The Death of Louis XIV
The Death of Louis XIV
| 31 March 2017 (USA)
The Death of Louis XIV Trailers

August 1715. After going for a walk, Louis XIV feels a pain in his leg. The next days, the king keeps fulfilling his duties and obligations, but his sleep is troubled and he has a serious fever. He barely eats and weakens increasingly. This is the start of the slow agony of the greatest king of France, surrounded by his relatives and doctors.

Reviews
Intcatinfo

A Masterpiece!

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SparkMore

n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

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WillSushyMedia

This movie was so-so. It had it's moments, but wasn't the greatest.

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DipitySkillful

an ambitious but ultimately ineffective debut endeavor.

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BasicLogic

actually is no different from any common people, no matter how many subjects surrounded His Royal Highness's deathbed. You cursed someone you hated so much with harsh words like: "I wish you die alone and nobody will give a Fxxk!" Well, practically and realistically speaking, everybody indeed die alone; your parents, your wife, your husband, your kids, your friends won't join you and die with you, no matter how they love you or hate you; and these people aforementioned, would also die alone one by one. When a plane or car crashed, a ship sank, a building on fire and collapsed like the twin tower of World Trade Center, an earthquake cracked up the mountain slop and crashing down on a village on the foothill, a whole village wiped out instantly; people died in great number at the same time in a mass death toll, even so everybody still died alone, in group, large or small, but every one of them still died alone. After hundreds of people eating the same food on the hot-cold counter-top in a buffet restaurant, when they take dump at home or elsewhere afterward, the stinking smell would be in some degree almost the same, to some degree, nobody can be separated and distinguished differently, and you cannot claim that yours got some independent unique odor. Dying is always a lonely process no matter what. And for this film, all you should do is to focus on the cinematography, the lighting, the make- up, the costumes and the score(soundtrack) and the acting of all the participating actors. "Eight Million Ways to Die in L.A." still meant that you are the only person to die there, and die alone.

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gsandra614

Every frame of this movie could be an art museum masterpiece. I can't remember seeing such a beautifully mounted production. The acting was finely nuanced. This is a study of regal life and death. It's interesting to note how far medicine has advanced since those days -- an advance we blithely take for granted.I loved this movie mainly because it is beautiful. The garments, the hairpieces, the attention to detail in every frame is just incredible. I liked that the camera lingered on the faces of the players so that we viewers could take in the beauty of it all. Few movies achieve this level of art. A feast for the eyes.

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asako

I totally agree with the assessment of the first reviewer: it is a beautiful, claustrophobic film with very little "drama". One thing I would like to add is that the film depicts the dying king with great respect and dignity. Having touched by death of elderly family members in recent years, I appreciated the film's compassionate and dignified portrait of Louis XIV and the people who served him closely. There is no political intrigue or ugliness in the film. It quietly and matter-of-factly tells a story. So even though the film's main theme is death, it is not a depressing film and you leave the theater marveling the fine acting of Jean-Pierre Léaud.

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Ayal Oren

The biggest wonder of this film is that it had most of its audience sitting all the way through. For almost 2 hours of every minute detail of the last days of Louis the 14th, the greatest king France has ever known. Truth is though we do follow every minute detail we don't really see every thing. In fact what we do see is mostly close ups of the faces of the protagonists (mostly the face of Jean-Pierre Leaud who does a superb work as the dying king betrayed by his body, but keeping his mind sharp to the very last moment), we often only get to hear whats taking place while we keep on seeing these close ups. The result is a very beautiful, claustrophobic film, with very little plot development and very little action. Theatrical in the most cinematographic way - namely it's very theatrical but we always get to see it through the eye of the camera, did I forget to mention loads of close ups. So I did stay focused all the way to the end. And I do appreciate the technical mastery of the director and the cinematographer. And the acting was first class. But there's too little of any other element that could make it into a real masterpiece.

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