Very very predictable, including the post credit scene !!!

Perfect cast and a good story

Good movie but grossly overrated

Better Late Then Never

The 1770s. Jason Caldwell (a perfectly dashing portrayal by the handsome Keith Michell) returns to his ancestral estate in the wake of a lengthy absence to reclaim his lordship. However, Jason discovers that his evil and decadent cousin Thomas (ably played with lip-smacking wicked relish by Peter Arne) has turned the manor into a disreputable den of sin and inequity.Directors Monty Berman and Robert S. Baker, working from a compact and eventful script by Jimmy Sangster and Leon Griffiths, offers a vivid and flavorsome evocation of the 18th century period setting, keeps the enjoyable story moving along at a brisk pace, stages the rousing action set pieces with rip-roaring gusto, and tosses in a few saucy moments of near female nudity for extra tantalizing measure. Moreover, it's acted with considerable zest by a tip-top cast: Adrienne Corri provides plenty of spark, sass, and sexiness as the feisty Lady Isobel, Peter Cushing contributes a lively turn as cagey lawyer Mr. Merryweather, Kai Fischer makes a favorable impression as the bubbly and enticing Yvonne, and David Lodge does well as the loyal Timothy. Clifton Parker's spirited score hits the stirring spot. The crisp widescreen cinematography supplies a vibrant and sumptuous look. An extremely fun romp.

1961's "The Hellfire Club" is really nothing more than a typical swashbuckler that promises more than it delivers. Co-scripted by Hammer's Jimmy Sangster, Keith Michell stars as Jason Caldwell, rightful heir to the Earl of Netherden, which has been claimed by wicked cousin Thomas (Peter Arne) as his own in Jason's absence. The actual Hellfire Club barely figures in the plot, merely a device carefully avoided by the filmmakers, making Jason's father and cousin Thomas members to justify its inclusion (and the title). In deference to its subject matter, both leading ladies are seen in compromising bathing situations, with Adrienne Corri and Kai Fischer supplying equal parts pulchritude and love interest. It's certainly quite watchable, action aplenty, and bolstered by a good cast, Keith Michell acquitting himself well in his athleticism. Best of all, Peter Cushing guest stars as wily attorney Mr. Merryweather, who agrees to take on Jason's case yet behaves in a rather untrustworthy manner, allowing his client to be convicted of murder and sentenced to hang (he's introduced watching the execution of one of his 'less fortunate clients'). A hint of necessary corruption indeed manifests itself in that first scene, as a dismissive Merryweather suggests a way to obtain the document that would prove Jason's inheritance: "if one was dishonest, which of course one is not, one could steal the letter!" His masterful use of props involve spectacles, snuff, and handy handkerchief, a memorable five minute cameo worth the price of admission.

Everyone has covered this but it is a good swashbuckler and it does look like the Hammer Films costume dramas from the same period, so rather than it just been that Cushing and Sangster were involved, it also resembles a Hammer Film in everything except name. Also of interest is that this is the film that Kolliatis was watching in bed before he dies in the 'The Man Who Got A New Face' episode of the series 'Department S' Which Robert S. Baker produced between 1969 and 1970. An interesting film for everyone who likes a period piece or a costume drama and unlike Kolliatis you will not die after watching this. Great! Search the TV Guide or get it on DVD it's a good timewaster.

Rousing swashbuckling tale of an heir Jason(Keith Michell, in fine form as an Errol Flynn type hero), whose despicable father finally leaves this mortal coil for Hell after his death in a hunting accident, must contend with his equally devious, aristocratic scumbag cousin Thomas(Peter Arne)who lays claim to the estate and has the paper entitling Jason to the kingdom. Unfortunately, Jason will have to secure that paper from Thomas somehow by sneaking into his service as a servant. Jason, who was raised by Timothy(David Lodge), once a servant of his fathers'..and only one his late mother could trust..has been part of a traveling circus for some time and has keen acrobatic abilities, not to mention sword-fighting knowledge. This knowledge, and acrobatic skill, comes in handy when Jason's identity is found out, perhaps through Isobel(Adrienne Corri)who is to marry Thomas but falls in love with his cousin. Isobel is from poverty and so desperately wants a title of wealth that Thomas can provide..but despite her feelings towards Jason he stands in the way of her goals. Thomas' power with the English government(..but his underhanded secret dealings with the French offer possibilities of his possible downfall)puts Jason in prison when the evil aristocrat murders Timothy framing him. Jason had retrieved the paper stating his legitimacy to the kingdom and hid it in his lawyer's study. But lawyer Merryweather(Peter Cushing, amusing even if on screen for mere minutes)will not allow his knowledge of the paper known to the judge or jury at the trial for Jason's being tucked away in prison might just benefit England and bring down the corrupt Thomas and his Hellfire Club cohorts. But, Jason's circus-pals will not stand at bay as their friend lays in prison for the gallows and rescue him. Through a cunning kidnapping of the traveling French Marquis, Jason will go within the lair of Thomas' Hellfire club cavern to rescue his lady-love Yvonne(Kai Fischer), held prisoner so that a thorn can be removed from the evil cousin's side. Can Jason rescue Yvonne, thwart Thomas' plans, and, above all, remain alive?Lots of sword-dueling, acrobatic stunts, colorful sets & engaging performances rise this above merely the mundane. It has an appealing hero, loathsome villain worth rooting against, beautiful women, and an exciting prison escape. The circus troupe provide lots of joy as they cunningly trick the guards in the prison escape. Good production values and some suspense as poor Jason faces one trial after another so that he can get his revenge and claim his birthright. The Hellfire Club is an interesting backdrop to the action proclaiming what kind of sickening brutes Jason, and England, are up against.