Best movie of this year hands down!

Crappy film

I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

This movie is the perfect example where a decent plotline featuring good actors can be totally butchered by terrible scripting and bad dialogue. While the premise of a straight forward armoured car robbery and the subsequent battle for the spoils is (in my humble opinion) a solid storyline, the execution of the storyline in this movie is so bad as to be almost unwatchable. This is obviously a made-for-TV movie (the DVD features 4x3 format and stereo sound only, no widescreen or 5.1), but manages to fall short of even that benchmark. The characters are (for the most part) ridiculous, the dialog extremely corny, and the details of the storyline so bad they would appear to have been written by a ten year old. The thing that lured me to hire this piece of rubbish was the R rating - I was expecting some violent and graphic acts of carnage. But even the action sequences in this movie are poor - one notably featuring a bizarre looping of footage after someone is shot. Whether this was an editing glitch or a failed attempt to heighten the dramatic impact of the sequence is open for debate. In short, avoid this film like the proverbial plague. Do yourself a favour, and hire The Salton Sea instead.

This is yet another sharp, stylish genre piece from the talented and always underappreciated Kurt Voss, a skilled director as at home in the world of low-budget exploitation as in that of character-driven art house work. Here Voss uses the limitations of the low-budget genre world as assets, creating a work of energy and distinction marked by the same kind of witty dialogue as his collaborations with Allison Anders or his underrated HORSEPLAYER. Whereas most of the straight-to-video and cable world is a vast wasteland of clunky, empty-headed junk, Voss is continuing in the tradition of people like Jonathan Demme, Martin Scorsese, and Joe Dante, who in the seventies used exploitation films as vehicles for intelligent, personal entertainments. Like all of Kurt Voss's work from BORDER RADIO to SUGAR TOWN, THE HEIST is a great deal of fun and highly recommended.

i have seen this film more than once, each time it gets better and better, luke perry at his usual best, where is his oscar? a film and a half 9/10

This must be one of the worst movies I've ever seen. The plot was so tiny, that writer/director Kurt Voss had to fill the time with "Pulp Fiction"-like meaningless dialog. Unfortunately he is not Quentin Tarantino. So his dialogs are just plain boring, not funny. The acting is bäh, the characters are flat and unbelievable, but the main problem is: Nothing ever happens. They are just talking and talking and talking and bla bla bla. Don't waste your time on this one. Instead watch Pulp Fiction once again. Even if you've already seen it a thousand times.1/10