the leading man is my tpye

People are voting emotionally.

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

A friend gave us the option of several movies to view after he served Thanksgiving dinner. This was one. If I had stumbled upon this film on my own, I may have watched a bit of it, but I doubt whether I would have gotten all the way through it. Yes, as my friend said, it was a dark comedy. But I fear it was too dark. The film used as a centerpiece a woman (Parker Posey), mentally unbalanced, with a fixation on Jackie Kennedy (why they called her Jackie-O, I don't know since they were focused on the Jackie Kennedy the day that Jack Kennedy was assassinated) and her twin brother (Josh Hamilton). The story centers around this sick woman and her unwillingness to let her brother live a normal life. This includes destroying a new relationship with his fiancée (a refreshing Tori Spelling), insulting her kid brother (Freddie Prinze, Jr.) and faking out her mother, Genevieve Bujold. All the actors were good. The dialogue consisted of making statements and having other actors repeat the statements as questions or repeat the statements rephrased sarcastically. There were funny moments, no question. But, there was a fair amount of footage used of Jackie Kennedy and John Kennedy on the day of Kennedy's assassination in Dallas in 1963. What was disturbing was seeing the footage of the time period just shortly before John Kennedy was killed. I found it be deeply upsetting and I was not sure why it was necessary. This is NOT a Thanksgiving film. It is a very dark indie comedy to be viewed when you have NOTHING to do, and it is NOT the holiday season. Seeing it once is enough and you will not forget it. Whether that is a compliment or not, I will leave up to you.

this 1997 film of an earlier play is the proof. there's just too much real absurdity going on. Genevieve Bujold as the disconnected mother is the best thing in it, but these days, that isn't saying much, because so many people are disconnected. What there is of a plot about sibling incest and insanity is today totally predictable. A few (too few)funny lines. no one seems to know quite what to do with Parker Posey, except Christopher Guest, in his wonderful mockumentaries, in which she's very funny. Here, she just seems strained. Tori Spelling is quite appealing as the only normal character, a donut shop waitress who lands in a pretentious upscale family.

This is one of the most perverse and disturbing black comedies I've seen. And also one of the most well written, well acted and hilarious. I enjoy watching a film that is like watching a stage play (which of course this was based upon). Parker Posey is great as always, as well as everyone else. I thought Tori Spelling was surprisingly good as the "innocent" yet "not so innocent" fiancée. This is the best "dysfunctional family" film I've seen. An extremely offbeat and very funny...satire? Not for everyone, but much more intelligent and clever than most movies today. A great and very underrated film. And I might add, one of the best films of the 1990's.

A very dark, funny little movie. Parker Posey is tremendous, and most of the film exists as little more than a set-up for her character. My only real complaint is the stilted, "stagey" way the dialog is delivered. It feels like they are going for a 1930's Broadway play vibe, a twisted Rogers and Hart show, and the acting shows that direction. On a live stage, I'm sure it wouldn't have been noticeable; but the delivery is conspicuous when captured on camera. Still enjoyable, but the effect is distracting. See it for Parker Posey, and for a surprising Tori Spelling, and try not to worry too much about what happens at the end.