Memorable, crazy movie

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

The acting in this movie is really good.

The film never slows down or bores, plunging from one harrowing sequence to the next.

It's 1949. Harry Allen (Chris Cooper) tells his friend Richard Langley (Pierce Brosnan) about his affair with war widow Kay Nesbitt (Rachel McAdams) while leaving his wife Pat (Patricia Clarkson). Kay joins them and Richard immediately becomes smitten himself. As Richard grows closer to Kay, he also discovers that Pat has an affair of her own. Harry is desperate to be with Kay and decides to poison Pat.This has a great cast but the mannered acting annoyed me. The dialog and pacing starts off as a grind. The Brosnan narration also bugged me. There is a lack of intensity despite its subject matter. It's not until the poisoning plan at around thirty minutes when the tension gets increased. In general, I want this to be better.

The DVD package says this is "a sly & smart comedy", but I have to warn you, that's not exactly what you get. To me, a sly & smart comedy would be "Dirty Rotten Scoundrels" or "Deathtrap" or even "Fargo". While this movie has the same bizarre, criminal elements and intelligent dialogue as the above, I never sensed any outright comedy.Still, it's well done & definitely worth a watch. Rather than a comedy, I would describe it more as a "drama of errors". The subject of murder is actually handled quite seriously although its casual nature might come across as odd (hence the humour?). There are no real laughs, but the strangeness of the story might elicit a few snorts, chortles, and possibly even a harrumph. But no guffaws.The acting is excellent, the script is good, the style & direction is smooth & suave, like the 1940s setting it depicts. Some might consider it slow, but I'd say that's a plus because it gives us time to digest the complex themes that are presented such as the incompatible definitions of 'love', the value of loyalty in marriage as well as friendship, and of course the morality of murder.Overall I liked this film. It's just the dag blasted ending that left me feeling cheated. I won't talk about it except to say that you should watch the alternate endings included on the DVD instead. In particular, Alternate #1 is closer to the book, and it gives us the thematic closure that the theatrical version omits. Alternate ending #1 also has a great piece of acting by Pierce Brosnan which, if it were in the actual movie, would've definitely made me bump up my rating by 1 or 2 stars."Married Life" is definitely worth the $2 rental fee. It deviates from the book on several key elements (such as the ending) and as a result doesn't quite wrap things up convincingly. But as far as movies go, it's entertaining, engaging and showcases some great acting talents.

Ira Sachs's dark comedy 'Married Life' is an intriguing little film set in the 40s/50s. Dealing with complex relations, it somewhat portrays the men as selfish and the female as hungry for love...but there are layers and it's not all so black and white. What's also interesting is the unusual cast that includes Pierce Brosnan, Patricia Clarkson, Chris Cooper and a refreshing Rachel McAdams. Though the pairing between McAdams and Brosnan is awkward, the chemistry works better between her and Cooper. Brosnan seems miscast but not to the extent that it ruins the film experience. McAdams is beautiful and pulls off her part quite well but it is Clarkson and Cooper who give the best performances. I'm also surprised that people have taken this film too seriously (to the point that they missed the humour which I thought was creatively done and hilarious). The element of drama is there but how could one miss the comedy? Sach's writing is superb and the direction is solid. I liked how the events unfold and Coopers's character's attempts to get what he wants and his surprise reaction towards the unexpected results. I find the title a little misleading. Yes, the film is about a 'dying' marriage and its complexities but the title is a little too vague and the film focuses on much more than marriage. The score gracefully brings the feel of the 40s. Overall, Sachs has made a clever unconventional black comedy in a period piece.

MARRIED LIFE will probably fare better in the DVD format where this at times disturbing view of marital status can be viewed in private rather than in the company of the throngs that resemble the characters depicted in this fine little film. Based on the novel 'Five Roundabouts to Heaven' by John Bingham and well adapted to the screen by Oren Moverman and director Ira Sachs, MARRIED LIFE is a dissection of the hallowed state of matrimony, and one that shows the creases and little holes that make so many marriages fail. it is set in the late 1940s, likely with the attempt to give some 'distance' to the plot, but the messages remain in comparing the tale to contemporary times.Narrated by perennial playboy bachelor Richard Langley (Pierce Brosnan), we are introduced to Harry Allen (Chris Cooper) who apparently has it all - big house, great job, sex-driven wife Pat (Patricia Clarkson), country home - but Harry has fallen in love with military widow Kay Nesbitt (Rachel McAdams). Harry respects and still 'loves' Pat, but finds in Kay the love he has felt missing from his marriage. He confides his desire to leave Pat to Richard who is surprised - until Richard meets the beautiful Kay. Not wanting to hurt Pat, Harry decides the only solution is to murder Pat so that he can then marry Kay: he researches poisons and buys a potion that he plans to place in Pat's ever-present 'digestive medicine' bottle. Harry and Kay continue their secret assignations in both Kay's home and Harry's nearby country home, but things begin to muddle as Richard falls for Kay, and Kay's attention shifts to Richard, and the devoted Pat is hiding her secret lover Tom (David Richmond-Peck). As the twists and turns surface, everything unwinds and the ending of the story comes as a surprise to everyone! The quartet of actors - Clarkson, Cooper, Brosnan, and McAdams - serve the story well and the flavor of the 1940s starts with superb opening credit images and carries through with the fine decors and attention to detail that don't seem to miss a beat in recreating the period. This is a difficult film to classify - it has comedy inherent in the absurdity of portions of the plot, it has drama in the core of the tale, and it has mystery as the surprises keep surfacing. The overall effect will be different for every viewer, depending on where in the marriage spectrum each viewer stands! Grady Harp