The Cremators
The Cremators
PG | 06 September 1972 (USA)
The Cremators Trailers

An alien life form, resembling glowing rocks, summons forth a huge, rolling ball of fire, whenever threatened, that incinerates people.

Reviews
Ogosmith

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

... View More
Rio Hayward

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

... View More
Bob

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

... View More
Delight

Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.

... View More
Woodyanders

An evil lethal bright orange yellow fireball comes to earth and goes on a rampage in a remote lakeside area; the flaming thing rolls over various hapless folks and reduces them to ashes. It's up to nerdy scientist Dr. Iane Thorne (blandly played by Marvin Howard) to figure out a way to stop it before it's too late. Writer/director Harry Essex, who also wrote the scripts for the classic 50's fright features "It Came from Outer Space" and "The Creature from the Black Lagoon," pukes forth a 50's style micro-budget clunker that boasts all the necessary bad movie vices to qualify as a real four-star stinker: the flat acting from a lame no-name cast (flash-in-the-pan 70's drive-in flick starlet Maria De Aragon in particular just takes up space as fetching love interest heroine Jeanne), sluggish pacing, ragged editing, rough, grainy cinematography by Robert Caramico, meandering narrative, a roaring, overwrought score by Robert Freeman, several ludicrous touches (the fireball stalks people before it kills them!), and a hackneyed "it ain't over yet!" ending all combine together to create one laughably lousy and leaden lump of a total stiff. Only Doug Deswick's surprisingly nifty special effects manage to impress. A shamefully unsung crud anti-classic.

... View More