The Green Girl
The Green Girl
| 24 July 2014 (USA)
The Green Girl Trailers

A feature-length documentary about Star Trek's iconic original Green Girl, Susan Oliver: Prolific actress of the '50s - '80s, original member of the American Film Institute's Directing Workshop for Women, record-setting female aviator; Tragically taken by cancer in 1990. With over 120 major acting credits in film and television, Susan Oliver was literally a household name in the 1960's. She set a number of world records as a pilot and was one of the only women directing major TV shows in the 1980's. And yet many people don't even remember her name today. It's time to remember Susan Oliver...

Reviews
Spoonatects

Am i the only one who thinks........Average?

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Comwayon

A Disappointing Continuation

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AutCuddly

Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,

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Dirtylogy

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

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Joe Czop LaBritz

It was fascinating to learn about the amazing little known life of the actress known mostly as the Star Trek "Green Girl." You do not need to be a Star Trek fan to relate to this documentary. There is actually surprising little about her being that character because the rest of her life was much deeper, and more intricate and interesting. Mr. Pappy did an excellent and difficult job of putting together the visual and interview pieces to reveal and explore the unknown and multiple sides of this beautiful actress accomplished in so much more than just her wonderful acting. Things that should have been known by more people while she was alive. I was surprisingly moved and glad to get to know her in this nostalgic experience, yet sadly after she's gone. I recommend seeing it.

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Riley-Rose McKesson

The Green Girl Movie is a wonderful story about Susan Oliver, her life and her career. The story is told through the eyes of many that worked with her in Hollywood as they knew the quality of what she did and could do as an actor. It's filled with a lot of old Hollywood footage and great tell-all interviews. Susan was a woman driven toward multiple avenues of accomplishments, this was a surprise and a ride, one should surely get on board with.The director's (George Pappy's) point of view is very telling. Susan's life was indeed full but very challenged. This is a story you won't want to miss seeing. I think it's very enjoyable with a lot of life lessons about the Hollywood road towards success and the expectations, as such. See it, you won't be disappointed, I think you'll enjoy this story on the very colorful life of Susan Oliver.

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davemth

The one thing I ask from a good documentary is that it tells me something I don't already know about its subject. "The Green Girl" exceeds that in spades. It's a very well produced documentary on Susan Oliver, a staple of TV shows from the 60s who was an independent woman in every sense of the word. Her post-Hollywood career is full of amazing facts and deserves a movie all on its own. Filmmaker George Pappy does a great job in assembling Susan Oliver's life through the numerous film clips (which for a TV nostalgia nut is a can't miss opportunity all to itself) and interviews with the various actors and crew members she worked with over the years. I won't spoil anything but can only say that for baby boomers and even younger, if you're a Star Trek fan or just a fan of Hollywood in the 60's this film is well worth getting.

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Eric D. Martin

A good documentary with the most clips of Susan Oliver's career that will ever be assembled. As such it is also a valuable overview of the early days of television. However, several problems come up that call into question the resources and abilities of the filmmakers. The chief one is a lack of interviews or reflections from significant television and film industry peers. Ms. Oliver worked with scores of top-level actors, many of whom are still with us, yet none deigned to be in this documentary, despite almost certainly being asked. Especially curious is the absence of Jerry Lewis, with whom she made several movies and was clearly a friend who offered to pay her hospital bills at the end. We are left with heavy screen time given to lesser-known performers, some of whom didn't even know she was a pilot, undermining their own credentials as intimates. The one notable exception was David Hedison, although even he is hardly a household name. The film also heavily relies on lesser-known Hollywood writers, production people, and friends, many of whom are posed with their books (and sometimes artwork), offering plenty of praise but little real insight into Ms. Oliver's life and work. While famous people don't necessarily a good documentary make, their complete absence from this film undermines both the claims of Susan Oliver's importance to the industry and the professional credentials of the filmmakers...to say nothing of seriously hurting the film's chances of garnering mainstream interest. The documentary also makes no attempt to put any of Ms. Oliver's work or life into perspective, by use of a narrator or any analytical framework. The film is an endless series of TV and movie clips and talking head testimonials...there is no over-arching voice to bring it all together and offer up any kind of summation on who Susan Oliver was and why she might be important and worth remembering. Details about her personal life, especially her puzzling romantic liaisons and the obviously complicated relationship with her famous astrologer mother, are given a quick once-over. We are only given hints as to whom she may have had relationships with, and while privacy is always sacrosanct, a documentary that doesn't at least attempt to delineate the home life of its subject becomes more a curriculum vitae than a true story of a person. One can't help but feel the filmmakers kept things light in an effort to do honor to Ms. Oliver. That they did, but the documentary finally leaves one with the same feeling one has about Susan Oliver's career: it was oddly incomplete, and less than it should have been.

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