Fantastic!

Am i the only one who thinks........Average?

One of those movie experiences that is so good it makes you realize you've been grading everything else on a curve.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Wow! A preternaturally cute,just past teenage, Donna Reed in her first movie, emoting with all she had. Dan Daily-of all people-playing the heavy. A real menace. In an uncredited role, the immortal Veda Ann Borg.The story is old. It had been done before and even more afterward, but who cares. It's a b-movie, but with MGM high production values. A dance hall scene seems to have hundreds of extras. So suspend critical judgment (and even basic intelligence) and sit back and have fun.My favorite scene is when Dan Daily, hiding out and in disguise so that he would not be recognized, approaches Veda Ann Borg in a dance hall and asks to dance with her. What better way to deflect any attention to yourself than to dance with the showiest blond in Hollywood history?

****SPOILERS**** Re-make of the 1935 gangster movie "Public Hero" this new and updated version has a 20 year old Donna Reed in her film debut as Terry O'Reilly-a fine Irish lass-who's brother Johnny "Dinkie" Black played by future song & dance man Dan Dailey had crashed out of prison. With a bullet in his chest and fellow convict Jeff Crane, Robert Sterling,the two head out to Chicago to lay low until the heat, law, cools off. Its then that we learn that convict Crane is really an undercover FBI Agent who got into prison and close to Dinkie so he can lead him to the notorious "River Gang" that he's the leader of. Hold out at a flophouse run by fellow but now released convict Moose Jones, Ernie Whitman, Dinkie makes more trouble for himself when in a spur of the moment he guns Moose down when he shows some interest in the $5,000.00 reward he can earn for himself in turning Dinkie in.It's when Dinkie together with Crane get back to his home, a mansion with a Chinese butler, in Scottsford Wisconsin that Crane runs into Terry who at first he didn't know was Dinkie's kid sister, small world isn't it, and falls in love with her. With Dinkie on the mend due to him being treated by part time mob doctor and full time drunk Josiah Glass, Charles Winninger, he now plans to reunite with his gang and get back into business of payrolls robberies which the gang specializes in. That's unless Crane get the word out to his boss in the FBI Jim Duff, Donald Douglas, the gangs future plans and where their hideout is located!Not all the believable in that Doc. Glass who's drunk every minute he's on the screen being able to preform a delicate and dangerous as well as successful, without anesthetic, operation on the near dead Dinkie and bring him back to health better then he ever was before he got shot. What also wasn't at all convincing is Terry who loved her gangster brother would fall and still be in love with Crane even after she find out that he's out to get Dinkie and put him behind bars or, in Dinkie knocking off Moose, even strapped into the state of Illinois electric chair!***SPOILERS*** In the end it was Terry who lead the Feds, or FBI, straight to Dinkie by having him,in disguise, meet her at her job as as a cashier at the Place Ballroom to get some hard needed cash. With the place staked out by some 30 G-Men and Dinkie taking time to have a last dance with a hot looking blond, Vanda, Ann Borg that he met there it didn't take that long for the Boys in the FBI to get the drop on him.***MAJOR SPOILER*** The ultra surgery Hollywood type ending spoiled the entire movie with Terry smooching with Crane after him breaking into her passenger train compartment just moments before she, outraged at him for setting up and having Dinkie gunned down, was going to have him thrown out of it!

Robert Sterling (Jeff) is a loud-mouthed, brash prisoner who gets the treatment that he deserves whilst staying in prison. He engineers an escape with Dan Dailey (Dinkie) who is part of an organized gang that the police have been trying to smash for a while. However, Sterling isn't who he seems to be and he is put into a difficult situation with the arrival of Donna Reed (Maria). She is looking for her brother - guess who - yep, it's psycho-man Dailey - and she finds out the truth about her brother and Sterling. During all of this, the police have only one mission - to stop Dailey's gang.This is an entertaining fast-paced film with the best performances coming from Dailey and Reed. Sterling is way over-the-top at the beginning of the film and quite annoying. Similarly, Charles Winninger is annoying as he provides needless comedy as a drunk doctor. The film never drags and so must be given credit although the love affair between Reed and Sterling is somewhat unconvincing, especially at the end of the film when she would HATE him. As it is, we get some cuddly stuff.The ending is quite tense as we follow Dailey into a dancehall and we realize that his time is up. It's obviously influenced by Dillinger's last moments as he was staked out and then shot down as he left a cinema. They even give Dailey a dolly-bird escort as he leaves the venue, just as Dillinger left with his dolly-bird, although in Dillinger's case she was implicated in his betrayal. Nothing of that sort here but we do get a shoot-out.

This is a B-movie from MGM and is interesting for several reasons. Most importantly, it's Donna Reed's first film and I liked how she played a rather tough character--a nice departure from her TV mom role of the 50s and 60s. She also was incredibly beautiful and I can see how this film led to better roles. Also, it's interesting to see Dan Daily playing in a non-musical role--and a very gritty role as well. Frankly, I always preferred Daily as the actor versus him as the song and dance man he usually played.As for the star of the film, Robert Serling, he's a guy who kind of fell off the face of the earth--going from some nice films at MGM to obscurity so quickly. Despite making some nice films and appearing in quite a few films and shows over his long life, real stardom eluded this handsome guy. In 1941, you would have undoubtedly predicted more of a starring career--as he'd been in films opposite the likes of Clark Gable! This is an interesting prison film where Sterling plays an incredibly nasty and obnoxious young hood. He is definitely no shrinking violet during his stay in "the big house"! Eventually, he is able to orchestrate a breakout with his cell-mate (Daily) and this leads to some very, very interesting and somewhat unexpected results. The film is somewhat reminiscent of "White Heat" and other noir films from the later 40s, though I am not in any way suggesting it's the same plot or quite as gritty. A very good B movie that kept my interest due to a very good script, good acting and a nice MGM polish that makes this film so much nicer and well made than the typical B. The only sour note is near the end--smart Sterling behaves rather stupidly and his actions seemed pretty inconsistent. But, it didn't ruin the film and can be ignored--though it did make the film a little less edgy.While I have learned from one of the other reviews that this film is a close remake of "Public Hero #1", I still enjoyed it--so much so that I hope to also see the original--especially since I really like Chester Morris, Jean Arthur and Lionel Barrymore and would love to see what they did with this material.UPDATE (10/10): I just saw the original film ("Public Hero #1") and the other reviews were right--it's practically the exact same film throughout. Because of this, "The Getaway" must lose a point for lacking originality and have adjusted my review accordingly.