Very very predictable, including the post credit scene !!!

the audience applauded

I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.

Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.

. . . to focus on THE GREAT K & A TRAIN ROBBERY's Racism, Sexism, poor continuity, implausible plot, or clumsy acting. There's a saying that crops up in nearly every discussion of American Film: When in Doubt, Blame John Wayne. Before he kicked his bucket, Marion--as he was known in his K&A Days--apparently told this site (or its forerunner) that he was an "extra" among the cast for this Tom Mix vehicle. If so, his Face Time here would make most of Brit Director Alfred Hitchcock's famed but extremely fleeting cameo appearances look like featured roles by way of comparison with Marion's "work" in this flick and the rest of his first 20 or 30 claimed "parts." A VHS release from the 1900s for another alleged entry in Marion's filmography called THE DROP-KICK actually highlighted his literal face-in-the-crowd "role," which lasted approximately nine-tenths of one second. Though the box for that tape gave Marion equal billing with DROP-KICK's principle players, the case for K&A's 2003 Grapevine DVD release states that K&A was released in 1924, when 17-year-old Marion was still moping around in high school over his parent's ahead-of-their-time divorce, rather than in 1926, when a 19-year-old Marion had just dropped out of college due to what forensic psychologists have concluded was some sort of a male-on-male sexual assault by an unknown number of his college football teammates. (Only 2% of such incidents came to the attention of the not-always-sympathetic Authorities during the 1920s, and this small fraction that WAS reported nearly always involved one or more fatalities.) In other words, the Grapevine people are trying to avoid connecting this film with the sordid details of Marion's deflowering by NOT mentioning him at all, and purposely back-dating K&A's release to a year when Marion could NOT have been involved in it (which means that Grapevine might back-date its upcoming "public domain" release of GONE WITH THE WIND to 1858--BEFORE the novel was written, the battles were fought, Atlanta was burned, or movies were invented--if it felt a Politically Correct Need to do so).

Great K&A Train Robbery, The (1926) *** 1/2 (out of 4) The K&A Train Company are being robbed left and right so the president hires a detective but he thinks the guy has chickened out. It turns out that the detective (Tom Mix) is actually on the case but hiding his identity because he knows that it's the president's secretary who is tipping off the bad guys. Now the detective must try and not only stop the bad guys but find a way to make sure the latest gold delivery gets to the bank. If you've ever seen a movie serial then you know the final three or four minutes is where the film really comes to life as the action picks up and it leads to a tense cliffhanger. That's pretty much what this film is as it runs just over an hour and for the most part it's just one action packed scene right after another and I couldn't help but think of the final minutes of a serial but here those exciting final minutes lasts the entire running time. It's easy to see why this movie was so popular back in the day because it features Mix doing everything he was loved for and at a pace probably a lot faster than most people had ever witnessed. Many reviewers mention how fast this movie is and it is rather amazing to see how much they packed into such a short time. The opening sequence runs twenty-minutes as the train is on the way, the robbery are set up and ready to go and then we see Mix who is hanging off a cliff waiting for his time to shine. This sequence runs twenty-minutes and features a build-up, the action and then the pay off. This is a tremendous sequence that contains so much action and drama that the middle portion of the film somewhat feels slow in comparison and yet it's still ten times faster than your typical Western. This earliest sequence certainly makes the film one of the most memorable Westerns of the silent era. There's a stunt where Mix (probably his double) goes from one cliff and has to ride down the rope to a horse waiting on the ground. This looks incredible and is just one example of why stunts in the silents were so dangerous but at the same so amazing to watch. Mix, needless to say, fits the role of the good cowboy without any problems and delivers another winning performance. Tony, his horse, is also in good form and gets to do a couple stunts himself. Dorothy Dwan plays the love interest, Will Walling her father and Carl Miller plays the snake informant. Apparently a young John Wayne is also in the cast but I couldn't spot him. THE GREAT K&A TRAIN ROBBERY was legendary in its day but it seems to have been forgotten by many today, which is a real shame because silent fans will certainly eat this up but the thing is so fast and action-packed that I can't help but think many others would get a kick out of it.

Cullen, president of the K & A railroad, is at a loss to stop the robberies occurring on his line, even though he is unaware his secretary, Holt, is secretly tipping off the bandits with the shipments. Tom Morgan is called on to investigate, even though he needs to disguise himself as an outlaw in order infiltrate Tolfree's gang and hear their plans. When Cullen decides to send a shipment of bonds with him on another train, Holt tells Tolfree, who's going to lead his gang into robbery unless Tom's assistant, a hobo named Deluxe Harry, can relay the information to him in time. This is one of the more enjoyable Mix silents (of which there are still way too few) with a brisk pace, exciting chases, thrilling stunts throughout, and an exciting climax in an underground cave. A prologue to the film points out the exterior shots being in Glenwood Springs, Colorado, and they are very striking adding a lot of beauty to the picture. I think the film tried to be too mysterious with Mix' characterization and the character of the butler could have been eliminated since Deluxe Harry fit in well as the comic relief. Rating 8.

The story isn't much, but at a brisk 53 minutes you could do a lot worse. Some of the photography is actually quite stunning and impressive, and there's some good stunt work too. Sad to say the comedy relief from Curtis McHenry is particularly offensive to modern viewers, which may go some way to explaining this film's obscurity.