A Disappointing Continuation

This story has more twists and turns than a second-rate soap opera.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Norman Wisdom (Norman), Lana Morris (Penny), Belinda Lee (Sonia), Jerry Desmonde (Jackson), Karel Stepanek (Lom), Garry Marsh (British delegate), Inia Te Wiata (Toki), Evelyn Roberts (Sir Horace), Violet Farebrother (Queen of Tawaki), Martin Miller (Swiss tailor), Eugene Deckers (day lift man), Hugh Morton (Mitchell), Cyril Chamberlain (British delegate), Lisa Gastoni (chambermaid), Harold Kasket (Enrico), Beverly Brooks (air hostess), Charles Hawtrey (producer), A. J. "Man Mountain" Dean (bodyguard), The Beverley Sisters, Macdonald Hobley, Philip Harben, Ronnie Waldman, Bruce Seton, "The Grove Family", Philip Gilbert, Julia Arnall, Doreen Dawne, Edward Evans, Ruth Dunning, Sheila Sweet, Peter Bryant, Margaret Downs, Susan Beaumont, Michael Ward, Derek Sydney, Peter Taylor, Peggyann Clifford, Ivan Craig, Joseph Behrman. Director: JOHN PADDY CARSTAIRS. Screenplay: Vernon Sylvaine, John Paddy Carstairs. Story: Maurice Cowan. Photography: Jack Cox. Film editor: John Shirley. Art director: Cedric Dawe. Costumes: Joan Ellacott. Music composed and conducted by Philip Green. Songs; "Man of the Moment" (sung off-camera by the Beverley Sisters) by Jack Fishman, "Beware" (Wisdom) by Norman Wisdom, "Yodelee, Yodelay" (Wisdom and chorus), "Dream for Sale" (Wisdom) by Arthur Groves and Peter Carroll. Furs: Molho. Make-up: Geoff Rodway. Special effects: Bill Warrington. Camera operator: Jack Atcheler. Set continuity: Joan Davis. Sound editor: Archie Ludski. Production manager: R. Denis Holt. Assistant director: Robert Asher. Production controller for Pinewood Studios: Arthur Alcott. Sound recording: John Dennis, Gordon K. McCallum. Western Electric Sound System. Producer: Hugh Stewart. Executive producer: Earl St John. A Hugh Stewart Production. Made at Pinewood Studios, London. Presented by the J. Arthur Rank Organisation.Copyright 1955 by Group Film Productions Ltd. U.S. release through Rank Film Distributors of America. No New York opening. No recorded U.S. release date. U.K. release: 10 October 1955. Australian release through British Empire Films: 20 April 1957 (sic). 7,980 feet. 88 minutes. Cut to 83 minutes in Australia.SYNOPSIS: A minor Whitehall filing clerk inadvertently gains the confidence of an island queen.NOTES: TV comedian Norman Wisdom's third adventure on the big screen proved almost as popular as his previous outings. Although it missed a place on the top ten money-makers, it certainly ranked in the first twenty. All the same this slight slip puzzled Rank who wondered why this picture should take slightly less money when it received far better reviews, with all critics agreeing it was Wisdom's funniest.COMMENT: A grab-bag of frenetic visual gags and chaotic slapstick — some of it very funny. But there are two black spots. Both Wisdom and his main stooge Desmonde play all their material at such top speed they have nothing in reserve for a climax. And the final chase through BBC TV is so poorly mistimed, ineptly cut and generally mismanaged as to fall rather flat, despite all the guest appearances by the Grove Family, television chef Philip Harben, Bruce Seton as Fabian of Scotland Yard, Macdonald Hobley and so on.Belinda Lee looks radiantly charming, despite being somewhat miscast as a French villainess, would you believe? And cute Lisa Gastoni has but a tiny walk-on as a Geneva maid.A lot of money has been spent on props and sets and the destruction thereof. Cox's rather grainy, gray-toned photography often looks unattractive on the big screen, though most audiences will be laughing too much to notice. Wisdom has three songs, the liveliest of which, "Yodelee Yodelay", was eliminated in Australia as it was the easiest to remove without affecting continuity.

In his third film appearance as the lovable bumbling Norman, Norman Wisdom is a file clerk who becomes a delegate to a diplomatic conference, befriends the queen of a remote island, and winds up a knight. Wisdom's movie Norman became a knight nearly half a century before the Queen knighted Norman himself. "Man of the Moment" follows an episodic internal logic that provides Wisdom with ample opportunity to display his slapstick skills. Norman leaves rooms in shambles, tailors in shreds, and diplomats in bandages. His tea service at a government strategy meeting is hysterically priceless. Chased by gunmen, Norman runs through active TV studio sets and interrupts various programs and performances in progress; the results are inspired and funny. Meanwhile, Norman rarely looses his broad smile and cheerful demeanor.A Tony nominee for his Broadway appearance in the musical "Walking Happy," Wisdom has a fine robust singing voice and delivers three pleasant songs herein. Despite a tedious extended bomb-in-suitcase sequence that is more scary than funny, the movie moves. Norman has two love interests, Sonia, the unattainable blonde goddess, and Penny, the down-to-earth girl that he initially annoys. "Man of the Moment" has all the essential ingredients for a pleasant 85 minutes of entertainment: music, love, comedy, and, above all, Norman Wisdom.

A mostly pleasing star farce in which Norman Wisdom - who's so modest that his greatest ambition in life is to become chief filing clerk in a Ministry! - unwittingly tries his hand at international intrigue, as he gets to replace an indisposed British diplomat at a Geneva conference and causes no end of havoc!! There are some nice moments along the way (though there's an overabundance of songs), particularly during the flight to Switzerland, the initial business at the hotel and the climax in a TV studio (notably a running gag involving a French chef), but the subplot involving conflicts over a South Seas island (which Norman somehow ends up representing to the chagrin of his fellow delegates) is rather dreary.At least, the return of his co-stars from 1953's TROUBLE IN STORE (leading lady Lana Morris and comic foil Jerry Desmonde) elevate this to above medium grade. Belinda Lee also appears as a movie siren, Norman's dream-girl, who also turns up in Geneva but is exposed as a femme fatale involved in the plotting! The bumbling diplomat plot was reprised several times by other film comics, notably Danny Kaye in THE INSPECTOR GENERAL (1949), Terry-Thomas in CARLTON BROWNE OF THE F.O. (1958; co-starring Peter Sellers and also dealing with the fate of an island in the Pacific), etc.

This is one of those films that harks back to the days when people KNEW how to make entertaining comedy as opposed to the sophisticated, bitter and indigestible bilge turned out nowadays ! I have it on DVD and have watched it countless times. It is a cute and feel good film, with a touch of romance. Norman Wisdom is an exceedingly nice person and his "fraîcheur de vivre" is clearly evident in these, his early works.Humour is obviously a very subjective thing and today's audience, or part of them at least, supposedly sophisticated, but in reality cynical ,bitter, lost and searching for a meaning and a direction to their life will no doubt tax Norman Wisdom as pathetic, silly, childish, heavy-handed, over the top .......the terms abound nowadays ! But that is their sad loss !! I for one, love this stuff and lap it up like a thirsty dog. And why not indeed ! When I am feeling miserable or down in the dumps, I put one of these on and .......Hop ! tout va bien ! ( pardon my French ).That said, Man of The Moment is one of his better films plot wise and the dose of gestural humour, plot inventiveness, romance and action is just right for the spectator. Really enjoyable. When I see a film like this, I think "Thank God for British Cinema of the Fifties" for I don't know whether I'll still be alive if and when a renaissance of this genre comes !