hyped garbage

Fresh and Exciting

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Easily the biggest piece of Right wing non sense propaganda I ever saw.

As I watched this bootleg VHS film after downloading it from a P2P site I enjoyed every minute of it, and yes by the way that is probably the only way anyone can actually get a copy of this film. I remember seeing it on television when I was younger, well not that young I was probably in my 20's, and also on Canadian satellite television. But it always stuck with me as a none forgettable film of great acting, very lovable and hated characters at the same time.I wish I had an actual DVD copy of this film, but it doesn't exist, why this is I do not know. The film gives us an insight of so much rage in a woman after she gets raped, but also is with a dentist than is a cocky jerk in the beginning.Death Weekend aka House By The Lake is a great film and stands up beside Last House on the Left, and I Spit On Your Grave. I truly don't know why this film has such controversy behind it since all the films I mentioned have been released on DVD. I'm guessing because it's a Canadian rape revenge film that stand above the rest of this sort of genre. What ever the reason I recommend watching this film if you have the means to do so.

I really was not expecting anything spectacular when going into this film. By the time i'd seen this, i'd seen virtually all of the murder/revenge films and just about everything that involved a group of chaotic thugs who terrorize some normal people, who in turn end up fighting back or trying to escape, and they pretty much all were cheap exploitative dribble that was wholly unrealistic and poorly layed out. This movie on the other hand does some things differently that elevate it above pretty much all the rest aside from "Deliverance" and "Straw Dogs" which I'm not sure fall into the same category anyways. A movie like this can never surpass "Straw dogs" who's plot allowed for much more meaning and emotional depth, done so perfectly, where the violence also inevitably seemed more plausible the way it played out.The film opens with a very spectacular car chase where the thugs are harassing the dentist and his model companion who is at the wheel. Pretty soon I was saying to myself "come on.... no other cars use this road?" and then CRASH. Finally the scene ends with the thugs landing in a ditch as the dentist and model drive off, having completely disgraced them, setting off a desperate need for revenge in the thug leader. The film had delivered a very convincing opening act, and from this point I had the sense that this director knew what he was doing.It' the little things that are all at play which end up making the film much more convincing than lesser efforts. For example, when the leader opens up pretending to be nice and reasonable with the dentist in a very sardonic way, and his 3 comrades are snickering at it, as characters they all seem so believable, and this scene really does get across a foreboding sense of bad things to come, as we have already been shown just how fierce the leader can be.One scene that I found to be a huge detractor was where the drunken gas store workers were killed by the thugs with the dentists boat. Firstly it was very coincidental that they borrowed the dentist's boat at this propitious moment, but more importantly, the way that they taunted and tormented the dentist and model, and the way tension grew and grew was so successful, that it seemed very much like a situation of bad luck, and one thing leading to another, though when we see them so callously murder these 2 people on the boat, it destroys much of that very well produced tension, because it means they were going to kill the dentist and model from the very beginning and the fate was sealed.The unfolding chain of death at the end was again, much better executed than in most movies of this type, though still as usual, a little contrived that the shed trap would work so perfectly, that the 2nd last thug would stumble into quicksand and die, while the model avoided the same fate. One thing that I think certainly could have been better handled was the transition from night to day. I would have loved to see shots of the sun rising, of the model shivering in the night, waiting for morning. Regardless, the final showdown between the model and the leader is quite intense, and I love the added irony that the wounded dentist ran off to the car the night earlier after being shot, but died in the car, as he had no car keys, though luckily for the model she learned how to hot-wire cars.The ending shot of the movie can only be described as extremely bizarre, and its so very perverted in the a sado-masochistic sense of what it implies. In terms of drama and meaning, as with the rest of the film, it really does not delve beyond the mere surface, but it does serve as a final jolt to the viewer saying: Not a masterpiece, but this movie definitely has enough thought and effort put into it to place it above average sleazy schlock like "Last House On The Left" or "I Spit On Your Grave"

Solidly-done, low-budget thriller from Canada is a great tale of survival.In route to their weekend get away, a woman and her gentleman friend anger a gang of thugs and end up paying for it.Death Weekend is a little known thriller, which is a shame since it's a good entry in the vengeance/exploitation genre. While Death Weekend isn't as violent or disturbing as Last House on the Left (1972) or I Spit on Your Grave (1978), it does possess a powerful tension and makes for a pretty strong watch. Director William Fruet gives this film tight action and dark, suspenseful atmosphere. It does have the occasional burst of shocking violence - especially during the terrifically intense climax. The films two stars are a strong point as well. Brenda Vaccaro is great as a victim trying to survive. She is an excellent actress and shows it well in this film. Also excellent is villain Don Stroud. Stroud has a powerful kind of presence in this film as the ruthless, but not unattractive leader of the gang.Death Weekend is a nicely edgy shocker that deserves a wider audience. For thriller, exploitation fans it's worth finding!*** out of ****

In the 1970s, a handful of films like Straw Dogs, Death Wish and Last House on the Left pushed back a few cinematic boundaries. They also provided inspiration for many copycat movies - titles like Vengeance Is Mine, I Spit On Your Grave, The Visitors, Death Hunt and Death Weekend. The latter of these - Death Weekend - is a Canadian thriller produced by a certain Ivan Reitman (who would go on to become a director of box office juggernauts like the two Ghostbusters flicks and Kindergarten Cop). It is a fairly forgettable siege thriller with a few moments of gore and an interestingly resourceful heroine.Diane (Brenda Vaccaro) and Harry (Chuck Shamata) are on their way to a remote house. Harry is a self-obsessed and successful dentist who owns the house. He spends most of his time buying objects to gratify his wealth, without realising their true value. Diane is his latest conquest (she doesn't know it, but she's just one in a long line of weekend flings for Harry). En route to the house the couple are subjected to a scary road rage ordeal at the hands of four drunken hoodlums, led by the foul-mouthed, foul-minded Lep (Don Stroud). Diane successfully out-drives the unpleasant foursome and causes them to crash. However, Lep tracks them down to their secluded love nest and, aided by his cronies, subjects them to an even more degrading and sadistic ordeal.Vaccaro is far too good an actress for a sleazy, violent exploitation flick such as this. She gives a good performance, as you would expect, but it's wasted on the repellent material. Stroud also registers strongly as a deplorable villain, and Shamata is OK as the vain, heartless playboy. For gorehounds there are some worthwhile moments - the highlight being a chilling throat slashing scene - but it's a long wait until the nasty stuff gets underway. Death Weekend is essentially an intentionally mean-spirited thriller. It offers the lingering threat of rape as a form of entertainment, and asks us to enjoy scenes of drunken abuse, degradation, destruction, idiocy, and graphic murder. Ultimately, the unpleasantness becomes a turn-off. The thoughtfulness of Straw Dogs and the black humour of Death Wish is nowhere to be found. This is just unpleasantness for its own sake.... and that's just NOT what movies are all about.