Fantastic!

Captivating movie !

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Exactly the movie you think it is, but not the movie you want it to be.

"The Early Bird" has a lot of slapstick. Slapstick is very funny. But it's humor is just as with any funny line of dialog or joke. Once told or seen, it's very funny. Twice seen may get a chuckle. But three times and the punch is gone. So, the opening scenario that one person found very funny, quickly became monotonous to me. The wake-up routine was novel and somewhat funny, But Norman Pitkin (played by Norman Wisdom) and Mr. Grimsdale (Edward Chapman) go through the identical mishaps (PJs caught on the banister knob, etc.) one after the other. After the third one I came to expect it so this pattern quickly lost its humor. The plot for this film wasn't that good. The subplot of Mr. Grimsdale trying to romance his landlady is an unnecessary distraction. The milk delivery competition is a series of time-consuming scenes with little or no humor. The film seems to be a collection of vignettes tided together around the milk delivery business and competition. Norman goes in disguise, his milk wagon floods a woman's flat, he has shenanigans on the golf course, and his horse gets sick. It loses many laughs with this broken thread of a plot. After the third "Mr. Grimsdale!" that line of dialog was humorless. Yet it repeated a number of times more. It's an OK film at best, mostly for Wisdom's versatility and antics and for funny and good roles by Bryan Pringle as Austin and John Le Mesurier as Colonel Foster. All of the reviewers who think this is a great film or one of Norman Wisdom's best are from the early years of the turn of the 21st century. I have seen several of his films, and agree with a couple later reviewers who think this definitely is not one of his best. One reviewer noted that it's too bad for such praise with few contrary views because that may discourage first time viewers of a Wisdom film from watching any more. They would miss some real gems. Among them are "A Stitch in Time," "The Square Peg," "The Bulldog Breed," and "On the Beat."

Some of the reviews here are from people who, having been told this is Norman's best film, might not watch any others. I'd not exactly say I don't like this, but I'd place it near the bottom of the list. Perhaps only Press for Time is worse. There's a certain style of comedy and pathos that's missing here, and strangely the colour does not help. The opening scenes are reminiscent of Morecambe and Wise, in their Breakfast sketch. Overall, there's a lack of sharpness to the comedy, so oddly the Norman Wisdom films from ten years earlier don't look so old fashioned as the ones made in the 1960's.Trouble in Store, Stitch in Time, Bulldog Breed, at least give those a try if The Early Bird was not your cup of tea, because those three are more representative of Norman Wisdom's comedy - not just silly slapstick, but true heart.

As a child I grew up with the movies of Norman Wisdom constantly showing on the TV. I watched them avidly. Sadly, as I grew older and more cynical, their flaws became noticeable. The unattainable girl, the sledgehammer pathos, which at times threatens to sink his movies, all these faults and more, became sadly apparent to my more cynical eyes (perhaps that says more about me as a person, then it does about Sir Norman's films).Yet despite all this, I still have a soft spot for old Norman (and it's not the Grimpon Mire!) and have fond memories of this, possibly his best movie. While there is still pathos (regarding his horse) it's thankfully present in very small doses. Even better, there is no love interest (or rather, no unrequited love interest). Instead we are given a very nice plot about a small, out-of-date diary, threatened by a huge, modern conglomerate, almost Ealing-like in its structure.The highlight is the opening twenty minutes or so, a near silent sequence where Norman and the ever-present Mr Grimsdale, struggle to get up while still half asleep. Some of the falls look very painful to me, but it remains a very well executed set piece.Adding to the fun is a very memorable score by Ron Grainer, which you can't help humming after listening to it!The only downside to this movie is a redundant golfing sequence, in which Sir Norman causes chaos dressed as a vicar! It quickly wears out it's welcome and seems to me to be a bit out-of place, feeling like something added at the last moment to pad out the film.

My parents took me and my brother to see this at the "pictures". (I was 8 and my brother was 5 in 1965) I DO remember that this film made me laugh till I almost burst at the seams! :-) I've never forgotten the image of Norman, the horse, and "Mr. Grimsdale!?" I've tried to get this film at video stores without success. Shame. It's a classic!