Slow pace in the most part of the movie.

Purely Joyful Movie!

good back-story, and good acting

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

Oct 10, 2014The moment Jane Russell appears with short dark hair in this movieI saw her as an actress who could marvelously play in any picture in the last 50 yearsJane Russell looks and acts as good as it gets.Just seeing her as a real girl with a contemporary hair cut is worth the price of admission.Jane Russell as a real woman will capture your heart.She is charming, adorable and so beautiful as a real woman.I love her so much after seeing her in this pictureJohn Longenecker / Academy Award Winner

Just watched this on Netflix streaming. It has Jane Russell as a blonde movie star who, on the day her movie about a kidnapped woman premieres, actually gets nabbed by Keenan Wynn and Ralph Meeker! But because of her latest movie, not many people believe she's not just doing a publicity stunt. I'll stop there and just say that while there could have been a hilarious farce with what I just mentioned, there just wasn't enough funny lines or scenes to make a consistently guffaw-inducing movie for me. In fact, the only time I felt something was truly leaning toward comedy gold was when Meeker's parole officer played by Fred Clark came by their hideout and was questioning them about what they did on their free time and the kinds of situations that resulted. Still, The Fuzzy Pink Nightgown is worth a look for anyone curious about this now-obscure movie.

I remember seeing this picture as a kid but recall only the title. It now resembles nothing so much as a high fifties artifact. The unexplained super deluxe beach house complete with private beach is done up in fieldstone and knotty pine, in other words, fifties heaven. The music is by Billy May, the heir apparent to irrelevant big band music jazzed up in fifties fashion. Then there's the reliable fifties trope whereby the feisty bitchy woman is tamed by the alpha male who it is agreed upon will be "the boss". In fact the pairing is the typical one whereby the designated "good looking" guy (just check out the impermeability of what was considered "good looking" in any other period) gets the girl. We have to go through the whole story to arrive at the obvious, predestined ending. To go deeper, the limited cast of three, (and a few others) captured mostly on one set, functions as a sort of fifties commedia dell'arte. We have the hero (Ralph Meeker), his dumb guy assistant (Keenan Wynn) and the beautiful lady (Jane Russell) who must be tamed. There's even a policeman (Fred Clark) to play straight and a denouement based on switching suitcases.I hadn't remembered that the title, obviously used to lend the picture an undeserved prurient aspect, is a terrible misnomer considering its in black and white. Is that '57 T-Bird being drive at the beginning of the picture fire engine red? Who knows. It just seems odd in the extreme for a film with a color in the title to be made in black and white but it is understandable that in that it was a low budget affair produced by Jane Russell and her husband, former football hero Q back (Cleveland and Los Angeles Rams) Bob Waterfield. Not only was FUZZY shot in black and white, but also in academy ratio and not wide screen. There aren't that many sets either so it resembles independent productions of today. However the crafts people, cameraman, editor etc. were first rate. This picture was a flop when it came out, the last picture that Russ-Field made and really the last starring role for Jane Russell, save for a couple of those weird A. C. Lyles nostalgia fests where vintage actors go through the motions in generic scripts as if it were 20 years earlier and they still had careers.The central character, a spoiled brat ego maniac female star, is relevant today, but the whole thought about kidnapping isn't funny or even amusing anymore, even though the kidnapee turning the tables on the kidnappers story has had a long and honorable history since at least O'Henry and maybe existed in 4th century B.C. Greece. Not recommended except for decoration, fashion, design and American Studies students who need inspiration to do a paper for school.

may contain Spoilers ** pretty good story of a movie star Laurel Stevens (Jane Russell) who disappears, and happens to have a movie opening that very night. Fuzzy Pink Nightgown has some similarities to the more modern "Ruthless People". Directed by Norman Taurog, who directed many Elvis movies, as well as Dean Martin/Jerry Lewis. Also Keenan Wynn (Dandy), who was the crazy Colonel Guano in Dr. Strangelove, has done TONS of films and TV appearances. Ralph Meeker (Mike) had done a mix of TV shows and movies. Fred Clark (the married man from "How to Marry a Millionaire"; was also the neighbor Harry on Burns/Allen TV show) plays Sergeant McBride searching for Laurel. Adolphe Menjou plays the director of the film being shown in the story, and may or may not be involved in her disappearance. The film wavers between a love story, an adventure/drama, and a comedy. Good film, but probably would have been stronger if it stuck to one theme.