Your blood may run cold, but you now find yourself pinioned to the story.

This movie feels like it was made purely to piss off people who want good shows

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Story: It's very simple but honestly that is fine.

This movie revolves around the journey of an English official who is sent to Arabia due to his uncompliant attitude. But story takes a turn when Lawrence bypasses the superior orders and makes his own path towards unification of the Arabs. Peter O's Toole who plays T.E. Lawrence, who played a decisive role in unifying the divided Arab tribes. The personality of Lawrence is a complicated one that makes watching the movie interesting. Till the far end it is difficult to understand the side that Lawrence takes. Peter has done a pretty commendable job while portraying Lawrence's personality. Based on true events, the movie too is directed and plated on a realistic note moving the viewer experience the trials that desert life offers while at the same time the dark face and politics of the colonial powers. Lawrence is a compassionate person yet he has to kill out of unprecedented circumstances. A time comes when the entire Arab follows Lawrence but he is not one to use it. Rather, he works inherently towards unification. Disobeying the superior orders, he maintains the dignity of the local people while trying to solve their problems through dialogue. He plays a crucial role in helping Prince Feisel conquer Gulf of Aqaba through the land route. The movie has philosophical elements that make you think about a certain event but then on a deeper thought only praise takes it's way out. Purely a classic making it a top 20 list even after more than half a century.

For some unknown reason I've always had an attraction to this film and it's enigmatic lead character. Which is why I went all through my high school and college years refusing to see it on the small screen in the hopes that I would someday have the chance to see it on the big screen. I was about to give up when in 1987 they released the 25th anniversary edition. Boy, am I glad I waited. I was not disappointed and this film was even more than I'd imagined it to be, which is super tough considering I'd been building it up in my mind for almost 15 years. The story, score, costumes, performances and most significantly Lean's deft and inspired direction all held me captivated from beginning to end. I'd read several biographies of T.E. Lawrence, and was this film a wholly accurate depiction of him and the events during the Arab campaign, not exactly. Then again it's a dramatic film inspired by Lawrence and not a documentary, which is why I take issue with those who complain that the film is not a detail by detail account and I remind myself that for every film inspired by either a real person or book that there will always be those hold-outs who refuse to allow themselves to fully enjoy art for arts sake. Oh well, their loss. As for me and anyone else reading this review I cannot recommend this film enough, and if possible see it on the big screen to fully appreciate it. I am an admirer of Lean's work but do want to add that I actually appreciate the full theatrical release quite a bit more than the special director's cut release.

With only a few television credits and bit parts in Hollywood, Peter O'Toole made his breakthrough performance in Lawrence of Arabia. Lawrence of Arabia is one of those movies that everyone remembers a scene from even if they haven't seen the four-hour epic all the way through. Between the famous theme from Maurice Jarre, the iconic rooftop silhouette, "No prisoners!", the appetizing order of lemonade, Omar Sharif's entrance, Peter O'Toole's beautiful blue eyes sparkling in the middle of the desert, and the hundreds of fight scenes, there are plenty of memorable moments to choose from when you relive the movie as you talk about it with your friends.In case you don't know, David Lean's sprawling, dazzling epic is about T.E. Lawrence's time fighting in the Arabian Peninsula. This is much more than just another WWI movie. Peter O'Toole is not a gung-ho commanding officer who joyfully leads his men into battle. He's incredibly conflicted and disgusted by war. To him, a dead soldier is not a statistic, it's a man. During the famous "No prisoners!" scene, in which he only utters those two words, his face shows an incredible array of emotions. If you watch that scene and don't simultaneously think he was robbed of his Oscar and fall in love with him, well, watch it again. Guys, feel free to develop a man-crush; no one will blame you. After all, Noel Coward famously quoted, "If *he* had been any prettier, the film would have been called Florence of Arabia."Unfortunately for Peter O'Toole, this incredible epic was released during the same year as To Kill a Mockingbird, and no one else stood a chance come Oscar time. He was in pretty good company, though, since Burt Lancaster and Jack Lemmon also lost out that year after giving excellent performances in Birdman of Alcatraz and Days of Wine and Roses, respectively. The good news is Lawrence of Arabia did win Best Picture, Best Director, and Best Cinematography, among others. This a great compromise movie for date night, if you don't mind a four-hour running time. Ladies will get to drool over the ridiculously handsome Peter O'Toole-as Robin Williams said in Aladdin, "Pick a feature!"-and gents will get lost in the endless fighting and strategy scenes with nary a woman in sight. This is definitely a man's movie, and if it weren't for the perfect piece of eye candy, no woman in her right mind would probably watch it. If you're considering renting it, check out the preview. Usually, old movies were chopped into terrible previews, but this one is pretty good. It gives a pretty good representation of the film and shows off the supporting cast, including Omar Sharif, Anthony Quinn, Alec Guinness, Jack Hawkins, Arthur Kennedy, Jose Ferrer, Anthony Quayle, and Claude Rains.

Lawrence Of ArabiaThe writers' affection towards the protagonist is crystal clear in here and also the soul reason that helps one survive this overlong feature running for more than 200 minutes. Michael Wilson and Robert Bolt; the screen writer has done a decent job but the adaptation isn't as smart as they think. David Lean; the director, is the savior here that executes this character driven feature and is not only supported but celebrated by a beautiful cinematography (not often one encounters a horse riding on the land that looks like water). Peter O'Toole is convincing as T.E. Lawrence and is supported well enough by Alec Guinness among other supporting actors. Lawrence Of Arabia is a brilliant attempt to pull it off on such a large scale which works here for the most part of it but the rest of it, does raise question here and there.