Boring

Amateur movie with Big budget

In other words,this film is a surreal ride.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Invisible Menace, The (1938) ** (out of 4) Slightly entertaining whodoneit about a body being found at a military institution and the investigation that follows. I've seen countless films like this over the years and this one here really isn't any better or worse than the majority out there. The main reason to see this film is due to Boris Karloff but be warned that he's not in the film too much even with the top billing. The supporting cast are decent but the good thing is that the film runs a short 54-minutes. Had the screenplay been a tad bit better the film might have worked better.

(THIS REVIEW IS FOR THE DVD Invisible Menace/Night of Terror)This DVD presents Karloff and Lugosi, each in a film that is not part of their usual fare seen in other collections.THE INVISIBLE MENACE is a Warner Brother's quickie (clocking in at under 60 minutes) that shows that Boris Karloff could do far more than play monsters. Most reviews of this film right it off as a poor example of his talents. I disagree. In it's 54 minute running time it manages to combine murder, red herrings, and an extremely quick paced mystery. The comedic antics of Marie Wilson and Eddie Craven may be a bit trying at times for those looking for pure mystery, but they are far less intrusive than many other mystery films where comedy is injected at random. At least their situation is part of the plot. As to Boris's role being beneath him, I tend to look at as an extension of his abilities to create a character. His gray hair, glasses and quiet manner (except when he is gesturing wildly pleading for justice) are a precursor to his role as Professor Linden in The Linden Tree, which he would play on the New York stage in the late 1940's. Overall it is an enjoyable little film.The second feature, with the generic title NIGHT OF TERROR, comes as a welcome surprise. I had only seen it listed on Bela Lugosi film bibliographies. It is a variation on the old dark house thriller, with moving panels, tunnels, a gathering of heirs for the reading of the will, etc. This film has the advantage of Lugosi's performance. Reading other reviews of the film led me to believe that he was "wasted" in the part of Degar. Once again I tend to disagree. Bela is in almost every scene of the picture. His mysterious delivery of his dialogue is perfectly in line with the film's eerie atmosphere. As for him being "wasted" he turns out to be the most intelligent person of the lot-including the police and a wise cracking newspaper reporter. Being a B picture, and over the years being subject to scrutiny, the plot discrepancies are pretty evident, but overall it is an entertaining film. As to the peculiar ending, it is no more quirky that Edward Van Sloan's prologue to FRANKENSTEIN or his epilogue to Dracula (cut from most prints of the film)

Murder mystery with a silly title. Better-than-average direction from John Farrow. Marie Wilson is quite funny as a horny newlywed, although the jokes are sticky and worth a few groans. But Karloff as usual is multi-dimensional, spooky and human, a warmer version of the guilty icon that Lon Chaney Sr. perfected.

What in the world was Karloff doing in this B-picture quicky years after his triumph as The Frankenstein Monster??? Karloff tries his best but nothing could save this snoozer. The plot summary pretty much gives you the entire plot. Tries to be a sassy sexy comedy, a thriller and a who dunnit all at once. Fails miserable at all 3! The "comedy" is sophomoric. There are no real "thrills". The "mystery" wouldn't fool a 5 year old. Lots of good character actors wasted (Regis Toomey, the perpetual sergeant/policeman, "Dobie Gillis'" father Frank Faylen, and others). For Karloff completists only!