Lack of good storyline.

The best films of this genre always show a path and provide a takeaway for being a better person.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Watching it is like watching the spectacle of a class clown at their best: you laugh at their jokes, instigate their defiance, and "ooooh" when they get in trouble.

The movie is very depressing but very well done. I don't know if it may be deeper than what I got from it. It is pretty much about two families where adults fell out of communication with each other. They try to make their lives more fun with the new found freedoms of the 70's but it doesn't help because they lack connection.The kids are in the meantime also exploring their sexuality. And it also gives one a sad vibe as lacking any real emotions and excitement that comes with adolescence.The actors are all great. Actually the ones who played the teens ended up all being very well known. Actually they weren't new to acting with this movie anyways as they have been in business since childhood and so their acting already was experienced. Christina Ricci somehow manages to creep me out. Her sexual explorations make me feel like she is making something really wrong, even though she is a 14 years old and more like an innocent teenager starting life than a creep. The tragic end at the same time makes one wonder if this loss will turn around the lives of these two families after they witnessed the fragility of life and discovered how important it is not to miss communication with each other.

Thanksgiving, 1973. We meet two dysfunctional families living in New Canaan, Connecticut. The Hoods are Ben and Elena and their children Paul (16) and Wendy (14). The Carvers are Jim and Janey and their teenage sons Mikey and Sandy. Ben is having an affair with Janey. Paul spends most of his time at boarding school but is coming home for Thanksgiving. Wendy and Mikey are in a relationship, of sorts. Sandy is infatuated with Wendy. One night all their relationship and family issues reach a tipping point.Started very well. First half was great - quirkily funny with some great oddball family drama. Characters had depth and were engaging. Everything seemed set up for fantastic second half, complete with more quirky comedy and some intriguing family drama.But, alas, it was not to be.Second half is pretty dull, even silly, and ends in random anticlimactic fashion. After a largely comedy-driven first half, director Ang Lee gets all serious in the second half, turning the movie into a full-on drama. Laughs become few and far between. Moreover, the drama is dull, pointless and not at all profound. Very disappointing, especially considering how well it was set up.Can't complain about the cast though. Heaps of big names, some of which weren't that big at the time: Kevin Kline, Joan Allen, Sigourney Weaver, Tobey Maquire, Christina Ricci (16/17 at the time) and Elijah Wood. We even have Allison Janney and Katie Holmes in minor roles. This was Katie Holmes' first role, in either film or TV.

Years before he hit big with "Brokeback Mountain," Taiwanese-American director Ang Lee released what I consider to be an even better film, 1997's "The Ice Storm." Kevin Kline and Joan Allen play Ben and Elena Hood, a seemingly happily-married suburban couple in 1973 Connecticut. Tobey Maguire and the still teenage Christina Ricci play their children, Paul and Wendy. But alas, all is not as vanilla as it seems, for Ben is having an affair with a neighbor, Janey Carver, played by Sigourney Weaver, in her best (and most vulnerable) performance ever. Ironically, daughter Wendy is sexually experimenting with Janey's son Sandy.The Hoods and the Carvers both attend the same "key party," a form of swinging in which the women draw the men's car keys from a bowl, then sleep with the owner of the keys. Here, Janey's husband, Jim (Jamey Sheridan) realizes his wife is having an affair with their neighbor. He and Elena spend the night together too, then return to find their teenage children in bed with one another. So two families, one affair, and three liaisons. Yes, Kevin Kline stars, but this is not some fraternity-level comedy. This is a serious, heartbreaking dramatic representation of the ashes burned from the sexual revolution of the 1970s – all played against the backdrop of a New England ice storm brewing outside.Those of us too young to participate have a tendency to think of the sexual revolution as some kind of wild, ongoing swingers' party, in which partners were traded and swapped like baseball cards, and those unfortunate enough to be married would certainly play along without feeling any repercussions to the traditional family structure. This is obviously an inaccurate description, and Ang Lee brilliantly illuminates the anguish experienced by many families. I suppose the most distressful relationship of all is that of the sexually-catechizing teenagers. Studies have shown children mimic their parents, and if their parents are sleeping together, well then… The performances are all first-rate, especially Sigourney Weaver, who was nominated for a Supporting Actress Golden Globe award. And it's revealing to watch Christina Ricci at 17 years old, in her first "adult" role. Her Wendy character carries herself with the poise of her mother, yet with the guilelessness of a child. James Schamus' screenplay (a winner at the Cannes Film Festival that year) features some of the most candid and open dialogue I've ever witnessed. Lee smartly refrains from overdirecting – letting his star cast elucidate the material effectively. Kline and Weaver let us into the hearts and souls of their philandering characters, allowing us not so much to judge them, but to feel their pain, as it were. We not only bear witness to their struggles, but we develop a connection to their very souls.Unfortunately, "The Ice Storm" was simply lost in the shuffle of all the great motion pictures of 1997 – the box office champ and critical success "Titanic," Curtis Hanson's "L.A. Confidential," Paul Thomas Anderson's first classic "Boogie Nights," Matt Damon's and Ben Affleck's breakout film "Good Will Hunting," and Dustin Hoffman in "Wag The Dog." Plus Robert Duvall and Peter Fonda turned in the best performances of their long, successful careers with "The Apostle" and "Ulee's Gold," respectively. There simply wasn't room for "The Ice Storm" in the conversation, although it certainly deserves its place on the mantle of the many virtuoso films of 1997. This was one of the finest films of one of the best years ever for motion pictures.

It's not a bad movie, I just found it annoying. It's supposed to be deep and artsy and deal with real issues. But I just wanted to slap half the characters and say "Wow, you've got a lot of money, grow up and act like adults." I thought the kids were most entertaining but the adults acted selfish almost like they never should have had kids in the first place. The acting is good, I enjoyed a lot of it except the parts that dealt with the stupid adult behavior. They definitely did a good job with the 70s feel and I think that's what I find most annoying. They took the stereotypes from the 70s and made adult characters out of these stereotypes. Most people didn't act like that, there were some but not most.