Plot so thin, it passes unnoticed.

The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

The movie really just wants to entertain people.

A review that came before me listed top 10 unintentionally funny moments in the film, which I am going to reiterate/add to. It is the only way to truly enjoy the film. Don't read this if you actually want to experience these priceless moments freshly for yourself.1. The opening credits tree hug.2. "You don't need to lose any weight."/"Neither do you!" (Then the two kiss passionately)3. Make-out scene simultanously occurring as a conversation about stamp collecting takes place. By the same people.4. The fashion and hair!5. Don Johnson repeatedly in scenes with massive pit stains, without any trace of pre-occurring hard labor. (And then he proceeds to make out with whoever is there.)6. The redhead girl saying "That was wonderful!" to her roommate, after he punches Stanley after he walked in catching her making out with Stanly.7. The music really is overly dramatic. Both the score and the acoustic guitar-laden ballads with priceless 70's lyrics, one song sung by Don Johnson himself!Good points in film:1. Don Johnson in wonderfully tight clothes and sometimes without them.2. The enjoyment coming from the whole 70's aesthetic and seeing a story line unfold that is so foreign to our 21st century minds.3. A way of looking at the feeling of jealousy, and dealing with it, that isn't really presented anymore. I decided to shed some of my own hard feelings regarding relationships after some reconsideration prompted by this film.

The fictional Harrad is a privately endowed auxiliary college where students attend classes at recognized schools (the acronym HARRAD comes from Harvard-Radcliff), but attend Harrad's human values seminars and live with roommates of the opposite sex.I first saw `The Harrad Experiment' (rated `R') as a teenager, in 1973. The film was not only entertaining but, like many other teenagers, the story seriously impacted my life. I immediately dumped my boyfriend and made a pledge to never again be dominated or told what to do by a lover. Thanks to this picture, I chose a man who was able to deal with his jealousies and now our children are viewing this amazing film on video. While the 1973 film may seem dated and sluggish by '90s standards, today's teenagers are rediscovering Robert Rimmer's college manifesto of the '60s and finding that its philosophical views may be even more relevant in today's far more sexually up-tight society.Last weekend, my eighteen-year-old daughter played a VHS copy of the film for her sorority sisters. The heated discussion that followed ran the gamut from embracing the, liberal, avant-garde ideology of Robert Rimmer's philosophy to the conservative position condemning the film as sophisticated porn.Videos of the film are traded from college student to college student, much like the original novel. Whereas the novel was merely a free love manifesto, the film takes a slightly different approach. The film version concentrates more on the reduction of jealousy, which can be destructive in a relationship. The experiment attempts to accomplish this by requiring students to live in a dorm where they are assigned roommates of the opposite sex. The added wrinkle is that the roommates must change partners every thirty days. Little wonder that the film has become a cult classic.Today many college dorms are co-ed. That is, rooms occupied by male and female are on the same floor, with some such rooms going so far as to share bathroom facilities. However, as we enter the new millennium the concept of being assigned attractive roommates of the opposite sex is even further from reality that it was when the film was first released.I believe that the film's phenomenal boxoffice success is not due to the so-called Harrad philosophy but to a strong story, fleshed out characters and, of course, to the sex appeal of Don Johnson, in one of his best roles. However, as mentioned above, the film seems dated by today's quick cut, fast paced standards and suffers from budgetary limitations (I understand it was made for under $200,000). Its sequel, `Harrad Summer,' (rated `PG') made on a slightly higher budget, has much slicker production values, is faster paced, but is far less titillating (no pun intended). While I understand the sequel did solid boxoffice business (Variety summed up the film's grosses by stating, `Gidget goes to college; gets A +'), it lacks Don Johnson and bends over backwards to avoid the controversy of its predecessor.I cannot help feeling that perhaps it's time for an updated remake. The possibilities are limitless.

Robert H. Rimmer's manifesto for the love and sex generation was brought to the big (drive-in) screen by low budget director Ted Post in 1973. Unfortunately the book would have been better suited to have been done in 1968 by someone like Radley Metzger. Because though it may seem dated compared to today's standards. I've a feeling the movie was almost as dated in 1973. The book was written in 1966 by a horny square guy, that tried to punt the book as a "real" experiment in a college that's hidden away somewhere, with 4 kids writing fantasy masturbatory tales of their opposites. Something that would have suited Mr. Metzger, and he would have probably added a dimension of good honest seediness that would have benefitted the film adaption. Instead we have (5 years, too late) Ted Post's treatment of the book. While I do find the film pretty entertaining unlike most of the reviewers, it's just not relevent. And it's all done, as if you were watching a "sexual awareness" film in your high school class. The characters are treated as if they were all blosoming sexual flowers, waiting to picked at the right moment of their maturing intellect. But in it's own dated way, it's kinda cool. Obviously the ideas expressed in this film are dangerous to today's idealogy, but it was made in 1973!!! So with this in mind, it's like watching a drive-in "Eight Is Enough" with nudity. When I was playing hookie from grade school, I would have loved for a film like this to come on TV! All the actors in the film are very likeable. "Eight Is Enough" actress Laurie Walters is believable as the shy virtuous virgin Sheila Grove. While Don Johnson's third film outing is far more confident, and adds an air coolness to the miniscule budget. His character Stanley (after the film "The Magic Garden Of Stanley Sweetheart" (1970), Don can't seem to escape the name Stanley??) is one of the more interesting ones, because he's far more open with his sexuality and the desire to get down with the ladies. Yet later you find that he's not very open with his emotions, and his emotinal attachment to Sheila. Hence the lesson learned. You cannot runaway from yourself. Having said that, there's basically no other lessons to be learned from this (Harrad) college. The rest of the film indulges in naked Yoga scenes (with people connecting through Zooms???), naked swimming in college pool, discussing and understanding relationships, playing jokes with the outside world, and Don Johnson trying to bed down with every lady on campus. Sounds like the perfect Drive-in movie to me! But as an intellectually stimiulating film, your better off watching a John Cassavetes film. If you prefer something less tame, your better off watching some real 70's porn by Radley Metzger. But if you're interested in a Cult classic that's cool in a early 70's retrospect...you might find it as entertaining as I did. Curiously, Don Johnson sings two songs on the soundtrack, was his agent trying to sell him as a pretty boy rock star (ie: Leif Garrett, David Cassidy, etc)??? Strange?? Sounds like a mix of James Taylor and Bread. Bruno Kirby in one of his earlier roles is pretty much a natural playing nerdy awkward types, so the movie tends to pick up a little when he's in the film. Tippi Hendren has a small role as the loyal wife/ assistant to the founder James Whitmore. Her daughter Melanie Griffith was a 14 year old extra in the film, though I've yet to actually spot her in it. Apparently an early 20's Don Johnson courted this 14 year old with mother Tippi's blessings. Now that's when truth is really stranger than fiction. Double strange! Great little curio film, though.

Have to agree with a previous reviewer. Some outfit called Platinum Disc has put out a videotape of this movie that is not the theatrical version, but was instead apparently taped off a TV broadcast: low quality, no nude scenes, bleeped language. And the worse part is, way dated. This version gets a "2". Even with the missing 6 minutes restored, probably no higher than 3-4.