Sadly Over-hyped

n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

An old-fashioned movie made with new-fashioned finesse.

I will say that you have to be prepared for this English retelling of a Middle Age Play. Forget the SciFi elements. If you think Sci-Fi, you will feel short-changed. If you think pure stage drama with post apocalyptic 21st century props, then you will be ready to sit thru this.And while the setting is Post-Apocaplytic England, the language and script is wholly Olde English/Elizabethan. So you will quirk an eye-brow and go "Huh?" when you start hearing the 'My Lord's, the 'My Lady's, and long archaic, flowery phrases.BUT. . .having said that: you can get into the swing of it after 15 minutes and go along for the ride. It IS different.And because women tend to like all things 'Play-ish', this one is Girlfriend Friendly with extra brownie points for the Guy in her bank-- for purely female reasons.So be a Good Joe and try to keep your finger OFF the FF button.

Alex Cox brings us a gleefully over-the-top adaptation of a Jacobean revenge play. Where Shakespeare was the high culture of his day, this piece (originally performed anonymously, presumably to shield its author from any repercussions due to its distinctly anti-authoritarian slant) plays out more like a 17th-century Leone movie. In this version, the action has been transferred to a vaguely-defined post-nuclear-war Liverpool, ruled over by an amoral Duke and terrorized by his violent sons. The cast is great (especially Derek Jacobi and Christopher Eccleston) and the whole film is characterized by an intense spirit of fun. My only problem (as a yank) was that -- in spite of years spent enjoying British TV -- I found the combination of archaic syntax and scouse accents to be incomprehensible at times. Fortunately, the subtitles on the DVD made it much easier to follow the dialogue and plot line. This certainly won't be to everyone's tastes, but it's a good one.

Does anyone care about any of the characters in this film? - Or for that matter what happens to them? - I doubt it. That is the key problem - for a tragedy to work we have to care about at least one of the characters and none of them inspire any sympathy or appear to have any redeeming qualities at all.What may have worked in the 16th Century, certainly does not work in one can only assume 'post apocalyptic Liverpool' if that was indeed what it was meant to be. The problem is the characters in post apocalyptic Liverpool, whilst still driving around in cars, using mobile phones and watching television, have reverted to speaking in Shakespearian language - with a Liverpudlian dialect. Oh dear! Bad enough you might think - but this often lapsed into pure scouse - with comments such as 'eh lah are you a cockney? And was that a Merseyrail announcement during one of the scenes filmed in the underground? Well the good news is that in Post apocalyptic Liverpool - the trains are still running.The characters without exception are badly drawn, wooden and more like charicatures on the lines of the Joker/Penguin in Batman and Robin except there is no real storyline to speak of - or if there is - it is one that doesn't work in a modern setting where half the sets are gloomy and 'Blade runnerish' and the other half are fluorescent garish or just 21st century normal. Costumes are also mixed up with half wearing their everyday clothes (Parkers are big in post apocalyptic Liverpool - apparently) and the other half wearing costumes from the leftovers of a fancy dress party? The film explores the ideas of lust, incest and revenge in the most inane fashion imaginable - the tragedy is that this film was made at all.

I have just seen the premier of this film at the Cambridge Film Festival, and it is superb. Christopher Eccleston is demented as the lead role, and Eddie Izzard at last cuts out the buffonery and lives up to his promise. Chumbuwumba provide and excelent soundtrack, and the costume designers have seen too many Adam Ant videos. The scouse touches bring the film down to earth just when it seems to get away. Better performances, and directing, would be difficult to see.