonist starts to make friends and talk with snakes, and starts to protect them. Then he starts to use them against his enemies, practically against everyone..This film is weird and very dementedly disturbing. I'm almost sure the film makers (well, the director at least) was in some kind of dope during filming since there are so outrageous visions and use of lights that create an atmosphere one would probably feel after taking hard drugs. There are many different colors and strange soundtrack, but the settings are also very dirty and off putting, and this is the first Hong Kong movie, I saw the city depicted this dirty and loathsome. There are poor people, prostitutes and pimps and all kind of scum that live in big cities. The widescreen photography is not too inventive, but since the over all tune is so unique and hallucinatory, I cannot but appreciate this sick little gem.And then the snakes, which are of course real and plenty. If you scare snakes, DO NOT even think of watching this film since you will faint if you try. There are big snakes and little snakes, fat snakes and thin snakes, slow snakes and very fast snakes, so there are all kinds of snakes in the film. I don't know how they shot some of the scenes since it seems like the actors just lay in the floor as hundreds of snakes were on and next to them, so I don't know were they tricks or were the actors so desperate they really did all these things with these creatures.There are many over-the-top scenes, most notably the most infamous in which this guy ties a girl like in some s/m session, and lets snakes free on her naked body, and some of the snakes, of course, find the most valuable and sensitive body part of the girl, and crawl there and I'm sure female viewers (if there are any) will cringe in that scene, since even I did. The cruelties committed at snakes are unsettling to watch, as real snakes are mutilated and burned alive in the film, but that was the film makers' moral that time (and in some cases, even today, unfortunately), but at least the snake abusers get something back in the movie, so maybe the film is a statement again about humans' and nature's relationship and how humans exploit everything we get our hands into.The final scene is again very memorable and makes me wonder how they attached the snakes on that standing fellow, or were they real snakes in the first place? This film has so much outrageous elements, scenes and ideas, this is a must for fans of Asian demented and twisted horror/sleaze cinema, and worth tracking down. There are many other similar films made in East, and it is just one example of what separates their cinema from Western cinema. Again this film proves how unique Eastern cinema is in many ways. 8/10