Thanks for the memories!

Sick Product of a Sick System

best movie i've ever seen.

The film never slows down or bores, plunging from one harrowing sequence to the next.

This is a movie as easy to watch as to forget but it's quite entertaining.The story is very far-fetched,but in this kind of spy thriller including amnesia ,mysterious conspiracies and who-the-Hell am I? subject,it's the rule of the game.George Peppard tries hard to be evil but he does not always succeed;Michael Sarrazin is the perfect victim/culprit (God only knows) .The love story may seem derivative and it is,but there are enough unexpected twists to sustain interest throughout.The working title ("the plastic man" ) was perhaps a better choice than "The Groundstar Conspiracy "but it might have been a spoiler.

A super secret government space program laboratory known as Groundstar gets blown up while a woman, (Christine Belford) whose parents have recently died and is also recently divorced tries to find some solace for her shattered life in the summer house she was left in the will which just happens to be in the direct vicinity of the above mentioned lab. The lone "survivor" of the explosion stumbles to her house with a disfigured face followed by government security guru George Peppard and his crew who take him away to a high security hospital. Was he responsible for the explosion? The next time we see him, he turns out to be Michael Sarrazin. And what follows is a moderately intriguing story that delves into some of then, today's, and for all times big issues, such as unchecked government surveillance, brutal interrogation techniques, and brainwashing. The deft intermingling of personal elements with the government security apparatus and some political and public relations angles makes for a fairly sophisticated and complex movie.

This is the best Peppard performance. Is that saying much? Probably not, but he's fairly mesmerizing as an incredibly ruthless investigator whose superiors "only talk to God." Think "Banacek" without one shred of charm and you'll be about halfway there. The film shows its cheapjack TV movie origins in many ways, but the script is tight and the supporting cast (especially Belford doing a nice Rita Hayworth impression) is way above average. It's always been fashionable to hate Sarrazin, but today he'd be Keanu Reeves. Think about it.

When George Peppard is the major ‘name' of a movie – especially one made in the 70's – you may suspect you're on dodgy ground from the off. When his co-stars are Michael Sarrazin – a one-trick pony whose career spiralled downwards sometime around 1975 when the trick had been seen too many times – and Christine Belford – a brief escapee from TV movie hell – you know it for a fact.THE GROUNDSTAR CONSPIRACY is a far-fetched thriller with sci-fi undertones that moves far too slowly, telegraphs most of it's ‘twists' far too early (apart from the big twist at the end, which, believe me, sends this sad effort way off the credibility meter) and suffers from some horribly clunky dialogue. Perhaps a director at the very top of his game may have been able to salvage something, but, unfortunately Lamont Johnson – another journeyman whose labours have mostly been in television – was never that good a director. Peppard, as a tough, no-nonsense agent, seems to be rehearsing his Hannibal role in THE A-TEAM without the humour, while Sarrazin flashes puppy-dog eyes and tries to look puzzled. Lucky Christine Belford, then: her role calls for her to look bewildered much of the time, and, when she does, she looks completely natural. Approach THE GROUNDSTAR CONSPIRACY as a mediocre B-movie, ignore its obvious – and woefully unrealised – ambitions, and you may just wring some drops of entertainment from this old flannel.