To me, this movie is perfection.

So much average

Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.

The film never slows down or bores, plunging from one harrowing sequence to the next.

John Frankenheimer's run of consecutive '60s classics comes to a rather undignified end with The Extraordinary Seaman, a universally panned flop that even the director himself couldn't defend. "The only movie I've made which I would say was a total disaster" was his somewhat honest verdict. It's hard to pinpoint exactly what goes wrong with this one – it's based on a decent story by Philip Rock, features an exceptionally talented cast and comes from a director on a winning streak. However, despite all this promise, the film emerges a hugely disappointing affair, lacking the necessary vitality and barely generating a smile during its entire running time.Shipwrecked in the Phillipines during WWII, four American seamen are desperate to find help before the Japanese invasion force arrives. Cook Oglethorpe (Mickey Rooney), gunner's mate Orville Toole (Jack Carter), silent giant Lightfoot Star (Manu Tupou) and their inexperienced senior office Lt. Morton Krim (Alan Alda) stumble across a rundown ship called the Curmudgeon, beached on a sandbank beside a river in the jungle. They board the ship and discover the only other person on board is eccentric British Navy captain John Finchhaven (David Niven), who claims that the ship belongs to him. Eventually they manage to refloat the vessel and set off toward the ocean, hoping to make for Australia. They also pick up a passenger in the attractive form of Jennifer Winslow (Faye Dunaway), a tough and resourceful trading post entrepreneur who wants out before the Japanese arrive. During their voyage, it becomes more and more obvious to the group that Captain Finchhaven is not at all what he seems. He drinks continually yet never gets drunk; he never sleeps; he never leaves the bridge; he doesn't even duck or dive for cover under enemy gunfire. Only later does the "ghostly" truth about Finchhaven become clear, as he reveals his whimsical past and the fact that he is cursed to roam the seas forever until he puts right an ancient wrong….Thankfully, The Extraordinary Seaman is at least brief with its nonsense. At a mere 80 minutes (a good 15 of which are taken up with stock newsreel footage) the film is over before it becomes an ordeal on the backside. It is, however, an ordeal on the intellect, with its intentionally absurd yet horribly flat narrative. Characters come and go without amounting to anything (Dunaway especially) and the story never seems to go anywhere. Alda tries hard in one of his earliest movie roles and Niven manages to convey his random eccentricities quite nicely, but there the positives end. The film's satirical edge is totally blunt, while the crude inter-cutting of newsreel footage, presumably to add 'comic irony', really doesn't work at all. There's a dispirited air hanging over the whole movie, as if everyone realised early on that they were involved in a disaster and decided to get it over with as quickly and indifferently as possible.

Director John Frankenheimer's films always had pretty good batting averages. Classics such as "The Manchurian Candidate", "Seven Days in May", and "Birdman of Alcatraz" have all stood the test of time. ("Prophecy" is pretty substandard, but we'll forget about that one.) However, "The Extraordinary Seaman" is just abysmal. Despite the presence of Frankenheimer and a big-name cast (David Niven, Alan Alda, Faye Dunaway, Mickey Rooney) the film has very little plot, fairly atrocious acting, and no point at all.During World War II, Morton Krim (Alan Alda) finds himself aboard an old military ship in the Pacific. Besides the crew (including Rooney) the ship is manned by an eccentric British captain (Niven). After the ship picks up Jennifer (Dunaway), Krim begins to notice that the captain drinks constantly from a whiskey bottle that always seems full, is impervious to bullets and shrapnel, and keeps his uniform immaculately clean, no matter the circumstances. It appears that the captain is a ghost destined to skipper the ship forever until he redeems himself in battle. The crew has various nonsensical and unconnected adventures (including interaction with island natives that is painful to watch), before the captain finally redeems himself by sinking a Japanese ship, in a climax that is supposed to be humorous but instead is just dumb.Lots of WWII newsreel footage is included, but it's so unrelated to the film's so-called plot that it seems way out of place. Niven, Dunaway, Alda, and Rooney are usually worth watching, but they can't rise above the ridiculous story and haphazard direction. In particular, the Japanese airplane attack on Niven's ship is somehow supposed to be funny (I guess) but instead it's just excruciating. Although it is interesting to see a pre-MASH Alda, his performance isn't really believable at all, since he looks very late-1960s in a mid-1940s setting. Frankenheimer was a very capable director, but he wasn't good enough to salvage this dud. If there are worse ways to pass the time than watching this movie, I can't think of any. This may be the biggest star-studded turkey of 1969.

TCM recently ran the legendary EXTRAORDINARY SEAMAN with David Niven Alan Alda and Faye Dunaway, not to mention Mickey Rooney and a few other great character actors.This is a really bad movie, not fun, just bad. The premise has Niven as a dead sea captain haunting a boat until he does a heroic act (Its WW2 and he's been dead since WW1). He's always in white and constantly drinking and never eats. Eventually he confesses his state to Alda who is a high strung CPA who can't figure out whats wrong with the Captain. Intercut with the funny footage is newsreel material cut mixed with witty lines and odd music. Its almost like MASH in some technical ways (the camp announcements say relating to the newsreel narration) but the effect is a stone faced silence. I kept going on with the film to see what was wrong, and its purely the fault of the direction which treats the material too realistically, and Alda who's patented shtick and mannerisms are completely wrong (think MASH at his silliest). How Alda survived this horrible miscasting amazes me, but then weirder things have happened.Not quite one of the all time stinkers that the Medveds once dubbed it in their 50 Worst Films book, but its bad

That's just about all you can say about this film that is so bad you simply have to gape in wonderment. Although just 80 minutes long, the film features an extraordinary amount of padding via moronic file footage of such events as Bess Truman trying unsuccessfully to break a bottle of champagne across an aircraft's nose. The plot has something to do with a ghost (David Niven)whose old scow of World War I vessel is discovered by some American sailors in the final days of World War II in the Pacific. The producers probably thought that with Alda, Rooney, Dunaway (just off her "Bonny and Clyde" fame, recall) and Frankenheimer helming the whole thing, it couldn't miss. Well, it did.