Admirable film.
... View MoreWhen a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.
... View MoreVery good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.
... View MoreAlthough I seem to have had higher expectations than I thought, the movie is super entertaining.
... View MoreGeorge Hogg was a British journalist in the 1930's who managed to get into Nanjing during the Japanese occupation of China, and who witnessed examples of Japanese atrocities while he was there. Circumstances led him to an orphanage, where he took it upon himself to keep the 60 or so children in the orphanage safe from the Japanese by eventually leading them on a 1000 kilometre hike to a place of safety on the edge of the Gobi Desert.There are a few scattered scenes of excitement here, revolving mostly around the Japanese. Those scenes are well done, with some especially well portrayed strafing runs by Japanese fighter planes against civilian targets. For the most part, though, this is not an exciting movie. It's a worthy movie. It's a story that deserves to be told. Jonathon Rhys Meyers was quite believable as Hogg, and there's a great depiction of China - all the way from the scenery along the way as the group journeys, to some reflection (probably not enough) on the tensions between the Communists and the Nationalists, who worked out an uneasy alliance with each other to defeat the Japanese during the occupation.The movie seemed to me a bit too long. In particular, after the opening few minutes, when the Japanese atrocity in Nanjing occurs, the next hour or so until the journey begins is quite slow going. Overall, though, this is a good tribute to George Hogg, and I especially liked the very moving reflections offered as the closing credits rolled by some of the orphans (now adults) who shared their memories.
... View MoreThe only reason I decided to watch The Children of Huang Shi was because of the presence in the cast of Chow Yun-Fat and Michelle Yeoh, two legends of Asian cinema whose work has been hugely enjoyed by me on many action and martial-arts movies.But, before watching The Children of Huang Shi, I already knew I was not going to see Yun-Fat sliding on a stairs' rail with a weapon on every hand, killing gangsters to right and left; and that I was not either going to see Yeoh spinning through the air before kicking the oppressor (or something similar) of a humble town.So, let's say that my expectations for this movie were not too big, and even like that, the final experience did not leave me very satisfied, although I cannot say I disliked the experience.Director Roger Spottiswoode made good works on previous war films he directed (Hiroshima, Air America and Under Fire) and he backed to present a realistic war setting in The Children of Huang Shi, because he could create a good atmosphere and very well filmed war scenes.On the other side of the coin, we have a not completely solid screenplay which falls on many clichés: the stoic Occidental hero helping the "primitive" Asians; the nurse who has a harsh attitude but who is secretly vulnerable; the innocence of the kids going beyond of the horrors from the war...I wanna let clear that all my complains are against the weak structure from the movie and not against its good intention of honoring the memories of all the people who died during the war portrayed in here.It is not difficult to imagine the story of this movie being made during the 50's, with Spencer Tracy and Bette Davis in the leading roles, but with France instead of Japan as the oppressed country.However, that stale sensibility does not grow old with too much grace, and now, in the 21st century, the pretension of setting the English hero imposing his values on the "inferior" foreigners skirts on the most condescending racism.Or, expressing all that in other words...would this movie have been made if the hero was not an interpreted by an attractive English actor (Jonathan Rhys-Meyers) with good commercial expectations? I am used to see that kind of hypocrisy on Hollywood films (an example which comes to my mind at the moment is The Last Samurai), but it is obvious that also international productions like this one are not free of falling on that temptation.However, in spite of not having left me very satisfied, I think The Children of Huan Shi deserves a slight recommendation because it is not boring, the performances are decent and the direction is good.If I had to summarize this film, I would say it is not bad, but it is mediocre and I feel it could have been better.
