You won't be disappointed!

It really made me laugh, but for some moments I was tearing up because I could relate so much.

Easily the biggest piece of Right wing non sense propaganda I ever saw.

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

Dr. Julian Blair (Boris Karloff) is experimenting with brain waves, and determines to continue his work especially after his wife (Shirley Warde) dies. His daughter Anne (Amanda Duff) and his young associate Dr. Sayles (Richard Fiske) try to make him see reason. Meanwhile, Julian hooks up with a (mostly) phony medium (Anne Revere) and a hulking brute (Cy Schindell), and moves to a new town so as not to get in trouble with the law."The Devil Commands" has its entertaining, unusual touches, such as the sight of various corpses propped around a table, clad in what can only be described as space suits, in mockery of a traditional seance. But it's basically a routine B movie in the end, albeit capably directed by Edward Dmytryk, who was still years away from mainstream success with films such as "The Caine Mutiny"."The Devil Commands", taken from a story by William Sloane, has a very tight running time of 65 minutes, and tells its tale in a concise enough manner. It does have an adequate amount of atmosphere for any sci-fi / horror tale from the era, with some effective looking equipment. But Karloff remains the primary reason to watch, as he did with so many of the B pictures that he headlined. He's just so wonderfully sincere and plaintive, that your heart does go out to him ever so slightly, no matter if he is as mad as mad scientists get. The supporting cast is fine in general, especially Ms. Revere. Dorothy Adams has appeal as a housekeeper in the doctors' employ, and Kenneth MacDonald is solid as a sheriff trying to keep a mob from enacting some vigilante justice that, for all he knows, might possibly be unjustified.A decent viewing that won't take up a lot of your time.Six out of 10.

Devil Commands, The (1941) ** 1/2 (out of 4)Boris Karloff plays a scientist working with brain pulses. Once his wife dies he learns that even after death her brain still has these pulses so he tries to contact her. Decent, if not overwhelming, horror thriller features a good performance from Karloff but that's about it. The supporting cast is rather dull and the middle of the film really drags down, which isn't good when you consider the film is only 65-minutes. Worth watching if you're a fan of Karloff but not worthy of $20.

As for another viewer, this film was deposited in my memory banks a generation ago. This morning (4 Sept 2007) the TCM screen stirred that memory, so I taped and replayed the conclusion. The content is thin but the film is short, at least for a grown-up. Karloff is splendid, perfectly absorbed as ever in his character. His role is well supported by the evil medium-familiar woman with regulation severely-pulled-back hair. Dmytryk's touch is in evidence already, as every scene is well composed and lighted.But the reason why the film stuck in my aging memory, and the only reason for it to attract attention, is the stunningly realized seance scenes at the end. As other posters have described, this isn't just any seance: most of the participants have already crossed over, but they look bewitchingly cool sheathed in deco metal suits. (Another poster called them diving suits, but more like space suits you'd find on the covers of Amazing Tales in that era.) In classic seance style, all these suited bodies are seated around a table.As in Frankenstein and so many other movies since, the action in the lab scene mostly involves turning up the juice, which pours through the whole interlinked seance, adding a lot of hypnotic background noise. (And can be defended historically, since Spiritualists often used electro-magnetic metaphors to describe their rapport.)What happens then testifies to a lesson later film-makers probably can't re-learn: nothing is more suggestive than restraint. In two concluding scenes where Karloff finally gets the experiment up and running the way he planned, this well-built seance scenario comes to partial but mesmerizing life. A spinning vortex appears at the bodies' center. The voice of Karloff's dead wife breaks through in a grinding electronica: "Julian!"Then a lovely, unpredictable action: the seance cadavers in their space suits move ever so slightly, bowing toward the vortex in a series of click-actions. Then, when the electricity ceases, they click back into upright postures. Just as the Karloff character hears his wife's voice, something strangely suggestive of life beyond death occurs. The scene lasts only seconds but is repeated for the mob-finale. It's like an Eric Clapton solo, where you're touched less by what is actually played than all that might have been played. The performance stops at its peak moment, launching the audience's imagination in a way that extensions of the scene could never have accomplished.

One of several "Mad Doctor" films Boris Karloff made for Columbia Pictures in the '40s and often considered one of the best of that group by many fans. It's not bad, but it's only a notch above average in my estimation. Here we have Karloff as a scientist who has discovered a device for reading people's brain waves and then becomes obsessed with the idea of trying to communicate with his recently deceased wife. He enlists the aid of a somewhat eccentric phony mystic (Anne Revere) who becomes the dominant force in the partnership and sets the course for some potentially disastrous events.This movie was directed by Edward Dmytryk, so at least it enjoys some spirited dashes of mood and dreary lighting, which is one thing that elevates it just over the line of the ordinary. It's interesting to see long-time Three Stooges foil Kenneth MacDonald as a sheriff who suspects that strange goings-on are underfoot in Boris' mysterious house, and Anne Revere's stoic and power-hungry medium is an added benefit. Still, there's something which seems to be lacking here to keep this one from rising above "B" level. Karloff is quite good as the eager but harried scientist, emitting a range of different emotions during the course of the picture. **1/2 out of ****