When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

This film is so real. It treats its characters with so much care and sensitivity.

Exactly the movie you think it is, but not the movie you want it to be.

The film never slows down or bores, plunging from one harrowing sequence to the next.

The Devil comes out of the ground at a convent and chases the nuns away. Once he has hold of the place, a whole host of demons join him and they begin to intimidate everyone. Of course, in true Dracula fashion, as soon as those crosses show, up the devils have had it. The costuming is fun. There is a lot of tricky maneuvering and staging since there are so many more characters.

This short film by Georges Méliès runs for approximately three minutes and thus slightly longer then the common length for films back around 1899. And it surely needs this duration as the film is packed with action from start to finish. Good attention from detail from Méliès and we basically see the theme of good vs. evil, a recurring theme often used by Méliès in his works, more frequently than by other filmmakers back then certainly. Hardly anybody dared to depict the devil, but Méliès did not only do that all the time, but also played him himself. Basically the devil uses the art of deception in order to slowly take over a convent and his followers, little boys dressed as evil, rise as well. We see a huge devil grimace in the background and it looked slightly similar to an evil version of the moon from Méliès most famous film. When several priests with crosses show up, the spook is over pretty quickly and Lucifer himself gets vanished by Erzengel Michael come to life in the end. Worth a watch for silent film enthusiasts mainly for the story, but also for all the smoke and special effects.

This is another of Georges Méliès fantasy shorts. In this one Satan appears in a convent and takes the guise of a priest. Before long he announces himself and scares away the nuns. H then proceeds to make the place his own with various demonic décor and a selection of minions. The religious authorities eventually rise up and defeat him, banishing him from the convent.I wouldn't say this is one of Méliès best. It's still inventive and full of trick shots. We would expect nothing less from the great man. But it's perhaps not as visually interesting as some others he made at the time. Still well worth seeing if you are interested in the earliest days of film.

A priest is officiating at a convent, when suddenly he is transformed into the devil, who frightens away the nuns and turns the place into a outlet of Pandemonium. Another of Melies' wonderful combinations of stage and film magic, this tells a fine little story of the triumph of faith.But how did he get into the convent in the first place? This is one of the many previously lost or infrequently seen Melies pictures that have been made available by Serge Bromberg, David Shepherd and a myriad of other hands in the newly issued DVD set GEORGES MELIES: FIRST WIZARD OF CINEMA. Required viewing for anyone interested in the history of movies ..... and a lot of fun.