The Childhood of a Leader
The Childhood of a Leader
NR | 22 July 2016 (USA)
The Childhood of a Leader Trailers

The chilling story of a young American boy living in France in 1918 whose father is working for the US government on the creation of the Treaty of Versailles. What he witnesses helps to mold his beliefs – and we witness the birth of a terrifying ego.

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Reviews
CommentsXp

Best movie ever!

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Spoonatects

Am i the only one who thinks........Average?

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Doomtomylo

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

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Lidia Draper

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

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Michael Ledo

PLOT SPOILER REVIEW...if I understand it.The story is about a precocious, insolent, young American boy Prescott (Tom Sweet), growing up in France as his dad (Liam Cunningham) negotiates the Treaty of Versailles, which many say lead to the second World War. H.L. Mencken claimed the Second World War was fought because we backed the wrong side in the first war.The film is organized as a musical opera, implying there is a conductor over us and history is set whether it is Hitler or Prescott, the wheels are in motion. The dialogue about history "It happened before" shows that things go in cycles and nothing really can stop it.The picture is nearly half in French. It is slow and boring, even the groping parts. The parents gave Prescott far too much freedom, although that is certainly not the case of evil dictators making me question what was the whole point? And the gap between the childhood and the last 8-10 minutes of the film, I would consider more important than Prescott dressing up as a girl, groping his teacher and screaming he doesn't believe in prayer. Yawn.The film has won numerous awards and is critically acclaimed. I think everyone is out of step, but Johnny.Guide: No swearing, sex, or nudity.

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adonis98-743-186503

A chronicle of the childhood of a post-World War I leader. The fact that i even wasted 1 hour and 56 minutes of my life in this film makes me a pretty dumb person to be honest. I do like some of the actors that star in this film like Liam Cunningham, Robert Pattinson and even Stacy Martin. But the movie doesn't give to anyone any actual chance to prove their actual talent i mean common? What was even the purpose to have Robert Pattinson in this movie? He doesn't do anything he is useless and the fact that he plays even a 2nd role the role of the Leader makes no sense at all and what makes it even worse it's how fake the beard and his bold head look like. The parents of Prescott both pretty much suck at Parenting especially his Father he doesn't even try to come closer with his son and the same goes for his Mother even the characters that i thought were at least decent like Mona and the Teacher even those turned out to be pretty screwed up and the entire film makes no freaking sense it doesn't have a script, a story and it definitely doesn't have a good director, the movie has all those boring long shots of people walking up and down stairs with some pretty good music (the only good thing about the movie) playing in the background in scenes that aren't even supposed to be epic. The first 59 to 60 minutes were kinda and i say kinda half decent but once the film started going for one hour it started going downhill with some pretty dumb hilarious dialogue like the mother saying "i'm bleeding" when clearly she isn't as her husband touches her and his response is like "i'm not in mood anymore bye" seriously stuff like that actually happen in the movie. And Prescott's behavior doesn't even make that much of a sense on it's own he is just running around and he either stays in his room without eating or just falls down a couple of times. Plus the final shot of the film is the most dizzy and stupid scene i have seen in a movie in years it makes Paul Greengrass shaky cam look like a Masterpiece. Overall this movie did start kinda promising and like i said the soundtrack was pretty good and even haunting at times but it's used in moments that shouldn't even have music like that i would advice you to never seen this movie. (1/10)

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A_Mauro

This is a Initially it seems an interesting and dark movie, but the course of the film it is clear that the script and the dialogues have no rhyme or reason.The idea of the script is interesting, but unfortunately it's just an idea. Many points are left open in the story that is essentially weak. The main character who is a kid is pretty dumb and it is impossible to know how he evolves into a supposed leadership. The soundtrack is higher than the dialogues and compete with each other. The only thing that is reasonable is photography, which brings a dull and tense atmosphere. I saw this movie without consulting the opinions of IMDb. Otherwise I would not have seen it. It's just a waste of time.

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rhoda-9

You're led to expect something really powerful and frightening by the opening shots of World War I and a nerve-jangling, portentous score. And, indeed, your expectations are well rewarded when the child of the title...wets his bed! plays an angel in the church Christmas play!It's hardly a bold or singular premise that a disturbed childhood will create a damaged, perhaps dangerous adult. But the movie's portrayal of cause and effect is so simplified as to be ridiculous. Plenty of neglected children--the condition is hardly the rarity the filmmakers seem to think, especially among wealthy people 100 years ago--grow up to be normal adults. Some become nasty ones. Some, in reaction, become humanitarians. If the cause and effect are so cut and dried, why don't we have 50 million fascist dictators? Could it be because a great many emotional and intellectual attributes, a great many factors of class and opportunity and geography and history are necessary for someone to become a fascist dictator? An unhappy childhood is hardly the only qualification!The script and director also ignore the most basic rules of portraying an unhappy childhood, rules that have been followed by every writer and director of merit. First: If you cry, they won't. Kipling, Graham Greene, Henry James, Dickens--everyone who has done this well has shown the mistreated child suffering in silence or near-silence, so that the reader or film-goer supplies the emotions of sadness and anger and indignation. In this film, however, the child is constantly outraged, insolent, aggressive, at times violent, so he pre-empts all our emotions. It is hard not to regard him as simply a nuisance and a bore. Second, feeling sorry for a character is not enough to make us like him or even be interested in him. The boy is front and center in almost the entire film. But he never does or says anything interesting, charming, sweet, selfless, funny, quirky. All he does is throw tantrums. Kids like this are one of the things I go to the movies to get away from!

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