Too much of everything

Good concept, poorly executed.

It's an amazing and heartbreaking story.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

THE FLEMISH FARM is a British WW2 propaganda movie made contemporaneously with the war itself. The setting is, as the title would suggest, Belgium, where Allied forces send an airman into occupied territory in order to fight for the honour of the regiment. There's courage amid the chaos, and more than a little romance, and most of all this is a vehicle for actor Clifford Evans to display the depth of his acting talent, which is quite considerable. Evans is one of those faces who seems to pop up in British cinema over a two decade period (he had a notable role in Hammer's KISS OF THE VAMPIRE) and he certainly rewards the viewer with his presence here. The rest is typical, fairly watchable but too low budget to stand out.

This is a propaganda film made in 1942,at a time when people needed help to believe in a successful end to the war at a time when not a lot was happening.It has to be said that the best British propaganda films were those that poked fun at the Nazis.Those,like this film,which were deadly serious probably didn't hit the mark because they could not at that time show exactly what was going on as the audiences would have found it too horrific.As has been previously mentioned there is not a great deal of action.It isn't as good as One of our aircraft is missingt or 49th Parallel No doubt this film would have bolstered people's faith in our Belgian allies.

It's early in the war and some of the Belgian Air Force pilots manage to escape in their Hurricanes to England, where they join the RAF, which needs all the pilots it can get.However, they've left their regimental flag behind, buried somewhere on the grounds of a Flemish farm. Clifford Evans is dispatched to retrieve it after the Battle of Britain. Of course, Belgium by this time is occupied by the Germans, all of whom are brutal, humorless, and efficient.Not much action but a good deal of suspense as Evans works his way through the Belgian underground and overground to find the flag and get it back to its proper place in England. People die, willingly, in his aid.There are one or two poignant moments. One is when Evans first learns from his Commanding Officer in Britain that his best friend and colleague, Matagne, has been shot down and killed. Evans' response is wordless. He accepts a cigarette from his CO, stares at it, and it drops from his fingers.Another touching scene has Evans meeting his mother in the park of a Flemish village after his return. The park is under surveillance by the Nazis, and the two can only sit on a bench pretending to ignore one another while speaking under their breaths. The old lady briefly touches his hand before leaving.The acting is competent. There are no bravura scenes. And the direction is better than might be expected in a film made under war-time conditions in Britain. Clive Brook is giving himself up to be shot in order to save some hostages and as he walks to his doom at Gestapo headquarters he's followed by a noisy woman who chatters on about villagers who, she believes, may be Jewish communists. He tries to put her off, having intimations of mortality on his mind, but she persists in noisily following him. The dramatic music swells until we can no longer hear her complaints. It's a simple device, but it required some thoughtfulness on somebody's part.It can be asked whether a flag is worth so much risk, so many deaths. It's a piece of cloth after all and the only value it has is the value we attribute to it. Historically, flags had practical functions. Amid the confusion and smoke of battle, flags provided rallying points for military units. But whatever a flag's current value in real life, in 1943, in the movies, it was a symbol for something else.Rather neatly done.

Made during the second world war when people were really suffering the pain (not just remembering it), this low budget simple tale of high ideals and patriotism is more powerful than many a later battlefield re-enactment. A tense commando operation is blended with touching personal scenes such as a mother and son meeting in occupied territory but too afraid to recognize each other. All combine to bring home the horrors and heroism of the wartime experience in a way that truly tugs the heart strings. Listen for the musical score by famous English composer Ralph Vaughan Williams.