This Movie Can Only Be Described With One Word.

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Blistering performances.

I enjoyed this movie and the fact that it is split into chapters and all the characters tie together. Each chapter you learn a little more about them and it doesn't all make sense until the final and you get one of those "aha" moments and I liked that. I thought the ending was a little weird though, I thought it would have been more exciting, but it was just, OK well that's it then. Other than that I would say good watch. The characters are all interesting and you really get a feel for their lives in the short chapters, especially the wife and the sister, those two were very emotional. I really like the fact that you don't know what is going to happen at the end until it reaches the end, it is impossible to predict, unlike some other movies that are predictable.

I watched this a couple of days ago and didn't quite know what to make of it. I still don't really. Stunning beginning as we find the 'Dead Girl', or at least someone that lives nearby does. And she has a terrible mother. Then as the film progresses we meet others affected by the death of the girl, until in the end we see the final day of the girl herself. So this is not a film of an incident seen differently by different people but, more simply a film made up of several short films, if you like, all dealing with one of the pertinent characters. A woman director has taken full on the contradictions and difficulties in being a mother, a daughter, a sister and a wife. It is meticulously done but I wasn't always convinced. I can tell this was meant well but did I really believe in the serial killer and his wife? The girl herself and her mother? Central problem , I think is because we do not see these people interacting we remain a little in the dark. I know its old fashioned but if this has had a more linear construction it might have been easier to connect and believe in these people for as it was there was a certain dislocation, a coolness and a separateness that allowed us the viewer off the hook. I had no feeling that the separate sequences added together to make anything more than the parts and I think they should have.

The story of "The Dead Girl" is broken into five chapters - each focusing on a female character connected in some way to a corpse dumped beside a highway. The first deals with a socially inept young woman, who happens upon the body of a murdered girl during an early morning walk. Somehow the self esteem she gains from the discovery gives her the strength to escape from a constrained life. The second segment concentrates on a female pathologist whose older sister had mysteriously disappeared some years earlier. During her examination of the victim in the morgue, she becomes convinced the corpse is that of her missing sister. The third narrative fragment relates how a neglected wife handles the unexplained absences of a sinister husband. The main character in the fourth episode is the dead woman's mother, who arrives to identify the body, meets her daughter's room-mate - and in the midst of grief has an unexpectedly hopeful encounter. The last chapter tells the story of the murdered girl's last day, and how she came to meet her killer.Needless to say the film is no comedy. The excellent direction, strong characters and sensitive performances combine to lift it above the bleakness of its subject matter, and each of the episodes is intense and contains surprises. If one were being picky, one might argue that the placement of the victim's meeting with her murderer at the end of the film brings it to an unnecessarily downbeat conclusion - but either way, the story has a powerful emotional resonance.

The body of a young woman is discovered naked in a field. This film tells four short stories about the people around this person, and a fifth about the girl herself. It is an amazing achievement, like if Alejandro González Iñárritu made a film where the story worked. The first segment deals with the woman who finds the body (Toni Collette), her unbearable mother (Piper Laurie) and the possibly dangerous stranger she meets (Giovanni Ribisi). The second story is about a young woman (Rose Byrne) whose own sister has been missing for the past 15 years. Of course she misses her sister, but her life has been consumed by her mother's desperate belief that her daughter is alive (Mary Steenburgen plays the mother and Bruce Davison her father). When Byrne, working as a mortician, comes upon the young girl's body, she thinks it may be her sister. Or at least she hopes so. James Franco also stars as Byrne's co-worker who wants to be more. The third segment is about the killer himself (Nick Searcy) and his long-suffering wife (Mary Beth Hurt), an extremely religious and oppressive woman who has probably driven Searcy to multiple murders. Hurt discovers her husband's dirty secret. The fourth segment is about the dead girl's real mother (Marcia Gay Harden), who has to come to grips with her own failure as a mother (her daughter ran to L.A. to become an actress and instead ended up a prostitute). The fifth and final stars Brittany Murphy as the girl. It's pretty hard to watch so soon after her death. It's absolutely devastating. Most of the movie is quietly devastating. The second segment, even if it didn't directly connect with Murphy's character, was the most powerful to me. Byrne and Steenburgen are both undervalued actresses, and the climactic argument between them is extraordinarily powerful. My second favorite would be the fourth segment. Marcia Gay Harden is another actress who can almost never do wrong, and she delivers here (in a film of great performances, hers is definitely the best). I liked the other three segments a lot, too. Writer/director Karen Moncrieff falls into melodrama once in a while, especially during the final sequence (though she ends it at a perfect moment, encapsulating the film's major theme, of mother/daughter relationships) - junkie prostitutes are a film subject that is maybe a little too overexplored. But mostly she creates three-dimensional characters and moving situations. Her direction is not unique, but I'd rather have it straight than showy (screw you Iñárritu). Plus, the most overlooked aspect of direction is bringing out the performances, and she does that over and over again here. It's a remarkable film (that certainly did not deserve to be released pretty much straight to DVD, though I definitely see how hard this one would be to sell). I want to see her first feature and I hope to see Moncrieff find a place in actual theaters in the future.