... View MoreLast year wifey won some tickets to see this at the cinema. We never got round to it, but on the weekend it was wifey's choice of movie (being her birthday and all) and she picked this."Children Of The Silk Road" is based upon the remarkable true story of journalist George Hogg (played by the annoying Jonathan Rhys Meyers, in his finest work since "Bend It Like Beckham), a Brit who during the 30's found himself in China looking for untold stories and ended up being the saviour to a heap of young orphan boys.Hogg bravely chose to go to China in the 30's to try to tell the world about the atrocities being committed by the Japanese soldiers on innocent civilians. He gets caught by the Japanese early on into his trip and is about to be murdered when he saved by a small band of Chinese fighters, headed by Chen (Chow Yun-Fat, in his finest work since "Ban wo chuang tian ya"). Chen helps him on his way, where he eventually comes across an orphanage in an abandoned grand building. Here he meets up again with US nurse Lee (played by Radha Mitchell, in her best work since some guest appearances on Aussie sitcom favourite "All Together Now"). She challenges George to stay and help these abandoned boys rather than just run back home like a little nancy boy. George stays and ends up dramatically changing the boys lives. Word soon reaches him though that the Japanese will be coming, so he must take them on a seemingly crazy 700mile journey through the rough Chinese winter to refuge. Will they survive and reach freedom? See it to find out.Not bad and certainly inspiring in pieces. Meyers pulled it off reasonably well considering how unappealing he is to men in general, if not for a few scenes that were uncomfortably awkward. One of the better movies set in China I've seen, perhaps even better than "Rush Hour".
... View MoreWho was George Hogg, really? Do an Internet search and you'll see that his name is variously interpreted as a "footballer," a midshipman on the Titantic, and various unknowns in genealogy charts. But Nie Quangpei, a Chinese orphan whose life Hogg saved, had this to say: "They say there isn't a perfect man in this world, but Hogg was." Nie,now a middleaged tradesman in the PRC, seems to have had more insight into the forging of character than the writers and director (Australian Roger Spottiswoode) of the film. "He changed," says Nie of Hogg's transformation from a raw university graduate to a father figure to 60 boys under extraordinary circumstances. "He became a different man."While the facts are not widely public except to Sinophiles, they are impressive on their face. An English blueblood and Oxford grad, the handsome Hogg (Jonathan Rhys Meyers)tried his hand at journalism in wealthy, up-and-coming Shanghai and could have led the good life for the duration of WWII. Instead he connected with a like-minded benefactor, Rewi Alli, to determine what could be done with orphans and the homeless. After mastering Mandarin he became the headmaster of Shuangshi-pu school, mostly for orphans, in a northwestern province. He made a success of teaching and administering there until fear of the oncoming Japanese invasion convinced him to leave. Managing to cross some 600-700 miles in the dead of winter with children and books on carts, he re-established them in a converted monastery--all with little help and few resources. Though keenly aware of the irony of staying in China while his own country was under threat, Hogg came to terms with who he was and was deeply loved by his charges in the process. Today a statue in his honor stands in his final resting place in Shanan, Gansu.Spottiswoode, though, prefers to go for the blood, sex, and supposedly, the glory. Briefly seen as a journalist at parties in Shanghai, his Hogg finds a way to make it to Nanking to get the perfect story on the Japanese invasion, but while there nearly suffers a beheading when the invaders discover him. (In reality, the Japanese had their hands full with just dispatching locals with guns--the efficient killing method of choice--for the most part ignoring Westerners.) Just in the nick of time, Hogg is saved by a counter-revolutionary (a suave, goatee-bedecked Chow Yun Fat) and a beautiful American nurse, Lee (Australian Radha Mitchell), whose presence in circumstances of extreme personal peril is never entirely explained. But no matter: she is portrayed as the one who convinces Hogg to take shelter in an orphanage, to learn Chinese and otherwise take a breather. As she comes and goes to the orphanage, her existence means a film opportunity for romance, as though Hogg's real-life challenge of adapting to near-starvation conditions and nurturing traumatized children could have been inspiration enough for anyone. A hint of a love triangle also surfaces in the person of a beautiful, exquisitely dressed local merchant of opiates (Michelle Seoh) who will go to any lengths to serve Hogg's cause.History, as documentarian Ken Burns has proved, can be compelling in its own right. It can both stranger than fiction and more powerful, as we see the choices others have made that we do or don't choose to emulate. A decent tribute to Hogg's life would have demanded that his unheralded acts stand in stark relief to the pointless cruelties of war around him. That didn't happen in this movie. His legacy to the weak and unfortunate lives on, most recently in a book published this January in Beijing (Ocean Devil, by James MacManus). And final testimonies at the end of "Children of Huang Shi" from boys saved by Hogg--boys who are now in late middle age--do something to capture the essence of respectful biography but still, not nearly enough. The movie was exquisitely filmed in Chinese and Australian locales at a 40 million budget and unfortunately has grossed only 691,000 as of late July. If history and film could align a little more closely, I like to think that both the audience and box office would have profited.
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